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Flow

Jihee Heo

Flow

Format: CD
Label: OA2 Records
UPC: 0805552222920
Catnr: OA2 22229
Release date: 07 February 2025
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1 CD
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Label
OA2 Records
UPC
0805552222920
Catalogue number
OA2 22229
Release date
07 February 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

Now almost 15 years into her New York City life, South Korean pianist and composer Jihee Heo has thrived during her deep journey into the city's towering jazz piano legacy. Her studies in Amsterdam and at the Manhattan School of Music blended experimental jazz with classical and bop, but the rich connection she discovered with drummer Joe Farnsworth and bassist Alex Claffy several years ago awakened sounds she's had stored away since she first encountered jazz. Now a steady presence in New York's clubs, this trio's journey is documented on Flow, which was, appropriately enough, recorded by Maureen Sickler at Rudy Van Gelder’s famed studio in Englewood, NJ. Joining the trio for two tunes is the alto titan, Vincent Herring.
Seit fast 15 Jahren lebt die südkoreanische Pianistin und Komponistin Jihee Heo nun schon in New York City und hat sich auf ihrer Reise durch das gewaltige Jazzpiano-Erbe der Stadt sehr gut entwickelt. Ihre Studien in Amsterdam und an der Manhattan School of Music mischten experimentellen Jazz mit Klassik und Bop, aber die reiche Verbindung, die sie vor einigen Jahren mit dem Schlagzeuger Joe Farnsworth und dem Bassisten Alex Claffy knüpfte, erweckt Klänge, die sie seit ihrer ersten Begegnung mit dem Jazz in sich trug. Die Reise dieses Trios, das inzwischen in den New Yorker Clubs zu Hause ist, wird auf Flow dokumentiert, das Maureen Sickler in Rudy Van Gelders berühmtem Studio in Englewood, NJ, aufgenommen hat. Bei zwei Stücken wird das Trio vom Alt-Titan Vincent Herring begleitet.

Artist(s)

Jihee Heo (piano)

Jihee Heo from South Korea, Jihee Heo is a New York-based jazz pianist and composer. Heo has performed at acclaimed festivals and venues such as Smalls, Mezzrow, Zinc, Django, The Washington D.C. Jazz Festival, Leverkusen Jazz Festival, The International African Arts Festival, The Jersey Shore Festival, Bergen Pac, Harlem Stage, and Jacques Pelzer in Belgium among others.  Heo’s Nonet album Passion was released in 2015, offering a dynamic platform for her to fully express her artistic voice in a large ensemble format featuring soaring compositions and bold arrangements, laced with experimental music. Passion has been reviewed to critical acclaim by The New York City Jazz Record, MM Jazz Korea, and Grammy-winning saxophonist Kirk Whalum. On November 20th, 2020, Heo released her first trio...
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Jihee Heo from South Korea, Jihee Heo is a New York-based jazz pianist and composer.
Heo has performed at acclaimed festivals and venues such as Smalls, Mezzrow, Zinc, Django, The Washington D.C. Jazz Festival, Leverkusen Jazz Festival, The International African Arts Festival, The Jersey Shore Festival, Bergen Pac, Harlem Stage, and Jacques Pelzer in Belgium among others. Heo’s Nonet album Passion was released in 2015, offering a dynamic platform for her to fully express her artistic voice in a large ensemble format featuring soaring compositions and bold arrangements, laced with experimental music. Passion has been reviewed to critical acclaim by The New York City Jazz Record, MM Jazz Korea, and Grammy-winning saxophonist Kirk Whalum.
On November 20th, 2020, Heo released her first trio album Are You Ready? with drummer Rodney Green, and bass player Marty Kenney through OA2 Records. It has been featured in many magazines such as DownBeat Magazine, All About Jazz, France Musique, MM Jazz Korea, Jazz at Lincoln Center’s monthly jazz album roundup, and New York City Jazz Record, etc.
On September 21st, 2023, Heo recorded her 2nd trio album at the historical Rudy Van Gelder Studio with the top jazz players Joe Farnsworth on drums, Alexander Claffy on bass, and Vincent Herring on saxophone.
Heo holds a master's degree from the Manhattan School of Music and a bachelor's degree from the Conservatorium van Amsterdam.

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Vincent Herring (alto saxophone)

Vincent has developed into a virtuoso with a voice that is uniquely intense and vigorous with energy and direction. He is considered one of the premier saxophonists of his generation. Vincent first toured Europe and the United States with Lionel Hampton’s big band in the early 1980’s. As he developed his musicianship he began to work with Nat Adderley a liaison that continued for nine years. Along the way he worked and / or recorded with Cedar Walton, Freddie Hubbard, Dizzy Gillespie, Louis Hayes, Art Blakey and The Jazz Messengers, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band, Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, and John Hicks. Other special concert and...
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Vincent has developed into a virtuoso with a voice that is uniquely intense and vigorous with energy and direction. He is considered one of the premier saxophonists of his generation.
Vincent first toured Europe and the United States with Lionel Hampton’s big band in the early 1980’s. As he developed his musicianship he began to work with Nat Adderley a liaison that continued for nine years. Along the way he worked and / or recorded with Cedar Walton, Freddie Hubbard, Dizzy Gillespie, Louis Hayes, Art Blakey and The Jazz Messengers, Horace Silver Quintet, Jack DeJohnette’s Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band, Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, and John Hicks. Other special concert and projects have included special guest soloist engagements with Wynton Marsalis at Lincoln Center. Vincent also appeared as a guest soloist at Carnegie Hall with John Faddis and The Carnegie Hall Big Band.
While amassing these impressive credentials, Vincent continues to develop his own voice and style. In addition to the legends and peers he has worked with Vincent is inspired by a collage of diverse musical influences. Which is reflected in his original band called Earth Jazz Agents.
Vincent is also involved in Jazz education. He is currently on staff at William Patterson University as well as conducting master classes and jazz workshops at Juilliard. Vincent has also conducted master classes on jazz improvising at Duke and Cornell Universities.
Vincent has recorded 15 CD’s as a leader and can be heard on over 200 as a sideman.

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Composer(s)

Duke Ellington

Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia. Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onand will endure for generations to come. Winton Marsalis said it best when he said 'His music sounds like America.' Because of the unmatched artistic heights to which he soared, no one deserved the phrase “beyond category” more than Ellington, for it aptly describes his life as well. He was...
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Duke Ellington influenced millions of people both around the world and at home. He gave American music its own sound for the first time. In his fifty year career, he played over 20,000 performances in Europe, Latin America, the Middle East as well as Asia.

Simply put, Ellington transcends boundaries and fills the world with a treasure trove of music that renews itself through every generation of fans and music-lovers. His legacy continues to live onand will endure for generations to come. Winton Marsalis said it best when he said "His music sounds like America." Because of the unmatched artistic heights to which he soared, no one deserved the phrase “beyond category” more than Ellington, for it aptly describes his life as well. He was most certainly one of a kind that maintained a llifestyle with universal appeal which transcended countless boundaries.

Duke Ellington is best remembered for the over 3000 songs that he composed during his lifetime. His best known titles include; "It Don't Mean a Thing if It Ain't Got That Swing", "Sophisticated Lady", "Mood Indigo", “Solitude", "In a Mellotone",and "Satin Doll". The most amazing part about Ellington was the most creative while he was on the road. It was during this time when he wrote his most famous piece, "Mood Indigo"which brought him world wide fame.

When asked what inspired him to write, Ellington replied, "My men and my race are the inspiration of my work. I try to catch the character and mood and feeling of my people".

Duke Ellington's popular compositions set the bar for generations of brilliant jazz, pop, theatre and soundtrack composers to come. While these compositions guarantee his greatness, whatmakes Duke an iconoclastic genius, and an unparalleled visionary, what has granted him immortality are his extended suites. From 1943's Black, Brown and Beige to 1972's The Uwis Suite, Duke used the suite format to give his jazz songs a far more empowering meaning, resonance and purpose: to exalt, mythologize and re-contextualize the African-American experience on a grand scale.

Duke Ellington was partial to giving brief verbal accounts of the moods his songs captured. Reading those accounts is like looking deep into the background of an old photo of New York and noticing the lost and almost unaccountable details that gave the city its character during Ellington's heyday, which began in 1927 when his band made the Cotton Club its home.''The memory of things gone,'' Ellington once said, ''is important to a jazz musician,'' and the stories he sometimes told about his songs are the record of those things gone. But what is gone returns, its pulse kicking, when Ellington's music plays, and never mind what past it is, for the music itself still carries us forward today.

Duke Ellington was awarded the Grammy Lifetime Achievement Award in 1966. He was later awarded several other prizes, the Presidential Medal of Freedom in 1969, and the Legion of Honor by France in 1973, the highest civilian honors in each country. He died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday, and is buried in theBronx, in New York City. At his funeral attendedby over 12,000 people at the Cathedral of St. John the Divine, Ella Fitzgerald summed up the occasion, "It's a very sad day...A genius has passed."


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