1 SACD hybrid
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€ 19.95
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Label Challenge Classics |
UPC 0608917267020 |
Catalogue number CC 72670 |
Release date 17 November 2015 |
"Winner of the Jahrespreis of Preis der deutschen Schallplattenkritik 2016 for the album 'Poetisches Tagebuch'! This yearly prize is the most prestigious critic prize for all music genres in Germany!"
Preis der deutschen Schallplattenkritik 2016, 30-11-2016Winner of the Jahrespreis of Preis der deutschen Schallplattenkritik 2016 for the album 'Poetisches Tagebuch'! This yearly prize is the most prestigious critic prize for all music genres in Germany!
Preis der deutschen Schallplattenkritik 2016 , 30-11-2016
The SACD sound is realistic, doing full justice to the piano as well as the voice, and the texts and translations are very clearly laid out.
Musicweb, 22-8-2016
"To make every word clearly understandable is still a matter of course for this singer. The very well balanced proportion between grand piano and voice also contributes to this on this record. Not a millisecond of reverb too much spoils the concentration of the listener."
Stereo, 01-4-2016
"To make every word clearly understandable is still a matter of course for this singer. The very well balanced proportion between grand piano and voice also contributes to this on this record. Not a millisecond of reverb too much spoils the concentration of the listener."
Fono Forum, 01-3-2016
"Despite the sometimes audible age differences cross Prégardien as songs singer still high above quite a few younger colleagues and is his collaboration with Drake is always exceptional."
Luister Magazine, 01-3-2016
"In a true partnership give tenor and pianist piercing, emotionally direct and utterly natural performances, alternately profound lyrical playful and boisterous."
Klassieke Zaken, 01-2-2016
"Even if Prégardiens voice sounds a little autumnal by now and some tone comes out quite brittle, his interpretative skills remain impressive. Like only few other Lied singers he grasps the music as a medium for the words."
Opernwelt, 01-2-2016
["].. As a representation of the ultimate Schubertian theme leads the moon 's visit to reminisce about the past, about what is not there! The song gives a sense of satisfaction in sadness. Prégardien convinces us with its quiet spell that he played this song. "
Klassiek Centraal, 19-1-2016
Article - no quote possible
Fono Forum, 17-1-2016
["]..The effortless might be off by Prégardien, there was lived- in return."
De Volkskrant, 01-12-2015
"The tenor is a storyteller who avoids mannerisms: no reverb, little vibrato, no preoccupation with nice sound. However, he is constantly audible, and he does not avoid the risk. In the highest registers he also has an astonishing resilience, as demonstrated in almost hummed encore Mondnacht. British accompanist Julius Drake showed a sensitive ear for detail. In the perlentränentröpfchen, the death coffin is nailed: they were all audible in the Steinway."
De Volkskrant, 20-11-2015