The sincerity of Roos Meijer’s alt-folk finds a way to the heart of even the most casual listener as she lends her voice to extraordinary but unheard people from around the world. Drawing inspiration from a diversity of genres, including folk, classical, indie-rock, and Arabic music, Roos bridges many rivers of the musical landscape and leads you to new pastures. With an understated but profound sense of detail, in both song and arrangement, her music finds and navigates emotional fine lines that are seldom expressed in popular music.
Roos’ debut LP, ‘Why Don’t We Give It A Try?’, was released in November 2021 and was very well received; it got ranked number 1 at Music That Needs Attention and received multiple raving reviews.
The album was inspired by conversations with eight societal changemakers for causes relating to climate, anti-racism, feminism, human rights, orphans,LGBTQ youth, and homelessness. Filled with eclectic but integral arrangements, each song creates a fully realised sonic culture within the wider world of the album and, through the unique empathy of Roos’ artistic voice, comes from a place of genuine earnestness and societal duty.
Residentie Orkest The Hague proves that even in the 21st century, symphonic music can still be meaningful to large and diverse audiences. Its reputation as one of the finest orchestras in Europe makes it an appropriate figurehead for The Hague as a cosmopolitan city of justice, peace, and culture. The orchestra performs concert series in the Zuiderstrandtheater in Scheveningen and in addition performs at venues such as Concertgebouw Amsterdam, TivoliVredenburg Utrecht and De Doelen in Rotterdam. Special crossover and innovative productions are also provided at The Hague’s prominent pop venue Paard van Troje throughout the season. The Residentie Orkest performs regularly at various other major concert halls abroad. Tours have brought the orchestra to New York, Boston, Chicago, London and Vienna amongst others and the orchestra also performed in countries like Japan, China, Germany, France and South America. There are also many prolific collaborations with a wide range of partners, including the Dutch National Theatre, Gemeentemuseum and the Dutch National Opera. Recent seasons have seen a much acclaimed production of Messiaen’s rarely performed opera Saint François d’Asisse and Poulenc’s Dialogues des Carmélites.
A rich history Since its first concert in 1904, the Residentie Orkest has developed into one of the prominent symphony orchestras of The Netherlands. Founded by Dr Henri Viotta, who was also its first principal conductor, it quickly attracted composers like Richard Strauss, Igor Stravinsky, Max Reger, Maurice Ravel, Paul Hindemith and Vincent d’Indy. Guest conductors included Arturo Toscanini, Bruno Walter, Leonard Bernstein and Hans Knappertsbusch.
After World War II, Willem van Otterloo was appointed chief conductor. He led the orchestra from 1949 to 1973 and built a strong reputation by combining high-quality performances with adventurous programming. Van Otterloo was succeeded by Jean Martinon, Ferdinand Leitner, Hans Vonk, Evgenii Svetlanov, Jaap van Zweden and Neeme Järvi.
Chief conductor Starting season 2018/2019 Nicholas Collon is chief conductor and artistic advisor of the Residentie Orkest. Richard Egarr will join the orchestra as principal guest conductor in 2019. Until the summer of 2019 Jan Willem de Vriend will act as principal conductor.
The sincerity of Roos Meijer’s alt-folk finds a way to the heart of even the most casual listener as she lends her voice to extraordinary but unheard people from around the world. Drawing inspiration from a diversity of genres, including folk, classical, indie-rock, and Arabic music, Roos bridges many rivers of the musical landscape and leads you to new pastures. With an understated but profound sense of detail, in both song and arrangement, her music finds and navigates emotional fine lines that are seldom expressed in popular music.
Roos’ debut LP, ‘Why Don’t We Give It A Try?’, was released in November 2021 and was very well received; it got ranked number 1 at Music That Needs Attention and received multiple raving reviews.
The album was inspired by conversations with eight societal changemakers for causes relating to climate, anti-racism, feminism, human rights, orphans,LGBTQ youth, and homelessness. Filled with eclectic but integral arrangements, each song creates a fully realised sonic culture within the wider world of the album and, through the unique empathy of Roos’ artistic voice, comes from a place of genuine earnestness and societal duty.