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Echoes
Various composers

Katharina Konradi | Catriona Morison | Ammiel Bushakevitz

Echoes

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085535477
Catnr: AVI 8553547
Release date: 10 May 2024
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Label
CAvi
UPC
4260085535477
Catalogue number
AVI 8553547
Release date
10 May 2024
Album
Artist(s)
Composer(s)
EN
DE

About the album

ECHOES
Duets for Soprano, Mezzo Soprano & Piano

Where did you get the idea to record this CD together?

Katharina Konradi (KK): I always found it fascinating to sing songs in duet with someone or in an ensemble. And there are so many folk songs people can sing together in the family circle or at parties with friends. When you share the same text and melody simultaneously with other people, it becomes a powerful, meditative experience – and such experiences form a bond among us. Catriona apparently had the same idea, so we embarked on the same joint path, particularly since we often share the stage and really enjoy singing together.

Catriona Morison (CM): I started my musical training in a girls’ choir in Edinburgh when I was very young and later played the violin and viola, so I have always enjoyed singing in ensembles and playing chamber music. Duet song repertoire is really an extension of that, Katharina and I actually met back in 2012 through one of our old singing teachers from Berlin. After our studies, it took us in different directions, we then both became BBC New Generation Artists, overlapping for a short time in 2019/20. I saw an opportunity to get to know this repertoire better, and approached Katharina who luckily had the same passion and excitement for collaboration.

That was the beginning of our musical partnership, which has grown and developed since then. There are not so many duos who perform this repertoire currently, and it’s too much of a shame for this fantastic music not to be heard.

Ammiel Bushakevitz: AB: In the end it is a question of musical consensus and compatibility. I can say that in this case, I feel enormously honoured to work with two masters of their domains who are not only technically in complete control, but also know how to prepare in order to be as productive as possible. We had a lot of fun rehearsing and recording. As for my role at the piano, it is a homogenous mixture of following and leading. When accompanying one singer I can always just breathe together with the singer, but since two voices are involved here, I need to choose when to allow time for breathing and when not to offer any time so that we can sustain the musical drive. It is a wonderful process and quite thrilling.
(from the booklet’s Interview)
ECHOES

Duette für Sopran, Mezzo Sopran & Klavier

Wie kam es zu dieser CD?

Katharina Konradi (KK): Mich hat es schon immer fasziniert, Lieder zu zweit oder im Ensemble zu singen. Es gibt so viele Volkslieder, die man im Familienkreis gemeinsam singt oder bei Festen mit Freunden. Es hat etwas Besinnliches, den gemeinsamen Text und die gemeinsame Melodie miteinander zu teilen. Das schweißt zusammen. Catriona hatte anscheinend die gleiche Idee wie ich, und so haben wir uns auf den Weg gemacht, zumal wir auch oft auf Konzertbühnen zusammen musizieren und es uns unheimlich viel Spaß macht, gemeinsam zu singen.

Catriona Morison (CM): Ich begann meine musikalische Ausbildung in einem Mädchenchor in Edinburgh, als ich noch sehr jung war, und spielte später Geige und Bratsche, so dass ich schon immer gerne in Ensembles gesungen und Kammermusik gespielt habe. Das Duo-Lied-Repertoire ist eigentlich einfach eine Fortsetzung davon. Katharina und ich haben uns eigentlich schon 2012 durch einer unserer alten Gesangslehrerinnen aus Berlin kennengelernt. Nach unserem Studium hat es uns in unterschiedliche Richtungen verschlagen; wir wurden dann beide BBC New Generation Artists und waren für kurze Zeit 2019/20 gemeinsam in diesem Programm.

Ich sah eine Gelegenheit, dieses Repertoire besser kennenzulernen, und wandte mich an Katharina, die glücklicherweise die gleiche Leidenschaft und Begeisterung für eine Zusammenarbeit hatte. Das war der Beginn unserer musikalischen Partnerschaft, die seither gewachsen ist und sich weiterentwickelt hat. Es gibt derzeit nicht viele Duos, die dieses Repertoire aufführen, und es ist zu schade, wenn diese fantastische Musik nicht öfters gehört wird………

Ammiel Bushakevitz: (AB): Das Schöne am Liedgenre ist, dass es gleichzeitig intim und für große Konzertsäle geeignet sein kann. Zusammen mit dem Solocellokonzert ist der Liederabend vielleicht die intimste Musikgattung, die den Zuhörer ganz nah an sich heranlässt und die ganze Bandbreite menschlicher Gefühle bietet. Es ist eine Freude für mich, mit so wunderbaren Künstlerinnen zusammenzuarbeiten und zu wissen, dass sie jede musikalische Entscheidung voll und ganz unter Kontrolle haben, von den sinnlichsten Pianissimi bis zu den schaurigen Fortissimi.

(aus dem Interview im Booklet)

Artist(s)

Ammiel Bushakevitz (piano)

Born in Jerusalem, Israel, Ammiel Bushakevitz performs regularly across Europe, North America, Africa, Asia and Australia; in venues including New York’s Carnegie Hall, London’s Wigmore Hall, the Philharmonie de Paris, Shanghai’s Concert Hall, Amsterdam’s Concertgebouw and Berlin’s Konzerthaus. He appears at the festivals of Aix-en-Provence, Salzburg, Bayreuth, Lucerne, Cape Town, Heidelberg, Melbourne and Montreal; the Festival Pontino di Latina in Rome, the Casals Festival in Spain and the Schubertiades of Schwarzenberg, Hohenems, Vilabertran and Jerusalem One of the last private students of the late Dietrich Fischer-Dieskau, Ammiel is recognised as a leading song pianist of his generation, performing with such singers as Dame Felicity Lott, Christian Gerhaher and Thomas Hampson. He also received notable mentorship from Brigitte Fassbaender, Barbara Bonney, Thomas Quasthoff and Matthias Goerne. His discography includes award-winning albums...
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Born in Jerusalem, Israel, Ammiel Bushakevitz performs regularly across Europe, North America, Africa, Asia and Australia; in venues including New York’s Carnegie Hall, London’s Wigmore Hall, the Philharmonie de Paris, Shanghai’s Concert Hall, Amsterdam’s Concertgebouw and Berlin’s Konzerthaus.
He appears at the festivals of Aix-en-Provence, Salzburg, Bayreuth, Lucerne, Cape Town, Heidelberg, Melbourne and Montreal; the Festival Pontino di Latina in Rome, the Casals Festival in Spain and the Schubertiades of Schwarzenberg, Hohenems, Vilabertran and Jerusalem One of the last private students of the late Dietrich Fischer-Dieskau, Ammiel is recognised as a leading song pianist of his generation, performing with such singers as Dame Felicity Lott, Christian Gerhaher and Thomas Hampson. He also received notable mentorship from Brigitte Fassbaender, Barbara Bonney, Thomas Quasthoff and Matthias Goerne.
His discography includes award-winning albums as a soloist and song pianist for BIS (Sweden), Pentatone (Holland), Hänssler Classics (Germany), SOLFA (Spain) and Gramola (Austria). Upcoming releases will appear on labels including Berlin Classics, Hänssler and Harmonia Mundi.
Passionate about education, Ammiel has presented masterclasses at leading universities in Australia, Israel, Spain, China, South Africa, New Zealand and the USA. He also dedicates time to mentoring young musicians in developing countries including Ethiopia, Zimbabwe, Mexico and Morocco.
Ammiel is a member of the Société des Arts Sciences et Lettres de Paris, an Edison Fellow of the British Library, London, and artistic director of the International Arts Association, Voices of Orpheus, in Paris, France.


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Katharina Konradi (soprano)

Konradi’s timbre has a delicate fragrance, the voice seems weightless and light as a feather. Opernwelt Whether in opera, operetta or lied, Katharina Konradi is a storyteller who imbues her characters with verve, intimacy, temperament and intensity. Her full and warm soprano, praised by Opernglas for its wonderfully agile, fascinating palette of nuances, captivates audiences and critics alike with its great radiance and cultivated emotionality. My aim is to rediscover myself in every opera and in every song, to lend my own ego to the role and become one with the character I portray, is how the singer describes herself. In the season 2023/24 Katharina Konradi will make guest appearances at the Royal Opera House Covent Garden, London, as Woglinde in Wagner’s Das Rheingold and as Susanna in Mozart’s...
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Konradi’s timbre has a delicate fragrance, the voice seems weightless and light as a feather.
Opernwelt Whether in opera, operetta or lied, Katharina Konradi is a storyteller who imbues her characters with verve, intimacy, temperament and intensity. Her full and warm soprano, praised by Opernglas for its wonderfully agile, fascinating palette of nuances, captivates audiences and critics alike with its great radiance and cultivated emotionality. My aim is to rediscover myself in every opera and in every song, to lend my own ego to the role and become one with the character I portray, is how the singer describes herself.
In the season 2023/24 Katharina Konradi will make guest appearances at the Royal Opera House Covent Garden, London, as Woglinde in Wagner’s Das Rheingold and as Susanna in Mozart’s Le nozze di Figaro at the Vienna State Opera. At the Bavarian State Opera she will be seen as Adele in Strauss’s Die Fledermaus and at Zurich Opera House in the role of Valencienne in Lehár’s The Merry Widow.
At Hamburg Opera, where she performs regularly, she sings Servilia in Mozart’s La clemenza di Tito and makes her role debut as Adina in L’elisir d’amore. Lied recitals will again take Katharina Konradi to the Wigmore Hall London and to the Schubertiade Hohenems / Schwarzenberg, as well as to the Teatro de la Zarzuela in Madrid, to the Palau de la Música Catalana in Barcelona, to the Festival de Granada, to Weimar and to the Schubertiada in Vilabertran.


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Catriona Morison (mezzo soprano)

Scottish mezzo-soprano Catriona Morison gained widespread recognition in 2017 when she won the Main Prize and shared the Song Prize at the BBC Cardiff Singer of the World competition. At that time she was a member of the opera ensemble in Wuppertal from 2016-2018, where she added a diverse range of roles to her repertoire, including Nicklausse, Charlotte, Hänsel, Maddalena, and Cherubino. In 2015, Catriona Morison made her debut at the Salzburg Festival as part of the Young Singers Project. Guest operatic engagements have led her to venues such as the Edinburgh International Festival, Oper Köln, Bergen Nasjonale Opera, and Staatsoper Hamburg. Recent additions to her operatic repertoire include Der Komponist in Strauss’s Ariadne auf Naxos and Fricka in Wagner’s Das Rheingold. Catriona Morison places special emphasis on...
more
Scottish mezzo-soprano Catriona Morison gained widespread recognition in 2017 when she won the Main Prize and shared the Song Prize at the BBC Cardiff Singer of the World competition. At that time she was a member of the opera ensemble in Wuppertal from 2016-2018, where she added a diverse range of roles to her repertoire, including Nicklausse, Charlotte, Hänsel, Maddalena, and Cherubino.
In 2015, Catriona Morison made her debut at the Salzburg Festival as part of the Young Singers Project.
Guest operatic engagements have led her to venues such as the Edinburgh International Festival, Oper Köln, Bergen Nasjonale Opera, and Staatsoper Hamburg. Recent additions to her operatic repertoire include Der Komponist in Strauss’s Ariadne auf Naxos and Fricka in Wagner’s Das Rheingold.
Catriona Morison places special emphasis on concert repertoire. She made her debut at the BBC Proms in 2019, performing Elgar‘s Sea Pictures with the BBC National Orchestra of Wales conducted by Elim Chan. In 2022 she interpreted Detlev Glanert‘s Prague Symphony in the world premiere in Prague with further performances in Leipzig and London, conducted by Semyon Bychkov. Her 2023/24 engagements see her working with Jaap von Zweden, Vasily Petrenko, Fabio Luisi, Manfred Honeck, Klaus Mäkelä, Herbert Blomstedt, and Jakub Hr°uša in repertoire ranging from Beethoven to Mahler.
Song repertoire holds a profound significance for Catriona Morison, as demonstrated by her most recent CD The dark night has vanished featuring songs by E. Grieg, J. Brahms, Josephine Lang and R. Schumann, alongside Malcolm Martineau. She has captivated audiences at venues such as the Wigmore Hall, Edinburgh International Festival, Leeds Lieder Festival, Oxford Lieder Festival, Schubertíada Vilabertran, Heidelberger Frühling.

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Composer(s)

Press

Play album Play album
01.
Erste Begegnung, from Spanisches Liederbuch, Op. 74 No. 1 (1849)
02:16
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
02.
Liebesgram, from Spanisches Liederbuch, Op. 74 No. 3 (1849)
02:21
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
03.
Märchenlieder, Op. 103 (1851): No. 1 Mailied
01:08
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
04.
Märchenlieder, Op. 103 (1851): No. 2 Frühlingslied
01:31
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
05.
Märchenlieder, Op. 103 (1851): No. 3 An die Nachtigall
01:02
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
06.
Märchenlieder, Op. 103 (1851): No. 3 An die Nachtigall
01:56
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
07.
Bedeckt mich mit Blumen from Spanisches Liederbuch, Op. 74 No. 1 (1849)
02:39
(Robert Schumann) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
08.
Die Schwestern, from Four Duets (1852-1874) Op. 61 No. 1
01:55
(Johannes Brahms) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
09.
Weg der Liebe I From: Three Duets Op. 20 No. 1 (1858)
02:11
(Johannes Brahms) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
10.
Weg der Liebe II From Three Duets Op. 20 No. 2 (1858)
02:55
(Johannes Brahms) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
11.
Die Meere (1858/60) From Three Duets Op. 20 No. 3
02:29
(Johannes Brahms) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
12.
Die Boten der Liebe (1873) From: Four Duets Op. 61 No. 4 (1852-1873)
02:27
(Johannes Brahms) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
13.
La Nuit (1883), From Two Duets Op. 11 No. 1
02:44
(ERNEST CHAUSSSON) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
14.
Réveil (1883), From Two Duets Op. 11 Nr. 2
03:38
(ERNEST CHAUSSSON) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
15.
Le Ruisseau, Op. 21 No. 1 (1894)
02:57
(Mel Bonis) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
16.
Le Prisonnier (1828)
03:19
(MARIA MALIBRAN) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
17.
Habanera VWV 1019 (1880)
04:39
(PAULINE VIARDOT) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
18.
El Desdichado (Boléro) (1871)
03:38
(CAMILLE SAINT-SAËNS) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
19.
La Siesta CG 399 (1871)
02:52
(CHARLES GOUNOD ) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
20.
Puisqu’ici bas (1862) From: Two Duets Op. 10 No. 1
03:02
(GABRIEL FAURÉ ) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
21.
Pleur d’Or Op. 72 (1896)
02:32
(GABRIEL FAURÉ ) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
22.
Tarantelle (1874) From: Two Duets Op. 10 No. 2
02:16
(GABRIEL FAURÉ ) Katharina Konradi, Catriona Morison, Ammiel Bushakevitz
show all tracks

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