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Label Myrios Classics |
UPC 4260183510307 |
Catalogue number MYR 030 |
Release date 27 October 2023 |
François-Xavier Roth is one of today’s most imaginative conductors and programmers, whether in his
roles as General Music Director of the City of Cologne and founder of Les Siècles, or with leading
orchestras such as the London Symphony Orchestra, of which he is Principal Guest Conductor. A born
communicator, he is a charismatic and persuasive advocate for classical music of every description.
In Cologne, where he has directed both the Gürzenich Orchestra and the Opera since 2015, his
programming is notable for its breadth and depth, including new commissions alongside Baroque and
Romantic music. Roth upholds the orchestra’s pioneering heritage, which includes having given the
world premieres of Mahler’s Third and Fifth Symphonies, the Brahms Double Concerto, Strauss’s Don
Quixote and Till Eulenspiegel, and Zimmermann’s Die Soldaten. For Cologne Opera he has led new
productions of Benvenuto Cellini, Le nozze di Figaro, Don Giovanni, Tannhäuser, Tristan und Isolde, Salome,
Béatrice et Bénédict and The Flying Dutchman.
His sense of musical exploration led him in 2003 to found Les Siècles, which performs contrasting
programmes on modern and period instruments, often within the same concert. Together, they have
toured Europe, China and Japan, appearing at the Berlin Musikfest, BBC Proms, Edinburgh and Enescu
festivals. In 2019, Les Siècles became resident orchestra of Atelier Lyrique de Tourcoing, where Roth is
also Artistic Director, and in 2022 they took up their new residency at Théâtre des Champs-Élysées.
Projects have included recreating the original sound of Stravinsky’s The Rite of Spring, Ravel’s Daphnis et
Chloé and Debussy’s Pelléas et Mélisande. Currently, Les Siècles are celebrating their 20th anniversary
with a series of European tours.
Roth is a champion of new music and has premiered works by Georg-Friedrich Haas and Hèctor Parra, and collaborated with composers such as Pierre Boulez, Wolfgang Rihm, Jörg Widmann, Helmut Lachenmann and Philippe Manoury. He has a leading role in the LSO’s Panufnik Composers Scheme, mentoring young emerging composers.
Engagement with new audiences is an essential part of Roth’s work, whether speaking from the podium or working with young people and amateurs. With the Festival Berlioz and Les Siècles, he founded the Jeune Orchestre Européen Hector Berlioz, which has its own collection of period instruments and last year performed Les Troyens à Carthage in Berlioz’s birthplace. In Cologne he has initiated a community orchestra and his Ohrenauf! youth programme was recipient of a Junge Ohren Produktion Award. His television series Presto! attracted weekly audiences of over three million in France.
Roth’s prolific award-winning discography includes the complete tone poems of Richard Strauss, Stravinsky ballets, Ravel and Berlioz cycles, Bruckner, Mahler and Schumann symphonies, and albums commemorating Debussy’s centenary. He was awarded the German Record Critics’ Honorary Prize 2020, the youngest conductor ever to receive it. For his achievements as musician, conductor, music director and teacher, François-Xavier Roth was made a Chevalier of the Légion d’honneur.
Anton Bruckner was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Bruckner was greatly admired by subsequent composers including his friend Gustav Mahler, who described him as "half simpleton, half God".
Coming from a small farmer's village, Bruckner started his music education early, which he continued for a long time. Due to a mix of insecurity and eagerness to learn, Bruckner rushed from one study into another and he showed himself as a fanatic, but also remarkably talented, student. He started composing at an early age, but he considered everything before his 39th as mere practice. Bruckner never became a stable composer and relied on in short phases of creative energy. After these phases, he would spend ages revising his work. In particular his symphonies received countless revisions and new editions, which was also due to his insecurity, he was quite sensitive to criticism.
The premier of his Third Symphony was a disaster: a large part of the audience left the concert hall and a devastating review appeared afterwards. Luckily, appreciation for his work grew and at the time of his death, even the great Brahms attended his funeral.