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Talkin´ about Barbara
Various composers

Laila Salome Fischer | Magnus Mehl | Il Giratempo

Talkin´ about Barbara

Price: € 19.95
Format: CD
Label: Perfect Noise
UPC: 0719279933970
Catnr: PN 2202
Release date: 22 April 2022
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Label
Perfect Noise
UPC
0719279933970
Catalogue number
PN 2202
Release date
22 April 2022
Album
Artist(s)
Composer(s)
EN
DE

About the album

Venice 1600 – The age that witnessed the birth of opera as we know it today also saw the emergence of a liberal, secular musical culture. The polyphonic rigor of earlier times gave way to expressive solo voices and breathtakingly virtuoso instrumental music. Composers were able to have a career outside the restrictions of the church. Young musicians, painters and Bohemians took the salons of the rich elites by storm. Barbara Strozzi, composer as well as acclaimed singer, became one of the leading voices of her generation. A true child of Venice, the lagoon city became a supportive home for her art. Her works reflect the adventurous spirit of a musical world moving towards a new era. In their musical journey, mezzo-soprano Laila Salome Fischer and jazz saxophonist Magnus Mehl revive the Venice 1600 Zeitgeist of awakening and discovery. Backed by the exciting baroque ensemble Il Giratempo, Magnus Mehl translates the ancient tunes and rhythms into his very own musical language.
Venedig auf der Schwelle ins 17. Jahrhundert – Die Entstehungszeit der Oper ist gleichzeitig die Geburtsstunde einer liberalen, säkulären Musikszene. Expressiver Sologesang und atemberaubend virtuose Instrumentalmusik ersetzen die polyphone Strenge früherer Zeiten. Komponistenkarrieren sind nicht mehr an Kirchenämter geknüpft. Junge Komponisten, Maler und Bohemiens erobern die Salons der kunstbeflissenen Eliten. Eine Frau gehört zu den führenden Köpfen der neuen Musikergeneration: Die Komponistin und Sängerin Barbara Strozzi ist ein Kind der Lagunenstadt und findet dort optimale Bedingungen für ihre Kunst. Ihre Kompositionen zeugen von der Abenteuerlust einer Musikwelt, die sich auf dem Weg in eine neue Ära fühlt. Der Jazz – Saxophonist Magnus Mehl spürt im Dialog mit der Mezzosopranistin Laila Salome Fischer dieser Atmosphäre von Aufbruch und Entdeckergeist nach. Getragen von den besonderen Klangfarben von Laute, Gambe und Cembalo greift Magnus Mehl die historischen Melodien und Rhythmen auf und übersetzt sie in seine ganz eigene Klangsprache.

Artist(s)

Laila Salome Fischer (mezzo soprano)

Mezzo-soprano Laila Salome Fischer débuted at the Beethovenfest in Bonn and the Berlioz Festival in France in 2021 with performances of Beethoven’s Ninth Symphony conducted by Jordi Savall. Further performances brought her to the Philharmonie de Paris and the Teatro del Liceu in Barcelona. The following December, she performed in concerts of Mozart’s Requiem, also conducted by Jordi Savall, in Lyon, Paris, Barcelona and at the Alte Oper in Frankfurt, among others. Fischer began her career in the children’s studio of the Komische Oper Berlin and began professional studies at the Julius-Stern-Institut der UdK Berlin at the age of eleven. She sang the role of Clothilde in the Echo Klassik-winning CD production of Hans Werner Henze’s opera Pollicino at age twelve....
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Mezzo-soprano Laila Salome Fischer débuted at the Beethovenfest in Bonn and the Berlioz Festival in France in 2021 with performances of Beethoven’s Ninth Symphony conducted by Jordi Savall. Further performances brought her to the Philharmonie de Paris and the Teatro del Liceu in Barcelona. The following December, she performed in concerts of Mozart’s Requiem, also conducted by Jordi Savall, in Lyon, Paris, Barcelona and at the Alte Oper in Frankfurt, among others. Fischer began her career in the children’s studio of the Komische Oper Berlin and began professional studies at the Julius-Stern-Institut der UdK Berlin at the age of eleven. She sang the role of Clothilde in the Echo Klassik-winning CD production of Hans Werner Henze’s opera Pollicino at age twelve. After completing her schooling, she studied singing at the UdK Berlin. She has won fellowships from the Deutscher Musikwettbewerb and the episcopal scholarship foundation Cusanuswerk.
Fischer sang her first opera roles at the Deutsche Oper in Berlin, the Musikfestspiele Potsdam and other stages while still at university. She has appeared at the Bregenzer Festspiele and in concerts at the Staatsoper and Komische Oper Berlin, with the Dresdner Philharmoniker, at the Bachfest in Leipzig and the Händelfestspiele in Halle and Göttingen, and has worked with conductors Jacques Lacombe, Thomas Guggeis, Sergio Azzolini and Jordi Savall, among others. From 2019 to 2022 she was a soloist at the Staatsoperette Dresden, where she sang the roles of Hänsel, Fragoletto (Les Brigands) and Josepha Vogelhuber, among others. As of 2022/2023, she is engaged as a soloist at the Theater Lübeck, where she has sung roles such as Cherubino, Suzuki, Orlofsky and Nancy (Albert Herring). Upcoming appearances include concerts at the Herrenchiemsee Festival, with the Wiener Musikverein, Concerto Köln, ensemble reflektor and Il Giratempo.

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Magnus Mehl (saxophone)

Il Giratempo

Il Giratempo, “The Time Turner”, do not plan to carry you back through the centuries. Theyoung ensemble have set themselves a different task: Using the treasure discovered on their musical expeditions into the past, they fully intend to stir up the here and now.The lutenist Vanessa Heinisch founded Il Giratempo in 2017 in order to be able to realizeher dreams with her favorite players. The ensemble combines historical performance prac-tice with innovative programme ideas and concepts:In “17th Century Jazz” projects, mezzo-soprano Laila Salome Fischer and jazz saxo-phonist Magnus Mehl merge their musical worlds into a time-travelling sound spectacle,accompanied and inspired by a baroque basso continuo group.“Il Giratempo Strings”, on the other hand, explores the baroque orchestral repertoire - and here...
more
Il Giratempo, “The Time Turner”, do not plan to carry you back through the centuries. Theyoung ensemble have set themselves a different task: Using the treasure discovered on their musical expeditions into the past, they fully intend to stir up the here and now.The lutenist Vanessa Heinisch founded Il Giratempo in 2017 in order to be able to realizeher dreams with her favorite players. The ensemble combines historical performance prac-tice with innovative programme ideas and concepts:In “17th Century Jazz” projects, mezzo-soprano Laila Salome Fischer and jazz saxo-phonist Magnus Mehl merge their musical worlds into a time-travelling sound spectacle,accompanied and inspired by a baroque basso continuo group.“Il Giratempo Strings”, on the other hand, explores the baroque orchestral repertoire - and here too, musically and programmatically, bridge the gap to modern times. Musiciansfrom renowned european baroque ensembles and orchestras come together to make their“dream projects with favorite colleagues” come true.

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Composer(s)

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