Fabio Antonio Falcone is a passionate performer who focuses on Renaissance and early Baroque repertoire. He is especially interested in sixteenth-century Italian keyboard music, as well as vocal and instrumental repertoire of the early Baroque period.
He performs at international venues and festivals as a soloist and continuo player with several ensembles, including Ensemble Elyma, Stile Galante, Genève Baroque, Ensemble Lucidarium and Ensemble Odissee Orchestra.
​ Together with mandolin player Anna Schivazappa, in 2012 he founded the ensemble Pizzicar Galante, of which he was co-director until 2019. In 2015 he also founded L’Amorosa Caccia, an ensemble with which he has been exploring instrumental and vocal repertoire from the Renaissance with a special focus on Italian frottolas and madrigals. His solo recordings are highly appreciated by international critics and broadcast by the most important European radio broadcast stations (BBC, Radio RAI, Radio France, BR-Klassik, WDR3, RTVE, Radio Classica, CKRL 89,1).
Apart from his activities as a concert performer, he devotes himself to research in music didactics, in particular to the reconstruction of teaching practices from the didactical analysis of historical sources. He is currently a member of the research group in didactics of the arts (DAM) at the University of Geneva.
​ He studied in the Netherlands with Bob van Asperen, as well as in Italy with Maria Luisa Baldassari and Jesper Bøje Christensen, and in Switzerland with Francis Biggi and Kenneth Weiss.

His most recent album, The Art of variation, Jan Pieterszoon Sweelinck secular cycles (Challenge Records CC72926), won the Preis der deutschen Schallplattenkritik - Bestenliste in the keyboard instruments category.

focuses on vocal polyphony from the Middle Ages to the Renaissance and Baroque music, collaborating with Italy’s most renowned ensembles. She is a member of La Compagnia del Madrigale, Il Canto di Orfeo, La Fonte Musica, and Cantica Symphonia, and performs regularly with Il Pomo d’Oro, Concerto Italiano, La Divina Armonia, La Venexiana, Collegium 1704, Capella Reyal de Catalunya, Stile Galante, Pian&Forte, and Club Médiéval. With La Compagnia del Madrigale, she records madrigals and sacred polyphony by composers such as Gesualdo, Monteverdi, Cipriano de Rore, and Orazio Vecchi, all released by Glossa Music and honored with accolades like the Diapason d’Or de l’Année and the Gramophone Award. With La Venexiana, she participates in recordings of Monteverdi’s operas and Luzzaschi’s madrigals. With Stile Galante, she has recorded cantatas by Porpora and Vinci, as well as a solo album dedicated to Luigi Marchesi’s ariettas. She also regularly performs late medieval and early Renaissance music with La Fonte Musica, focusing on the Ars Nova repertoire. The ensemble’s album Enigma Fortuna (a complete collection of works by Zacara da Teramo, released by Alpha) has won numerous prestigious European awards, including the Diapason d’Or, Gramophone Editor’s Choice, and the Preis der Deutschen Schallplattenkritik.