Dejan Lazić’s fresh interpretations of the repertoire have established him as one of the most unique and unusual soloists of his generation. The Spiegel magazine noted of his Liszt recording for Onyx Classics: “Grandiose technique, dedicated and witty, whilst full-bodied and thoughtful: this longitudinal section through Liszt’s oeuvre is a gift, both for beginners and connoisseurs.” Dejan Lazić has previously released many recordings with Channel Classics, including a critically acclaimed Liaisons series; the latest of which couples together C. P. E. Bach and Britten. In autumn 2017 he performed on tour and recorded Beethoven’s own arrangement of his Violin Concerto as Piano Concerto in D major, Op. 61a, with Netherlands Chamber Orchestra and Gordan Nikolić. This CD was released in May 2018 by Onyx Classics. His live recording of Rachmaninov’s Piano Concerto No. 2 with London Philharmonic Orchestra and Kirill Petrenko received the German “ECHO Klassik Award” in 2009. A recording of the Beethoven Triple Concerto was released for Sony Music in 2015. His recording with Mozart’s chamber music, released by Onyx in 2020 was awarded with the prestigious “OPUS Klassik 2021” in the category “Chamber Music Recording”.

Dejan Lazić regularly plays with orchestras such as the Atlanta Symphony, Australian Chamber Orchestra, Boston Symphony, Budapest Festival Orchestra, Basel Chamber Orchestra, Chicago Symphony, City of Birmingham Symphony Orchestra, Royal Concertgebouw Orchestra, Danish National Symphony, Helsinki Philharmonic, NDR Elbphilharmonie Orchestra Hamburg, Netherlands Philharmonic, Rotterdam Philharmonic, and the Swedish Radio Symphony Orchestra. He enjoys a significant following in the Far East touring China with Budapest Festival Orchestra and Iván Fischer, and appearing with NHK Symphony and Yomiuri Nippon, as well as Seoul and Hong Kong Philharmonic Orchestras. He has built close collaborations with conductors including Giovanni Antonini, Iván Fischer, Michael Francis, Andris Nelsons, Ivan Repušić, Thomas Søndergård, Robert Spano, John Storgårds, Krzysztof Urbański, Jan Willem de Vriend, and Kazuki Yamada. In addition, he increasingly leads and conducts orchestras himself.

In the 2021/2022 season Dejan Lazić is Artist in Residence of the Bavarian Radio’s Münchner Rundfunkorchester and he undertakes a tour with the Budapest Festival Orchestra and Iván Fischer. In 2022 and 2023 he is also debuting with Dresden, Stuttgart, Bergen, and Slovak Philharmonic Orchestras, as well as with Orchestra della Svizzera italiana. Recitals take him regularly to venues such as the Teatro Colón (Buenos Aires), Lincoln Center (New York), Melbourne Recital Centre, Forbidden City Recital Hall (Beijing), and to various European music centres and festivals. In the summer of 2022 he will appear anew at the Gstaad Menuhin Festival: in a recital and a chamber music concert with Sol Gabetta (violoncello) and Andreas Ottensamer (clarinet) where also his latest composition “Kaleidoscope” for clarinet, violoncello and piano will be premiered. Other chamber music partners include violinists Joshua Bell and Benjamin Schmid (a. o.).

Dejan Lazić’s compositions receive increased recognition, he was signed as a composer by the Sikorski Music Publishing Group in 2015. His arrangement of Brahms’ Violin Concerto as a piano concerto was premiered and recorded with Atlanta Symphony Orchestra and Robert Spano in 2009 and has enjoyed much ongoing success, at BBC Proms, Concertgebouw Amsterdam, Hamburg Easter Festival, Chopin Festival Warsaw, in both Americas and in Japan. Lazić has performed his “Piano Concerto in Istrian Style”, Op. 18, many times since its premiere at the Aspen Music Festival in 2014. His first major orchestral work, a tone poem entitled “Mozart and Salieri” (after Alexander Pushkin), Op. 21, was commissioned and premiered by Indianapolis Symphony and Krzysztof Urbański; his Cadenzas for 6 Mozart Piano Concertos, Beethoven’s Piano Concertos Nos. 1 – 4, and Haydn Piano Concertos Nos. 4 & 11 were recently published by Sikorski as well.

Lazić’s most recent Mozart arrangement, “Rondo Concertante” for piano and orchestra (after the 3rd movement from Mozart’s Piano Sonata in B-flat major, K. 333) was premiered in June 2018 at the “Mainly Mozart” Festival in San Diego, USA, with the Mainly Mozart Festival Orchestra conducted by Michael Francis. With four fellow composers Lazić composed the work “Der Forellenteich” (“The Trout Pond”), which was premiered and released on CD in October 2018 and subsequently performed at various festivals in Germany. His “S.C.H.E.rzo” for Orchestra, Op. 25, commissioned by the Indianapolis Symphony Orchestra was premiered with conductor Krzysztof Urbański on 17 January 2020. He is currently working on his “Chinese Fantasy” for violin and orchestra, Op. 22.

Dejan Lazić was born in Zagreb, Croatia, into a family of musicians. He grew up in Salzburg, where he studied at the Mozarteum (clarinet, piano and composition). The early encounter with Zoltán Kocsis and Imre Rohmann at the Bartók Festival in Hungary was decisive for his artistic career, as well as the significant influence from Peter Eötvös. Dejan Lazić lives in Amsterdam.

Bergen Philharmonic Orchestra, a Norwegian national orchestra, dates back to 1765. Ed­vard Grieg served as its artistic director from 1880 to 1882. Edward Gardner is Chief Con­ductor and Sir Mark Elder is the orchestra’s Principal Guest Conductor.
The Orchestra was nominated Orchestra of the Year 2020 by Gramophone and won two Gramophone Classical Music Awards in 2021: Recording of the Year and Opera Award Win­ner for Britten’s Peter Grimes. In recent years, the orchestra has played in the Concertge­bouw, at the BBC Proms, Wiener Musikverein and Konzerthaus, Carnegie Hall, New York, Elbphilharmonie in Hamburg and the Philhar­monie, Berlin.
The orchestra and Edward Gardner appeared at the Edinburgh International Festival (EIF) (2017) and Royal Festival Hall (2019) with their critically acclaimed production of Peter Grimes. In 2022 the orchestra was invited back to the Edinburgh International Festival and re­ceived rave reviews for their performance of Strauss’ Salome. Edward Gardner and the Orchestra has released a series of record­ings, including a Grammy-nominated record­ing of Janáčeks Glagolitic Mass, Schönberg’s Gurre-Lieder, songs by Sibelius, Grieg’s Piano Concerto and Incidental music to Peer Gynt, Schoenberg’s Erwartung and Pelleas und Melisande, Britten’s Peter Grimes with Stuart Skelton and Erin Wall, songs by Britten and Canteloube with soprano Mari Eriksmoen and a CD with saxophonist Marius Neset.

Jan Willem de Vriend is the artistic director of Combattimento Consort Amsterdam and since 2006 the chief conductor and artistic director of the Netherlands Symphony Orchestra.
Combattimento Consort Amsterdam devotes itself to the music of about 1600 to 1830. Since its founding in 1982, it has performed virtually throughout the world as well as on many CDs, DVDs and television productions.
Since De Vriend was named chief conductor in 2006, the Netherlands Symphony Orchestra has become a notable phenomenon on the Netherlands’ musical scene. It has presented semi-scenic performances of works by Mozart, Beethoven, Strauss and Mendelssohn. There were premieres of works by Offenbach, Say and Mahler. And by substituting historical instruments in the brass section, it has developed its own distinctive sound in the 18th- and 19th-century repertoire. Recently, the orchestra performed music by Schumann at festivals in Spain. The release of Beethoven’s complete symphonies, conducted by De Vriend, is a big project which starts with the release of this current CD. Also the orchestra's long Mahler tradition is being continued in recordings and tours.
De Vriend has been a guest conductor with the Netherlands Radio Philharmonic Orchestra, the Netherlands Radio Chamber Philharmonic, the Netherlands Philharmonic Orchestra, The Hague Philharmonic and the Royal Concertgebouw Orchestra, as well as orchestras in Germany, Sweden and Australia. He is often invited to conduct both in the Netherlands and abroad. He has engagements pending, for example, with The Hague Philharmonic, the Royal Concertgebouw Orchestra as well as orchestras in China, Germany, Austria and Italy.