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Cantatas - 24 Highlights

Ton Koopman / Amsterdam Baroque Orchestra & Choir

Cantatas - 24 Highlights

Format: CD
Label: Challenge Classics
UPC: 0608917233728
Catnr: CC 72337
Release date: 04 May 2009
2 CD
 
Label
Challenge Classics
UPC
0608917233728
Catalogue number
CC 72337
Release date
04 May 2009
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

Between 1999 and 2004, Koopman, a conductor, musicologist, organist, and harpsichordist, recorded the complete cantatas by Johann Sebastian Bach with the Amsterdam Baroque Orchestra and Choir, which he founded in 1979.
This 2-CD volume contains a selection of Highlights from the award winning 22-volume multibox series of the Complete Cantatas.

The inlay contains an additional listing of all cantatas in order of BWV-numbers, referring to the volumes of the complete series.
Een perfecte inleiding op de cantates van Bach
Tussen 1994 en 2004 nam dirigent Ton Koopman met zijn Amsterdam Baroque Orchestra & Choir alle cantates op die gecomponeerd werden door Johann Sebastian Bach. Dit album bevat 24 hoogtepunten uit de reeks, en is daardoor een perfect startpunt om kennis te maken met de prachtige cantatas van Bach. Kenmerkend voor de aanpak van Koopman is het gebruik van historische muziekinstrumenten en het gebruik van een klein koor waardoor alle zangpartijen heel transparant zijn. Wereldwijd wordt Koopman gezien als een van de grootste Bach vertolkers.

Het opnemen van alle cantates was een enorme taak voor Koopman, maar het was nog niets vergeleken met het werk van Bach zelf. Tijdens zijn leven schreef Bach vermoedelijk 295 cantates, waarvan er 202 bewaard zijn gebleven. Het overgrote deel van deze cantates kwam volgens biograaf Christoph Wolff, met wie Ton Koopman samenwerkte aan dit project, tot stand in de jaren 1723-25. Bach verbleef toen in Leipzig en werkte als cantor. Als cantor was hij verantwoordelijk voor de muziek in een aantal kerken in Leipzig. Bach had zichzelf de ongelooflijke taak gesteld om voor elke zondag en voor elke speciale kerkelijke feestdag een cantate te schrijven die in de kerkdienst kon worden gebruikt. Van de bewaarde 202 cantates waren er 152 religieus en 50 wereldlijk.

Het cd boekje bevat een lijst met alle cantates op volgorde van hun unieke BWV-nummer en in welke van de 22 volumes elke cantate op dit album zich bevindt. Ook daardoor vormt dit album een ideale introductie tot de volledige serie.
Dieses 2CD-Set enthält die absoluten Höhepunkte aus der Aufnahme der Kompletten Bach-Kantaten mit Ton Koopman und dem Amsterdam Baroque Orchestra & Choir und zahlreichen international renommierten Solisten. Es enthält eine Liste mit allen Kantaten der Edition, sortiert nach der BWV-Nummer und dem Hinweis, in welcher der 22 Folgen jede Kantate enthalten ist. Somit wird diese Doppel-CD vielen Musikfreunden Lust auf mehr machen...

Artist(s)

Ton Koopman (conductor)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Amsterdam Baroque Orchestra & Choir

Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality. The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare...
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Ton Koopman founded the Amsterdam Baroque Orchestra in 1979. The group consists of internationally renowned baroque specialists who meet up several times a year and work together to prepare and perform new exciting programmes. For the musicians each concert is a new experience and Koopman's boundless energy and enthusiasm are a sure guarantee of the highest quality.
The Amsterdam Baroque Choir was founded in 1992 and it made its debut during the Holland Festival of Early Music in Utrecht performing the world première of the Requiem (for 15 voices) and Vespers (for 32 voices) by H.I.F. Biber. The recording of both of these works won the Cannes Classical Award for the best performance of 17th/18th century choral music. For its rare combination of textural clarity and interpretative flexibility, the Amsterdam Baroque Choir is considered among today’s most outstanding choirs. In 1994 Ton Koopman and the Amsterdam Baroque Orchestra & Choir embarked upon the most ambitious recording project of the last decades: the integral recording of Bach’s secular and sacred cantatas. For this extraordinary project Koopman and his ensemble received the Deutsche Schallplatten-Preis Echo Klassik. Next to the CD recordings three books have been edited and published by Ton Koopman and the musicologist Christoph Wolff and a series of six documentaries was produced and broadcasted by various TV stations.
Alongside Bach’s music the Amsterdam Baroque Orchestra & Choir has recorded all major baroque and classical works. Major recognitions include the Gramophone Award, Diapason d'Or, 10-Repertoire, Stern des Monats-Fono Forum, the Prix Hector Berlioz and two Edison Awards. In 2008 the ensemble and Ton Koopman have been honoured with the prestigious BBC Award. Since March 2003 “Antoine Marchand”, a new sub-label of Challenge Classics, took over the release of Koopman’s new recordings and among many others has published 22 CD boxes of the Bach Cantatas, a new recording of the St. Matthew Passion (on CD and DVD) and St. Markus Passion of J.S. Bach (DVD), live recorded in Milan, as well as the first seven volumes of the Buxtehude Opera-Omnia Edition. Ton Koopman and the ABO & ABC are regular guests at the major concert halls of Europe, the USA and Japan. In the 2008/09 season they will tour extensively in Europe (Amsterdam, Paris, Madrid, Vienna, Milan, Cologne, Dresden, Düsseldorf etc) and in Far East with concerts in Hong Kong, Seoul and Tokyo.
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Lisa Larsson

Swedish soprano Lisa Larsson started her career as a flautist and studied singing in Basel. Her first engagement was at the Zurich Opera House, where she performed under a number of conductors including Nikolaus Harnoncourt and Franz Welser-Möst. Following her debut at La Scala in Milan in ›The Magic Flute‹ under Riccardo Muti, she swiftly developed her international opera career, in particular as a Mozart singer performing parts such as Susanna, Pamina, Zaide, Zerlina, Servilia, Ilia, Fortuna and Ismene; other roles included Marzelline, Anne Trulove, Ännchen, Eurydice, Adele, Adina, Oscar, Xenia, Tytania, Polissena and Morgana. She appeared at renowned European opera houses including the Bavarian State Opera, the Royal Opera House in London, the Teatro La Fenice in Venice, the...
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Swedish soprano Lisa Larsson started her career as a flautist and studied singing in Basel. Her first engagement was at the Zurich Opera House, where she performed under a number of conductors including Nikolaus Harnoncourt and Franz Welser-Möst. Following her debut at La Scala in Milan in ›The Magic Flute‹ under Riccardo Muti, she swiftly developed her international opera career, in particular as a Mozart singer performing parts such as Susanna, Pamina, Zaide, Zerlina, Servilia, Ilia, Fortuna and Ismene; other roles included Marzelline, Anne Trulove, Ännchen, Eurydice, Adele, Adina, Oscar, Xenia, Tytania, Polissena and Morgana. She appeared at renowned European opera houses including the Bavarian State Opera, the Royal Opera House in London, the Teatro La Fenice in Venice, the Royal Danish Opera, the Opéra de Monte-Carlo, the Leipzig Opera, the Grand Théâtre de Genève, the Royal Swedish Opera and the Theater Basel as well as at the Salzburg Festival, the Lucerne Festival, the Glyndebourne Festival and the Festival d'Aix-en-Provence.
Lisa Larsson is also a remarkably versatile concert singer of international renown. In recent years she has constantly expanded her broad repertoire with works by Mahler, Richard Strauss, Brahms, Berlioz, Britten and Stravinsky, and has performed in a number of world premieres of contemporary works. Conductors she has worked with include Claudio Abbado, Sir Colin Davis, Daniel Harding, Adam Fischer, Mikhail Pletnev, David Zinman, Antonello Manacorda, Lawrence Renes, Massimo Zanetti, Louis Langrée, Douglas Boyd, Juanjo Mena, Christian Arming, Andrew Manze, Stefan Solyom, Vassily Sinaisky and Edo de Waart. Lisa Larsson has performed with leading orchestras including the Berlin Philharmonic, the Zurich Tonhalle Orchestra, the Frankfurt Radio Symphony Orchestra, the Munich Philharmonic, the Vienna Symphony Orchestra, the Orchestre Philharmonique de Radio France, the Orchestre National de Lyon, the Netherlands Philharmonic, the Royal Stockholm Philharmonic Orchestra, the Hong Kong Philharmonic, the Orquestra Sinfônica do Estado de São Paulo, the NHK Symphony Orchestra and the New Japan Philharmonic.
In the field of baroque music, she has often worked with leading conductors and their orchestras, including Sir John Eliot Gardiner, Sir Roger Norrington, Christopher Hogwood, Frans Brüggen, Andrea Marcon, Emmanuelle Haïm, Ton Koopman, Nathalie Stutzmann, Nicholas McGegan, Paul Goodwin, Martin Haselböck, Gottfried von der Goltz, Trevor Pinnock, Richard Egarr, Fabio Bonizzoni, Jan Willem de Vriend and David Stern.
Highlights of her 2014 | 2015 season include two world premieres of works dedicated to her by Swedish composer Rolf Martinsson: “Ich denke Dein…” for soprano and orchestra, commissioned by the Zurich Tonhalle Orchestra, and “Garden of Devotion” for soprano and string orchestra, commissioned by the Swedish ensemble Musica Vitae.
“Ich denke Dein…” will be first performed by the Zurich Tonhalle Orchestra and conducted by John Storgårds who will also lead the Finnish premiere with the Helsinki Philharmonic Orchestra. The Dutch premiere will be with the Netherlands Philharmonic Orchestra under its chief conductor Marc Albrecht in Amsterdam’s Concertgebouw. More performances are planned for future seasons with the Philharmonia Orchestra, Gothenburg Symphony Orchestra, Orchestra Sinfonica di Milano Giuseppe Verdi, Iceland Symphony Orchestra, Malmö Symphony Orchestra and Helsingborg Symphony Orchestra.
"Garden of Devotion" will be first performed on tour in Sweden by Musica Vitae and conducted by Nathalie Stutzmann. Further performances are scheduled with the Scottish Chamber Orchestra under Olari Elts as well as the Helsingborg Symphony Orchestra under Stefan Solyom. More performances in future seasons are planned with the Swedish Chamber Orchestra, Stuttgart Chamber Orchestra, Staatskapelle Weimar and the Norrköping Symphony Orchestra.
Lisa Larsson will continue her many years of collaboration with Antonello Manacorda in performances of Beethoven’s 9th symphony in the Netherlands as well as Alban Berg’s “Seven Early Songs” and Mahler’s 4th symphony with the BBC Philharmonic. She will also sing the Berg cycle with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra at the Prague Spring Festival and in Liverpool. Performances of Mahler’s 2nd symphony, conducted by Stefan Asbury, are planned for a tour in Holland. Other projects she is looking forward to are two new recital programmes with concerts in Italy together with Andrea Lucchesini and in Switzerland with Roland Pöntinen.
Recent additions to her substantial discography are two Challenge Classics releases: A Haydn album with the Combattimento Consort Amsterdam under the direction of Jan Willem de Vriend as well as Berlioz programme with the Arnhem Philharmonic Orchestra conducted by Antonello Manacorda who is also the conductor of her next CD to be released on the same label in the autumn of 2014 and featuring Mahler’s 4th symphony combined with a selection of “Wunderhorn” songs by Mahler. In spring 2015 she will record Rolf Martinsson’s “Orchestral Songs on Poems by Emily Dickens” with the Royal Stockholm Philharmonic Orchestra under Andrew Manze for BIS Records. Her other recordings include Strauss‘ ›Four Last Songs‹ under Douglas Boyd, Mahler’s 8th symphony under David Zinman, the Mozart operas ›Don Giovanni‹ under Daniel Harding, ›Mitridate‹ under Adam Fischer, ›Il sogno di Scipione‹ under Gottfried von der Goltz, Händel‘s ›Jephta‹ under David Stern as well as numerous Bach Cantatas under Sir John Eliot Gardiner and Ton Koopman. With the latter she also recorded Bach’s Christmas and Easter Oratorio as well as the Magnificat.

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Paul Agnew

The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.
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The Scottish tenor, Paul Agnew, read music as a Choral Scholar at Magdalen College, Oxford. After earning his degree, he became associated with the Consort of Musicke, and remained a member of this wonderful early music ensemble for many productive years. At these early stages of his career, he has also made numerous appearances with The Tallis Scholars (Director: Peter Phillips), The Sixteen (Director: Harry Christophers) and the Gothic Voices, before finally striking out on his own as a soloist in the early 1990's.

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Bogna Bartosz

The Polish mezzo-soprano and contralto, Bogna Bartosz, after leaving school, first studied singing at the Academy of Music in Gdansk (and/or Danzig Music Academy). After graduating with distinction, she continued her studies at the Hochschule der Künste Berlin (Berlin Academy of Arts) under Professor Ingrid Figur, and took part in master-classes with Aribert Reimann, Adele Stolte and Anna Reynolds. At the 9th International J.S. Bach Competition in Leipzig in 1992, Bogna Bartosz won first prize, as well as the special prize awarded by the MDR broadcasting organization in Leipzig. Since then Bogna Bartosz has sung with well-known orchestras (including Berliner Barock Orchester, Akademie für Alte Musik Berlin, Musica Antiqua Köln, Kammersolisten der Deutschen Oper Berlin, Radio-Symphonie-Orchester-Berlin, Gewandhaus- orchester Leipzig, MDR Sinfonieorchester Leipzig, Dresdner Philharmoniker and Württembergisches Kammerorchester, Amsterdam Baroque Orchestra, Israel Chamber Orchestra Tel Aviv, Japan Philharmonic Symphony Orchestra, Minnesota Orchestra)...
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The Polish mezzo-soprano and contralto, Bogna Bartosz, after leaving school, first studied singing at the Academy of Music in Gdansk (and/or Danzig Music Academy). After graduating with distinction, she continued her studies at the Hochschule der Künste Berlin (Berlin Academy of Arts) under Professor Ingrid Figur, and took part in master-classes with Aribert Reimann, Adele Stolte and Anna Reynolds. At the 9th International J.S. Bach Competition in Leipzig in 1992, Bogna Bartosz won first prize, as well as the special prize awarded by the MDR broadcasting organization in Leipzig.
Since then Bogna Bartosz has sung with well-known orchestras (including Berliner Barock Orchester, Akademie für Alte Musik Berlin, Musica Antiqua Köln, Kammersolisten der Deutschen Oper Berlin, Radio-Symphonie-Orchester-Berlin, Gewandhaus- orchester Leipzig, MDR Sinfonieorchester Leipzig, Dresdner Philharmoniker and Württembergisches Kammerorchester, Amsterdam Baroque Orchestra, Israel Chamber Orchestra Tel Aviv, Japan Philharmonic Symphony Orchestra, Minnesota Orchestra) and leading conductors (including Horia Andrescu, Moche Atzmon, Marcus Creed, Philippe Entremont, Jörg Faerber, Enoch zu Guttenberg, Philippe Herreweghe, Marek Janowski, Ton Koopman, Krzysztof Penderecki, Helmuth Rilling, Jeffrey Tate, Marcello Viotti, Lothar Zagrosek, Udo Zimmermann), in all the major concert halls in Germany (such as Berliner Philharmonie, Berliner Konzerthaus, Leipziger Gewandhaus, Alte Oper Frankfurt, Kölner Philharmonie, Tonhalle Düsseldorf, Glocke Bremen, Hamburger Musikhalle, Liederhalle Stuttgart), as well as in Europe, the USA and Israel, and at numerous major festivals.

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Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

Play album Play album
Disc #1
01.
Cantata BWV 214: Tönet, ihr Pauken! Erschallet, Trompeten!
07:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
02.
Cantata BWV 214: Kron und Preis gekrönter Damen
04:27
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
03.
Cantata BWV 147: Bereite dir, Jesu, noch itzo die Bahn
04:02
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Lisa Larsson, Amsterdam Baroque Orchestra
04.
Cantata BWV 147: Wohl mir, dass ich Jesum habe
03:00
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
05.
Cantata BWV 29: Vergiss es ferner nicht and Halleluja, Stärk und Macht
01:53
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Bogna Bartosz, Amsterdam Baroque Orchestra
06.
Cantata BWV 194: Hochsterwünschtes Freudenfest
04:14
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
07.
Cantata (fragment) BWV 1045: Konzertsatz in D Sinfonia
06:18
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
08.
Cantata BWV 62: Streite, siege, starker Held!
04:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
09.
Cantata BWV 10: Er denket der Barmherzigkeit
02:14
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Annette Markert, Christoph Prégardien, Amsterdam Baroque Orchestra
10.
Cantata BWV 208: Schafe können sicher weiden
04:00
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Elisabeth von Magnus, Amsterdam Baroque Orchestra
11.
Cantata BWV 26: So schnell ein rauschend Wasser schiesst
06:07
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Christoph Prégardien, Amsterdam Baroque Orchestra
12.
Cantata BWV 197: So wandelt froh auf Gottes Wegen
00:45
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra

Disc #2
01.
Cantata BWV 106: Sonatina
02:33
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
02.
Cantata BWV 180: Schmücke dich, o liebe Seele
07:20
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
03.
Cantata BWV 145: Ich lebe, mein Herze
02:58
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Johannette Zomer, Christoph Prégardien, Amsterdam Baroque Orchestra
04.
Cantata BWV 9: Herr, du siehst statt gutter Werke
04:54
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Sandrine Piau , Bogna Bartosz, Amsterdam Baroque Orchestra
05.
Cantata BWV 146: Sinfonia
07:25
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
06.
Cantata BWV 12: Was Gott tut, das ist wohlgetan
00:49
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
07.
Cantata BWV 211: Die Katze lässt des Mausen nicht
03:54
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Paul Agnew , Klaus Mertens, Amsterdam Baroque Orchestra
08.
Cantata BWV 212: Mer hahn en neue Oberkeet
02:42
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
09.
Cantata BWV 80: Ein feste Burg ist unser Gott
04:55
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
10.
Cantata BWV 80: Alles, was von Gott geboren/ Mit unser Macht
03:31
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Sandrine Piau , Klaus Mertens, Amsterdam Baroque Orchestra
11.
Cantata BWV 140: Wachet auf, ruft uns die Stimme
06:23
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
12.
Cantata BWV 140: Gloria sei dir gesungen
01:19
(Johann Sebastian Bach ) Ton Koopman, Amsterdam Baroque Choir, Ton Koopman, Amsterdam Baroque Orchestra
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Often bought together with..

Symphonies nos. 4 & 6 (Complete Symphonies vol.1)
Jan Willem de Vriend / The Netherlands Symphony Orchestra
Kaffee-Kantate
Ton Koopman / Amsterdam Baroque Orchestra & Choir
Christmas Cantatas - Weihnachtskantaten
Ton Koopman / The Amsterdam Baroque Orchestra & Choir

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