account
basket
Challenge Records Int. logo
Danzas - from Taboo to Triumph (vinyl)
Various composers

Ensemble La Ninfea

Danzas - from Taboo to Triumph (vinyl)

Price: € 25.95
Format: LP 12inch
Label: Perfect Noise
UPC: 0719279934144
Catnr: PNLP 2408
Release date: 26 April 2025
Preorder
1 LP 12inch
€ 25.95
Preorder
 
Label
Perfect Noise
UPC
0719279934144
Catalogue number
PNLP 2408
Release date
26 April 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

A daring album: Inspired by once forbidden dances, Ensemble La Ninfea combines things that don't actually belong together - tango & chaconne, sarabande & waltz, from Monteverdi to Mozart, from Handel to Piazzolla. These dances have never been heard like this before! This Anniversary Album celebrates 15 years of Ensemble La Ninfea!

DANZAS – from Taboo to Triumph: Initially frowned upon and forbidden, then socially accepted and the height of fashion: the infectious rhythms of dances imported from Latin America conquered all of Europe and led to a kind of dance mania. This arrived in several waves - around 1600 for the sarabande and ciaccona, then around 1900 for the tango. Some celebrated this liberation of the body, others saw it as the downfall of the West. Despite being at times banned by the authorities, their popularity was not reduced. In this “crossover” project by La Ninfea, the genres and dances meet and mix. Historical dances suddenly turn into tangos, while a tango shows itself in baroque dress - a musical bridge spanning centuries and social conventions.
Ein gewagtes Album: Inspiriert von einst verbotenen Tänzen verbindet La Ninfea, was eigentlich nicht zusammen gehört – Tango & Chaconne, Sarabande & Walzer, von Monteverdi bis Mozart, von Händel bis Piazzolla. So war diese Musik noch nie zu hören! Dieses Jubiläumsalbum feiert 15 Jahre La Ninfea!
DANZAS – vom Tabu zum Triumph: Zunächst verpönt und verboten und schließlich doch gesellschaftlich akzeptiert und à la mode: In mehreren
Wellen – um 1600 mit Sarabande und Ciacona und um 1900 mit dem Tango – eroberten die ansteckenden Rhythmen von lateinamerikanischen Importtänzen ganz Europa und führten zu einer Art Tanz-Fieber. Die einen feierten damit die Befreiung des Körpers, die anderen sahen darin den Untergang des Abendlandes, was sich in Verboten durch die Obrigkeiten zeigte und dennoch die Beliebtheit nicht zu schmälern vermochte. In diesem
„Crossover“-Projekt von LA NINFEA begegnen und vermischen sich die Gattungen und Tänze. Historische Tänze verwandeln sich plötzlich in einen Tango, während ein Tango sich in barockem Kleid zeigt. Eine musikalische Brücke über Jahrhunderte und gesellschaftliche Konventionen!

Artist(s)

Ensemble La Ninfea

La Ninfea (Italian the water lily) “is one of the liveliest and most creative early music ensembles in Germany.” (Radio Bremen) The ensemble feels just as at home in renowned venues such as the Musikverein Wien or the Elbphilharmonie Hamburg as it does in small music societes or schools. This is because La Ninfea is convinced that music belongs to all places and can fascinate everyone, everywhere. La Ninfea's work focuses on concept-based programs, often developed as interdisciplinary projects with puppetry, text or dance, and thus reaches various people interested in culture in a direct and creative way. Historically informed performance practice, detailed research and creative communication are the driving force for the ensemble. “This is how music should be performed:...
more

La Ninfea (Italian the water lily) “is one of the liveliest and most creative early music ensembles in Germany.” (Radio Bremen)

The ensemble feels just as at home in renowned venues such as the Musikverein Wien or the Elbphilharmonie Hamburg as it does in small music societes or schools. This is because La Ninfea is convinced that music belongs to all places and can fascinate everyone, everywhere. La Ninfea's work focuses on concept-based programs, often developed as interdisciplinary projects with puppetry, text or dance, and thus reaches various people interested in culture in a direct and creative way. Historically informed performance practice, detailed research and creative communication are the driving force for the ensemble. “This is how music should be performed: as if the ink wasn't yet dry, spontaneous and fresh, but with the most precise research beforehand.” (Ö1)


less

Christian Heim (viola da gamba)

Nadine Remmert (harpsichord)

Marthe Perl (viola da gamba)

Stefan Gawlick (percussion)

Composer(s)

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School.  At 17, Mozart was engaged as...
more

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.


less

Antoine Forqueray

Antoine Forqueray stems from a family of musicians, comparable to (but less famous than) the Couperins. He was educated as a viola a gamba player at the French court, under the protection of Louis XIV. In 1789 he was appointed as royal chamber musician. As a younger contemporary of Marais, he was one of the most famous gamba players of his time, and he also composed Pièces de viole and harpsichord pieces which betray more Italian (Corelli, Vivaldi) influence than French. Many of the harpsichord pieces were arranged by his son Jean-Baptiste (1699-1782) and only published in 1747. Rumor has it that the son reported his father to the Parisian police because of ‘fraud, visiting whores and gambling’ since he...
more
Antoine Forqueray stems from a family of musicians, comparable to (but less famous than) the Couperins. He was educated as a viola a gamba player at the French court, under the protection of Louis XIV. In 1789 he was appointed as royal chamber musician. As a younger contemporary of Marais, he was one of the most famous gamba players of his time, and he also composed Pièces de viole and harpsichord pieces which betray more Italian (Corelli, Vivaldi) influence than French. Many of the harpsichord pieces were arranged by his son Jean-Baptiste (1699-1782) and only published in 1747. Rumor has it that the son reported his father to the Parisian police because of ‘fraud, visiting whores and gambling’ since he was jealous at him with his greater success in the 1720’s.
(Source: Musicalifeiten.nl)
less

Claudio Monteverdi

Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today. Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional...
more
Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today.
Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional Renaissance polyphony and began to employ the basso continuo and recitative to do better justice to the text.
Monteverdi wrote amongst others eight books of madrigals, two collections of liturgical music and various operas. The opera L'incoronazione di Poppea is considered a culminating point of Monteverdi's work. It contains tragic, romantic, and comic scenes and warmer melodies than previously heard.

less

Ástor Piazzolla

Astor Piazzolla (1921-1992) is one of most important tango composers of all time. Surprisingly, he spent a large part of his youth in New York. In 1937, Piazzolla returned to his mother country Argentina. There, he started to focus on a career as a classical pianist while in the evening he would play accordion in tango cabaret. From 1955, he worked on his own compositions and wove these two influences together to a new, refreshing sound: the 'tango neuvo'.  At the wedding of crown prince Willem-Alexander and Máxima Zorreguieta, Carl Kraayenhof made a spectacular impression with his performance of Adios Noniño. Piazzolla died in 1992. 
more

Astor Piazzolla (1921-1992) is one of most important tango composers of all time. Surprisingly, he spent a large part of his youth in New York. In 1937, Piazzolla returned to his mother country Argentina. There, he started to focus on a career as a classical pianist while in the evening he would play accordion in tango cabaret. From 1955, he worked on his own compositions and wove these two influences together to a new, refreshing sound: the 'tango neuvo'.

At the wedding of crown prince Willem-Alexander and Máxima Zorreguieta, Carl Kraayenhof made a spectacular impression with his performance of Adios Noniño. Piazzolla died in 1992.


less

Press

Play album Play album
01.
Violatango
05:40
(Paolo Pandolfo) Christian Heim, Marthe Perl, Nadine Remmert, Barbara Heindlmeier, Ensemble La Ninfea
02.
Ciaccona
01:42
(Claudio Monteverdi) Ensemble La Ninfea, Christian Heim, Marthe Perl, Stefan Gawlick, Nadine Remmert
03.
Collage 'Chaconne á l'argentine'
05:48
(Antoine Forqueray, E. de Bilbao, Carlos Gardel) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
04.
Volta & Sarabande
02:14
(Michael Praetorius) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Stefan Gawlick, Nadine Remmert
05.
Collage 'Lockriollo'
02:50
(Matthew Locke, Anselmo Aieta) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
06.
Sarbande from Almira
02:27
(George Frideric Handel) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Stefan Gawlick, Nadine Remmert
07.
Folia di Spagna
05:09
(Autori diversi (18th century)) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
08.
Oblivion
04:12
(Astor Piazzolla) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl
09.
Dance Scene from Don Giovanni
02:05
(Wolfgang Amadeus Mozart) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
10.
Folias criollas (improvisation)
01:21
(Traditional (17th century)) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Stefan Gawlick, Nadine Remmert
11.
Fandango
02:17
(Padre Antonio Soler) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Nadine Remmert
12.
Collage 'Amanoroso'
02:45
(Francesco Mancini, Roberto Firpo) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
13.
La Cumparsita
04:23
(Roberto Firpo) Ensemble La Ninfea, Barbara Heindlmeier, Christian Heim, Marthe Perl, Nadine Remmert
show all tracks

You might also like..

Various composers
Seelentrost
Isabel Schicketanz
Various composers
Danzas - From Taboo to Triumph
Ensemble La Ninfea
Various composers
Musica, Cur Siles?
Stefan Steinemann | Iris Lichtinger | Michael Eberth
Various composers
Scenes of Horror
Laila Salome Fischer
Various composers
Gentleman for a Day
Barbara Heindlmeier | Ensemble La Ninfea
Johann Sebastian Bach
6 Cello Suites
Florian Berner
Various composers
Dreaming and Waking
Iris Lichtinger
div
Espanoletas
Concierto Iberico
Various composers
Talkin´ about Barbara
Laila Salome Fischer | Magnus Mehl | Il Giratempo
Georg Philipp Telemann
Telemann Intimissimo
Christian Heim | Avinoam Shalev
Antonio Vivaldi, Marc Scheibe, Moritz Eggert
Villa Vivaldi
Ensemble Volcania
Georg Philipp Telemann
12 Fantasien für Viola da Gamba
Renate Mundi