Randall has become a sought-after artist by some of the world’s most esteemed opera houses. In December of 2019 he made a spectacular debut at London’s Royal Opera House as Apollo in Britten’s Death in Venice, singing to sold-out audiences at Covent Garden in David McVicar’s acclaimed production. Randall then joined the roster of the Metropolitan Opera to cover performances of Handel’s Agrippina and returned to the Met in 2022 for performances of Eurydice by Matthew Aucoin. In the spring of 2022 he made another impressive debut at the Bayerische Staatsoper singing the role of Michael in a new production of Haas’ micro-tonal opera Thomas. Randall’s debut solo album with the Orchestra of the Age of Enlightenment, was released by Signum Classics in September 2022, entitled The Crown: Heroic Arias for Senesino. The recording earned high praise from many reviewers; “Scotting lets loose a ravishing vocalism, deep colours, muscular core…Scotting’s messa da voce is mesmerising in music about love and despair alike” **** BBC Music Magazine.

A dramatically persuasive and intensely musical interpreter, Randall is recognised for winning over audiences with his stunning vocal beauty, stylish singing, and charismatic stage presence. Randall’s second album on the Signum label, LOVESICK, also received broad acclaim and was recorded in collaboration with Grammy award winning lutenist Stephen Stubbs. Randall returned to Germany in early 2023 to debut the role of Adone at Staatsoper Hamburg in the world premiere of Sciarrino’s Venere e Adone. Upon receiving rave reviews for his singing and acting as the Refugee in Flight at Seattle Opera, Randall performed again at Seattle Opera in late 2023 singing Ruggiero in Handel’s Alcina.

Stephen Stubbs spent a 30-year career in Europe. He returned to his native Seattle in 2006 as one of the world’s most respected lutenists, conductors, and baroque opera specialists.
In 2007 Stephen established his new production company, Pacific MusicWorks, based in Seattle, reflecting his lifelong interest in both early music and contemporary performance. Stephen is also the Boston Early Music Festival’s permanent artistic co-director along with his long-time colleague Paul O’Dette. Stephen and Paul are also the musical directors of all BEMF operas.
His extensive discography as conductor and solo lutenist include well over 100 albums, many of which have received international acclaim and awards.
From 2013-2018 Stephen Stubbs held the position of Senior Artist in Residence at the University of Washington School of Music. During this tenure he produced and conducted Handel’s Semele, Mozart’s Zauberflöte, Gluck’s Orphée, Cavalli’s Calisto, Purcell’s Dido and Aeneas and Ravel’s L’Enfant et les Sortilèges.