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Scriabin - Symphony No. 2
Alexander Scriabin

Brussels Philharmonic | Kazushi Ono

Scriabin - Symphony No. 2

Price: € 19.95 13.97
Format: CD
Label: Evil Penguin
UPC: 0608917724820
Catnr: EPRC 0061
Release date: 05 April 2024
old €19.95 new € 13.97
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19.95 13.97
old €19.95 new € 13.97
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Label
Evil Penguin
UPC
0608917724820
Catalogue number
EPRC 0061
Release date
05 April 2024
Album
Artist(s)
Composer(s)
EN

About the album

“For me, Scriabin holds a central and unique role among composers. He is the first composer to engage deeply with mysticism, exploring its nuances through his music and offering us profound answers.” - Kazushi Ono

Can a composer like Alexander Scriabin be associated with any tradition at all, given the uniqueness of his musical language? Initially focusing on piano compositions, Scriabin later expanded to larger orchestral works, crafting five symphonies between 1899 and 1910. A noticeable evolution in composition unfolds, as Scriabin transitions from a late Romantic style to a more modernistic approach, drawing inspiration from symbolist poetry and philosophical figures. Envisioning himself as a musical messiah aiming to change the world, his Second Symphony provides a glimpse into this eccentric vision.

Artist(s)

Brussels Philharmonic

“The world needs symphonic music.  And symphonic music needs the world.” That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our music director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.
more
“The world needs symphonic music. And symphonic music needs the world.” That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our music director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.

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Kazushi Ono (conductor)

Kazushi Ono’s musical personality was formed by the cultures of both Japan, where he was born, and Europe, where he studied. His work reflects both influences and crosses styles and forms, from Baroque to new commissions and from orchestral to opera. He has worked in opera houses and concert halls all over the world and serves as Music Director of Brussels Philharmonic, Music Director of Tokyo Metropolitan Symphony Orchestra and Artistic Director of New National Theatre Tokyo.
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Kazushi Ono’s musical personality was formed by the cultures of both Japan, where he was born, and Europe, where he studied. His work reflects both influences and crosses styles and forms, from Baroque to new commissions and from orchestral to opera. He has worked in opera houses and concert halls all over the world and serves as Music Director of Brussels Philharmonic, Music Director of Tokyo Metropolitan Symphony Orchestra and Artistic Director of New National Theatre Tokyo.

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Composer(s)

Alexander Scriabin

Alexander Scriabin was a Russian composer and pianist. He began playing the piano at the age of five, but received his first lessons only at the age of eleven. He could not play from sight, but studied the score and played the compositions by heart afterwards. He was also a gifted improviser. During the rest of his live Scriabin made a living as a composer and concert pianist.He established contracts with publishers and also had a patron in his former student Margarita Morozova for some time. In addition, he annually won a money prize in the context of the Glinka-prize for new compositions that was set up by Beljajev. Scriabin primarily wrote for solo piano and orchestra. His music progressively evolved over...
more
Alexander Scriabin was a Russian composer and pianist. He began playing the piano at the age of five, but received his first lessons only at the age of eleven. He could not play from sight, but studied the score and played the compositions by heart afterwards. He was also a gifted improviser.
During the rest of his live Scriabin made a living as a composer and concert pianist.He established contracts with publishers and also had a patron in his former student Margarita Morozova for some time. In addition, he annually won a money prize in the context of the Glinka-prize for new compositions that was set up by Beljajev.
Scriabin primarily wrote for solo piano and orchestra. His music progressively evolved over the course of his life, although the evolution was very rapid and especially brief when compared to most composers. His earliest piano pieces resemble those of Frédéric Chopin. The works from his middle and late period use very unusual harmonies and textures.
From 1904 till 1910 Scriabin lived in western Europe, primarily in Switzerland, but also in northern Italy, Paris and Brussels. After his return to Russia he found himself in the middle of a circle of admirers who were attracted to his exalted and mystic ideas. During the last years of his life he worked on a grandiose manifestation, a Gesamtkunstwerk, Mysterium, in which all arts and all people would have been united. He left only sketches of the prelude to this piece (L'action préalable) and large amounts of text.

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