Gunilla Süssmann

Variations Sérieuses

Format: CD
Label: CAvi
UPC: 4260085533602
Catnr: AVI 8553360
Release date: 28 October 2016
1 CD
 
Label
CAvi
UPC
4260085533602
Catalogue number
AVI 8553360
Release date
28 October 2016

"It is obvious that she adores the work and brings that quality out in every harmonic twist. And we are all rewarded in the process. What more is there to say? Recommended!"

Fanfare Magazine, 22-6-2017
Album
Artist(s)
Composer(s)
Press
EN

About the album

The art of variation has close ties with the art of improvisation. Audiences revere musicians who can extemporize on a given theme, presenting it with refinement and elaborately increasing its effect. That kind of spontaneous music-making boomed in Mozart and Beethoven’s day: competitions pitting one star pianist against another were all the rage. Such improvisations gave rise to sets of variations which introduced the theme at the beginning and declined it according to skill. Gunilla Süssmann has selected three sets of variations featuring themes with widely different origins and treated in thoroughly different ways.

Artist(s)

Gunilla Süssmann (piano)

In recent years, Norwegian pianist Gunilla Süssmann has been reaping steadily increasing acclaim and has become a much sought-after artist on an international level. Her virtuosity, combined with strong sensitivity and imagination, is highly praised, and her thoroughly personal, passionate interpretations forge a unique bond with audiences and critics. She has performed in venues such as Concertgebouw Amsterdam, Wigmore Hall, the Louvre, and Festspielhaus Baden-Baden, and is a popular guest at major chamber music festivals in Norway and across Europe. The English Chamber Orchestra, the Bournemouth Symphony Orchestra, the Oslo Philharmonic, the WDR Cologne and the Staatskapelle Weimar are amongst the many orchestras with whom she has played. Chamber music holds a special place in her heart, and the core...
more

In recent years, Norwegian pianist Gunilla Süssmann has been reaping steadily increasing acclaim and has become a much sought-after artist on an international level. Her virtuosity, combined with strong sensitivity and imagination, is highly praised, and her thoroughly personal, passionate interpretations forge a unique bond with audiences and critics. She has performed in venues such as Concertgebouw Amsterdam, Wigmore Hall, the Louvre, and Festspielhaus Baden-Baden, and is a popular guest at major chamber music festivals in Norway and across Europe. The English Chamber Orchestra, the Bournemouth Symphony Orchestra, the Oslo Philharmonic, the WDR Cologne and the Staatskapelle Weimar are amongst the many orchestras with whom she has played. Chamber music holds a special place in her heart, and the core of that devotion is her 12-year collaboration with cellist Tanja Tetzlaff. Critics describe their symbiotic playing as magical, and the duo has recorded two CDs on the Avi label.


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Composer(s)

Edvard Grieg

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is...
more
Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively.
Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him.
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Johannes Brahms

Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the 'Three Bs' of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.   Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become...
more
Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.

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Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second...
more

Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.

Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.

Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.

Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.


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Press

It is obvious that she adores the work and brings that quality out in every harmonic twist. And we are all rewarded in the process. What more is there to say? Recommended!
Fanfare Magazine, 22-6-2017

Her playing is precise, very clear and sensitive at the same time.
Pizzicato, 07-12-2016

Play album
01.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Andante espressivo
01:22
02.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Poco meno andante, ma molto tranquillo
01:03
03.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Allegro adigato
01:03
04.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Adagio molto espressivo
01:13
05.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Allegro capriccioso
00:44
06.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Più lento
01:36
07.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Allegro scherzando
01:31
08.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Lento
02:25
09.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Un poco andante
01:57
10.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Un poco allegro e alla burla
01:14
11.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Più animato
02:05
12.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Allegro furioso
00:32
13.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Prestissimo
00:46
14.
Ballade in the Form of Variatons on a Norwegian Folksong in G Minor Op. 24 (1875/76): Andante espressivo
00:55
15.
Variations Sérieuses in D Minor, Op. 54 : Theme
00:48
16.
Variations Sérieuses in D Minor, Op. 54: Variation 1
00:37
17.
Variations Sérieuses in D Minor, Op. 54: Variation 2
00:30
18.
Variations Sérieuses in D Minor, Op. 54: Variation 3
00:21
19.
Variations Sérieuses in D Minor, Op. 54: Variation 4
00:22
20.
Variations Sérieuses in D Minor, Op. 54: Variation 5
00:24
21.
Variations Sérieuses in D Minor, Op. 54: Variation 6
00:20
22.
Variations Sérieuses in D Minor, Op. 54: Variation 7
00:24
23.
Variations Sérieuses in D Minor, Op. 54: Variation 8
00:19
24.
Variations Sérieuses in D Minor, Op. 54: Variation 9
00:26
25.
Variations Sérieuses in D Minor, Op. 54: Variation 10
00:49
26.
Variations Sérieuses in D Minor, Op. 54: Variation 11
00:42
27.
Variations Sérieuses in D Minor, Op. 54: Variation 12
00:29
28.
Variations Sérieuses in D Minor, Op. 54: Variation 13
00:40
29.
Variations Sérieuses in D Minor, Op. 54: Variation 14
01:01
30.
Variations Sérieuses in D Minor, Op. 54: Variation 15
00:24
31.
Variations Sérieuses in D Minor, Op. 54: Variation 16
00:19
32.
Variations Sérieuses in D Minor, Op. 54: Variation 17
02:15
33.
Variations and Fugue on a theme by Handel Op. 24 (1861): Aria
00:50
34.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation I : L'Istesso tempo
00:57
35.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation II : Con espressione
00:43
36.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation III : Grazioso
00:44
37.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation IV : Resoluto – Con fuoco – Staccato
00:48
38.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation V : Affetuoso - Espressivo
01:05
39.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation VI : Sordo e legato
00:52
40.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation VII : Con vivacita
00:36
41.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation VIII : Martellato/Distinto, non legato
00:37
42.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation IX : Poco sostenuto, legato
00:59
43.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation X : Energico
00:34
44.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XI : Lusingando, con tenerezza - Dolce - Legato
01:05
45.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XII : L'Istesso tempo - Semplice - Soave - Legato
01:15
46.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XIII : Largamente, ma non più - Espressivo
01:32
47.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XIV : Vivace – Sciolto
00:42
48.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XV : L'Istesso tempo
00:45
49.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XVI: Scherzando
00:35
50.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XVII: Più mosso – Semplice
00:32
51.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XVIII: Grazioso
00:43
52.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XIX: Leggiero e vivace, alla Siciliana
01:05
53.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XX: Andante espressivo, legato
01:25
54.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XXI: Allegretto vivace, dolce/leggiero
00:59
55.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XXII: Alla Musette
00:54
56.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XXIII: Vivace - Sospetto - Vivace e staccato
00:35
57.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XXIV: L'Istesso tempo - Tumultuoso - Feroce
00:42
58.
Variations and Fugue on a theme by Handel Op. 24 (1861): Variation XXV: Poco più lento - Festivo - Fieramente, con tutta forza
00:39
59.
Variations and Fugue on a theme by Handel Op. 24 (1861): Fuga
05:09
show all tracks

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