"His Le bestiaire provides beautiful atmospheric drawings and is exceptionally beautifully executed."Mania, 09-10-2020
Sweet Saint-Saëns and wicked Apollinaire may be empires apart, but their hilarious animal portraits in Le Carnaval des Animaux and Le Bestaire ooze the same satirical genius. Belgian composer Piet Swerts translated the evident musicality in the Bestiaire poems into real melodies, and he rearranged
Le Carnaval for clarinet, strings and piano. The acclaimed Roeland Hendrikx Ensemble fuses both zoos in an unparalleled chamber-musical Animal Farm which showcases the grand façades but also the foibles of the normal, and not so normal creatures that populate it.
Roeland Hendrikx is one of the leading clarinetists in Belgium.
He appeared as a soloist with the Belgian National Orchestra, The Flemish Symphony Orchestra (B), I Fiamminghi (B), the Beethoven Academy (B), the Flemish Radio Orchestra (B), The Limburg Symphonic Orchestra (NL), the Georgia Philharmonic (US), the Symphonic Orchestra of Lithuania and the Philharmonic Orchestra of Hagen (Germany). In April 2018, Roeland Hendrikx recorded works for clarinet and orchestra of Mozart, Finzi and Bruch with the London Philharmonic Orchestra, conducted by Martyn Brabbins, in the famous Henry Wood Hall in London. The album will be released in October 2018.
Roeland Hendrikx is also passionate about chamber music. As a distinguished chamber musician, he has performed at well known international music festivals and venues. He played with renowned artists and string quartets (amongst others Liebrecht Vanbeckevoort, Severin Von Eckardstein, Ursula Gorniak, France Springuel, Panocha Quartet, Tempera Quartet (Finland), Vega String Quartet (USA) and Danel Quartet. In 2015 Roeland Hendrikx set up his own chamber music ensemble, (Roeland Hendrikx Ensemble), which focuses on the rich repertoire for clarinet, piano and strings.
Roeland is teaching clarinet at the Maastricht Conservatory (The Netherlands) and the LUCA School of Arts in Leuven (Belgium). He has given masterclasses in Europe, China, Japan, and the US.
In 2015 Roeland Hendrikx founded his own chamber music ensemble, which essentially focuses on the rich repertoire for clarinet, piano and strings. In the largest line-up, there are six musicians on stage, but programmes in trio, quartet or quintet formation are also on offer.
Although he gave his name to the ensemble, and remains its inspiration and driving force, Roeland exclusively works with like-minded colleagues. These are chosen in function of their technical and expressive craftsmanship, but also on the basis of the stripes they have earned in other ensembles, and the uniqueness they contribute to the chemistry of the ensemble. Because the Roeland Hendrikx Ensemble is a permanent collective that remains loyal to a small number of musicians, it can function – much more than any ad hoc formation – as a laboratory in which various spirits and styles can collaborate towards one overwhelming melting point.
The Roeland Hendrikx Ensemble is often praised for its technical perfection and the special symbiosis that emerges when individual talents consciously choose to collaborate instead of engaging in fleeting experiences. The ensemble has only one goal: to move, to enrapture, ... and to provide a memorable listening experience.
His Le bestiaire provides beautiful atmospheric drawings and is exceptionally beautifully executed.