After lessons with Karl Maureen and Hedwig Bilgram, Michael Eberth studied with Jean-Claude Zehnder (harpsichord and organ) and Jean Goverts (fortepiano) at the Schola Cantorum Basiliensis. 1984 »Diploma for Early Music« in harpsichord, 1985 in organ. Further studies with Jos van Immerseel, Kenneth Gilbert, Luigi Ferdinando Tagliavini, Harald Vogel, Michael Radulescu, Johann Sonnleitner and Gustav Leonhardt. From 1988 to 2008, he taught harpsichord, chamber music and basso continuo at the Richard Strauss Conservatory in Munich. Concert activity with various soloists and ensembles (Robert Crowe, Joel Frederiksen and Ensemble Phoenix-Munich, Salzburger Hofmusik, Berliner Lauttencompagney, Valer Sabadus, The Bach Ensemble New York).
Concerts in Germany, Italy, Austria, Slovenia, France, Switzerland, South Korea, South Africa, Vietnam and the USA, as well as numerous radio and television productions. From 2004 to 2011, he was privatdozent for harpsichord at the Mozarteum University in Salzburg.
Since 2008, Michael Eberth has taught harpsichord, clavichord, basso continuo, chamber music and notation studies as an honorary professor at the University of Music and Theatre in Munich, where he headed the Institute for Historical Performance Practice from 2016 to 2021. He is chairman of the Forum Alte Musik Augsburg e.V.

Born in Kempten in 1960, the lyric tenor was initially a student of Florian Mayr, later of Ingrid Bettag and James Taylor, and most recently studied under Sami Kustaloglu. He performs as a soloist, primarily in southern Germany, with a repertoire focusing on Baroque and Romantic literature. Gerhard Hölzle sings in concerts and performances with professional solo vocal ensembles and choirs in Germany and abroad, with whom he also participates in radio and CD productions. Together with Marcus Schmidl, he directs the professional ensemble Cantus München (www.cantusmünchen.de), which is dedicated to Renaissance music in the German-speaking world, but also to music of Christian-Jewish dialogue. The Cantvs München Foundation supports the ensemble in its work.

Angelika Radowitz, born in Krumbach, Swabia, studied oboe at the Leopold Mozart Conservatory in Augsburg with Georg Fischer and privately with Gerhard Veith, as well as recorder with Hermann Elsner and Christian Ohlenroth at the Richard Strauss Conservatory in Munich. Scholarship from the City of Augsburg. Teaching diploma in oboe and recorder. Diploma in Baroque oboe with Hans-Peter Westermann at the Academy of Early Music in Bremen. Dulcian studies with Bernhard Junghänel. Courses and seminars with Ku Ebbinge, Alfredo Bernardini, Paul Goodwin, Han Tol, Gabriel Garrido and Michael McCraw. Regular collaboration with various Baroque orchestras (Salzburger Hofmusik, La Banda Augsburg, Leipziger Barockorchester, Kölner Barockorchester) as well as CD productions and radio recordings in Europe (Poland, Sweden, Portugal). 1999 to 2001 Postgraduate studies in the master class with Katharina Arfken at the Schola Cantorum Basiliensis. Since spring 2002, she has led the Augsburg Wind Trio and Wind Quintet. Angelika Radowitz taught at the University of Augsburg from 1992 to 2014, lectured at the municipal singing and music school in Munich. In 2008, she founded the dulcian ensemble Dulcisonantes-die Stadtpfeifer. She currently researches and performs 17th/18th-century music for oboe ensembles. Since 2006, she has been a member of the organising team of FAMA e.V., the Forum for Early Music in Augsburg.