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Label Challenge Classics |
UPC 0608917293227 |
Catalogue number CC 72932 |
Release date 29 September 2023 |
"...the Alma Quartet for the recording of the Quartet n.1 op.16 and the Quintet op.15 by Korngold (the latter with the pianist Severin von Eckardstein) for Challange Records in the category “Ensemble"."
Archi Magazine, 18-9-2024Severin von Eckardstein, one of the leading German pianists of his generation, has an already lengthy record of solo concerts and concerto performances on major stages around the world.
He gave highly acclaimed concerts for example in Berlin, Munich, Milan, Moscow, Madrid, London, Paris, New York, Amsterdam, Budapest, Hong Kong, Tokyo and Seoul, as well as at great music festivals, including Klavier-Festival Ruhr, Aldeburgh / UK, the Gilmore Festival in Michigan / USA, La Roque d’Anthéron / France, Schleswig-Holstein Music Festival, Husum Festival (“Raritäten der Klaviermusik”) and the Miami International Piano Festival.
He has performed with conductors such as Valery Gergiev, Philippe Herreweghe, Lothar Zagrosek and Marek Janowski, and made important debuts, among others with the Royal Concertgebouw Orchestra conducted by Paavo Järvi, the Dallas Symphony Orchestra under the baton of Jaap van Zweden and the Hungarian National Philharmony together with Zsolt Hamar. During the worldwide lockdown in November 2020 he debuted with Mariinsky Orchestra conducted by Valery Gergiev and the Ural Philhamonic in Yekaterinburg, Russia.
Von Eckardstein played 8 recitals during the prestigious series “Meesterpianisten” at Concertgebouw Amsterdam. In 2022 he was invited for the 7th time at the Klavier Festival Ruhr, Germany.
The artist won prizes at numerous noteworthy international competitions. In 2003 he has been awarded the first prize at the Queen Elisabeth Competition in Brussels. In 2002 He received the “European Culture Prize” and the “Echo Classic Prize.”
Von Eckardstein’s education in the musical arts was predominately shaped by his teachers Prof. Barbara Szczepanska, Prof. Karl-Heinz Kämmerling and Prof. Klaus Hellwig, University of Arts, Berlin, where he also successfully completed his studies (Konzertexamen). In an additional course of study at the International Piano Academy Lake Como, Italy, he profited from further instruction and inspiration. He has been teaching masterclasses at many places, among others in South Korea, Finland, Belgium and at the University of Arts Berlin.
Chamber music also plays a significant role in his repertoire with performances at festivals such as the Kuhmo Chamber Music Festival, Finland, Delft Chamber Music Festival, Netherlands, and the Risør Chamber Music Festival, Norway, where he appeared with cellist Heinrich Schiff. His current partners are Isang Enders, Sophia Jaffé, Isabelle van Keulen, Igor Levit, to name only a few. In 2015 he founded the chamber concert series “Klangbrücken” at Konzerthaus Berlin together with violinist Franziska Hölscher.
Von Eckardstein‘s comprehensive repertoire spans the baroque period up through music of the 21st century. As such, he has premiered several works of contemporary composers, in particular the American Sidney Corbett. One of his special focuses is late romantic piano music of less known composers, especially Nicolai Medtner.
CD recordings with compositions by Medtner, Scriabin, Wagner, Schubert, Schumann, Debussy and others are highly regarded. His album of Dupont´s cycle “La maison dans les dunes” was awarded with “Diapason d´Or”. His album featuring Schumann´s Kreisleriana and Adolf Jensen was released in March 2023.
Alma Quartet was formed in 2014 and quickly gained reputation as one of the most thrilling ensembles in Holland. Their debut album: Schulhoff Complete String Quartets has received stellar international praise. The Gramophone claimed 'this set shoots straight to the top' and also admired the quartet for being 'capable of the most seductive playing.'
The album was chosen for the 2017 Preis der deutschen Schallplattenkritik "Bestenliste" and was also featured on German national radio station SWR2, hailing Alma's Schulhoff cycle as the 'new reference recording.'
Their latest album Korngold String Quartet No.1 | Piano Quintet with Severin von Eckardstein for Challenge Records received the prestigious Diapason d'Or in France and has been exceptionally well received by The Gramophone claiming there is a ‘[…] superb polish of the playing, a sense of freshness, discovery and sheer joy that leaps out from this recording’ as well as ‘this is intensely characterful playing that never sounds mannered – complex without becoming congested.’
Italian magazine Classic Voice gives the album 5 stars and says: 'The passionate interpretation restores all its communicative strength.'
De Volkskrant states ‘Alma Quartet plays Korngold the way he would’ve wanted, slippery and insane.’
Belgian newspaper De Standaard claims ‘Alma Quartet knows how to capture the soul of Korngold.’
And BBC Music Magazine writes: 'there's inventiveness and a sense of adventure in these burnished performances - utterly refined, yet warm and tender too.'
Ultimately the American Record Guide says: 'I might as well admit that the album sounds phenomenal.'
Korngold String Quartets Nos. 2-3 was recorded direct-to-disc without editing and has been ranked among the Top40 best albums of 2021 by De Volkskrant claiming 'Alma Quartet plays Korngold with a touch of soft nostalgia.'
De Standaard gave it a 5-star review claiming 'the Amsterdam foursome plays formidable [...]' and 'the result sounds as thrilling as a live concert.'
BBC Radio 3 celebrated their 'uncompromising and emphatic performance style' as well as saying that it's 'like close-up magic, listening to this.'
NRC Handelsblad stated 'the foursome [...] shows the listener in one go the most beautiful flowers along the deepest abysses' and Het Parool praised the quartet for their 'enchanting masters level playing' and finds that 'the result commands great admiration.'
Spanish magazine Ritmo gave it 5 stars and claimed their recording is 'the best available [...] for understanding the expressive world of Korngold.'
As well as performing the classical repertoire, the quartet is keen on collaborating with artists of other genres such as singer-songwriter Nana Adjoa, bigband New Cool Collective with which they released Opus 127, an EP containing jazz variations on Beethovens twelfth string quartet and composer and jazz pianist Rembrandt Frerichs with whom they released Piano Concertos Nos. 1-2 of which De Volkskrant stated they play '[...] with a lot of flair and finesse.'
The quartet has recorded for a number of labels including Sony Classical, Universal Music, BIS Records, Challenge Records, Gutman Records and TRPTK. They also collaborate intensely with techno producer Henrik Schwarz on a multitude of projects.
On their album CCMYK, they explore the possibilities of seamlessly fusing newly composed electronic and classical music into a new language.
The quartet has performed at prestigious concert halls including Concertgebouw Amsterdam, Elbphilharmonie Hamburg, Müpa Budapest, Konzerthaus Berlin, Tonhalle Düsseldorf, De Doelen Rotterdam, Muziekgebouw aan 't IJ Amsterdam, Sociedad Filarmónica de Bilbao, Süreyya Opera House Istanbul, Tianjin Grand Theatre, Harbin Concert Hall, Wuhan Qintai Concert Hall, as well as clubs and theaters such as Jazz Cafe London, Philharmonie Haarlem, Diligentia Den Haag, Volksbühne Berlin, Temple Beijing, Musis Arnhem, Paradiso Amsterdam, Bimhuis, Melkweg Amsterdam, Kulturbrauerei Berlin and Střecha Lucerny Prague.
They have played during captivating events such as String Quartet Biennale Amsterdam, Schumannfest Düsseldorf, Amsterdam Dance Event, XJazz Festival Berlin, Down The Rabbit Hole, Beyond the Pale Festival, Shoeless Festival, Pop-Kultur Festival Berlin, Theater Spektakel Zurich, TEDx and Uitmarkt Amsterdam.
Alma Quartet has collaborated with diverse artists such as Klaus Mäkelä, Jean-Yves Thibaudet, Lisa Batiashvili, Martin Fröst, Denis Kozhukhin, Severin von Eckardstein, Philip Glass, Nico Muhly, Samuel Adams, Milica Djordjevic, Jörgen van Rijen, Hauschka, Henrik Schwarz, Julien Libeer, Lavinia Meijer, Dauwd, Rembrandt Frerichs, Ramon van Engelenhoven, Bugge Wesseltoft, New Cool Collective, Dominique Vleeshouwers, Nana Adjoa, Mahsa Vahdat, Sarah Neutkens, Nicolas van Poucke, Dominic Seldis, Santa Vizine, Nino Gvetadze, Aidan Mikdad and Frank Lammers.
...the Alma Quartet for the recording of the Quartet n.1 op.16 and the Quintet op.15 by Korngold (the latter with the pianist Severin von Eckardstein) for Challange Records in the category “Ensemble".
Archi Magazine, 18-9-2024
The passionate interpretation of the Alma Quartet and Severin von Eckardstein empathetically conveys all of
the strength of communication, in addition to the wealth of details of the ever-changing musical fabric, also exalted with excellent sound recording.
Classic Voice, 15-4-2024
With an exceptionally poignant Adagio, the Alma and their accomplice create the most poetic version since the famous one by Bengt Forsberg and his friends.
Diapason, 31-3-2024
The Alma Quartet, along with pianist Severin von Eckardstein, exhibits a wonderful cohesion in this performance. The recording too is excellent, with great tonalities across the board and just enough studio ambience to create a nice soundstage around the performers.
Fanfare Magazine, 01-3-2024
...it is the great Piano Quintet, a Carinthian symphony filled with radiant themes, cradled with tasty accents, which first enchants.
Severin von Eckardstein has a lot to do with it, mischievous in the Allegro, by turns imperious in the Finale which includes pages of high fantasy, but just listen to the immense nocturne with Mahlerian depths of the Adagio, this keyboard of shadows which sings in the ether of the strings, such emotion.
ARTALINNA, 26-2-2024
The 'Allegro molto' of the first string quartet sounds beautiful, especially thanks to this quartet. Melodic and subtle, but with exciting, sometimes even slightly threatening phrases. The quiet but particularly compelling second part, 'Adagio quasi fantasia', is also particularly beautiful. In the third movement, 'Intermezzo', the strings have to play ‘ziemlich lebhaft, mit Grazie’, something that certainly happens here. It sounds like a dance, so graceful. An atmosphere that also prevails in the last part, the finale.
Nieuwe Noten, 12-2-2024
Pianist Severin von Eckardstein pulls the quartet in the Piano Quintet op. 15 and unleashes more unity and energy. Pianist and quartet come together beautifully in the phenomenal second variation movement, with more intimacy and refinement.
Luister, 01-12-2023
Everything is Korngold through and through, from the slippery harmonies to the sometimes crazy approach (hear the sway with which the First String Quartet starts off). The Alma Quartet is not shy about color and atmosphere. Part two is peppered with alternating fleshy and glassy sounds. Tripping seems to be the marching order in part three.
De Volkskrant, 05-10-2023
Although this absolute music precedes Korngold's glittering career in Hollywood, there is undeniably a very image-rich core to his pieces. The musicians know how to interpret this in a compelling way. In the high registers they provide an entertaining lightness with pronounced pizzicatos and light keyboard touches, while the lower regions vibrate with the brooding warmth of the cello playing.
De Standaard, 04-10-2023
It's beautiful, too, but it's never just about the surface; and when the string players are joined by Eckardstein in the Quintet, everything falls perfecty into place, with the pianist matching the string players for concentration and tone colour, whether dark-hued chromatic menace, the moonlit inwardness of the slow movement or that final, euphoric sweep up to the finish. It's gorgeous stuff, and if you're old enough to remember the 1990's, when any recording of Korngold music was a cause for celebration, you'll have all the more reason to admire this achievement.
Gramophone, 01-10-2023
These are really five mood makers that are perfect for the romantic idiom. A tradition once established is continued.
Opus Klassiek, 15-9-2023