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Hommage à Beethoven
Robert Schumann, Ludwig van Beethoven

Aris Alexander Blettenberg

Hommage à Beethoven

Price: € 19.95 13.97
Format: CD
Label: CAvi
UPC: 4260085535293
Catnr: AVI 8553529
Release date: 12 May 2023
old €19.95 new € 13.97
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19.95 13.97
old €19.95 new € 13.97
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Label
CAvi
UPC
4260085535293
Catalogue number
AVI 8553529
Release date
12 May 2023
Album
Artist(s)
Composer(s)
EN
DE

About the album

Hommage à Beethoven
or “per aspera ad astra”: a musical journey from darkness to light


The programme on this CD begins and ends with transcriptions of works by Beethoven. The first piece is the Allegretto (2nd movement) from Beethoven’s 7th Symphony in the arrangement by Franz Liszt, and the programme ends with a solo piano version of Beethoven’s song An die Hoffnung, created especially for this CD. The two pieces form a framework of sonorities and emotions that set the basic mood for this musical journey.

The Allegretto serves as a prologue: it looks ahead, indicating the direction we shall be taking. At the other end of the programme, the song transcription serves as an epilogue: it looks back, taking stock of all that has occurred. On the one hand, there is a somber mood that runs through the entire programme: we find it in the Allegretto’s passages in minor, in the Schumann variations, in the third movement of the Beethoven sonata, and
in the recitativo-like passages of An die Hoffnung.

These are complemented by episodes of light: the A-Major sections of the Allegretto, the first, second, and fourth movements of the sonata, and, ultimately, the hopeful, optimistic sonorities we find in the song transcription with the final cry: “O, Hope!”
(Aris Alexander Blettenberg)
Hommage à Beethoven
oder per aspera ad astra - eine musikalische Reise von der Dunkelheit ins Licht


Den Rahmen des Programms setzen zwei Beethoven-Transkriptionen:

Zu Beginn steht das Allegretto der VII.
Symphonie in der Bearbeitung Franz Liszts, zum Schluss eine für diese CD entstandene Klavierfassung des
Liedes An die Hoffnung. In beiden Stücken kommen Klangwelten zum Vorschein, welche den Grundton dieser
musikalischen Reise angeben.

Das Allegretto fungiert als Prolog, schaut voraus, gibt die Richtung vor; das Lied
wird zum Epilog, blickt zurück, resümiert. Die düstere Atmosphäre, die sich durch das ganze Programm zieht - in
den Moll-Passagen des Allegretto, in den Variationen Schumanns, im dritten Satz der Beethoven-Sonate, in den
rezitativischen Episoden des Liedes -, findet ihre Ergänzung in den lichtvollen Momenten, den A-Dur-Teilen
des Allegretto, dem ersten, zweiten und vierten Satz der Sonate und letztendlich in den zuversichtlichen Klängen
der Lied-Transkription mit dem abschließenden Ausruf: „O Hoffnung!“
(Aris Alexander Blettenberg)

Artist(s)

Aris Alexander Blettenberg (piano)

Pianist, conductor and composer Aris Alexander Blettenberg has established himself as one of the most versatile musicians of his generation. He first came to public attention when he won first prize at the 2015 Hans von Bülow International Piano Competition. In October 2021, his credentials as a performer have been boosted by success in the prestigious Ludwig van Beethoven International Piano Competition Vienna as he won first prize. Over the last years Aris has performed to critical acclaim at London‘s Wigmore Hall, the Vienna Musikverein, Konzerthaus Berlin, Laeiszhalle Hamburg, Muziekgebouw Amsterdam, the Beaux Arts Brussels, National Concert Hall Dublin, the NOSPR Katowice and the Prinzregententheater Munich. He has been invited to renowned music festivals such as the Mecklenburg-Vorpommern Festival, Kissinger Sommer Festival, Heidelberger Frühling Festival, Ruhr Piano Festival and...
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Pianist, conductor and composer Aris Alexander Blettenberg has established himself as one of the most versatile musicians of his generation.
He first came to public attention when he won first prize at the 2015 Hans von Bülow International Piano Competition. In October 2021, his credentials as a performer have been boosted by success in the prestigious Ludwig van Beethoven International Piano Competition Vienna as he won first prize.
Over the last years Aris has performed to critical acclaim at London‘s Wigmore Hall, the Vienna Musikverein, Konzerthaus Berlin, Laeiszhalle Hamburg, Muziekgebouw Amsterdam, the Beaux Arts Brussels, National Concert Hall Dublin, the NOSPR Katowice and the Prinzregententheater Munich.
He has been invited to renowned music festivals such as the Mecklenburg-Vorpommern Festival, Kissinger Sommer Festival, Heidelberger Frühling Festival, Ruhr Piano Festival and the Schwetzingen Festival.
An avid chamber music player, Aris has collaborated with artists including Arabella Steinbacher, Christian Tetzlaff, Sharon Kam, Maximilian Hornung, Julian Rachlin and Julia Fischer with whom he has given many recitals throughout Europe.
Since 2015, Aris has been a regular guest conductor at the Meiningen State Theatre. His published compositions are performed throughout the world.
Born to a Greek-German family in 1994, Aris Alexander Blettenberg studied piano and conducting in Munich, Salzburg and Hannover under the guidance of Antti Siirala, Bruno Weil and latterly Lars Vogt. Numerous masterclasses with teachers such as Rudolf Buchbinder, Gerhard Oppitz, Cyprien Katsaris, Dame Imogen Cooper and Vladimir Jurowski have rounded off his training.

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Composer(s)

Ludwig van Beethoven

Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School.    Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob...
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn, and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.

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Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
more
Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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