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Label Signum Classics |
UPC 0635212073124 |
Catalogue number SIGCD 731 |
Release date 13 January 2023 |
400 years ago, in 1623, England lost two of its greatest composers: William Byrd and Thomas Weelkes. In a pro- gramme marking this double anniversary, The King’s Singers and Fretwork turn their focus to the bold personalities of these two men, Will and Tom. Featuring well-known gems by the two composers, alongside works which had never been recorded before and which are rarely heard live, Tom and Will unlocks some of the humanity behind these two giants of Elizabethan music. Presented in The King’s Singers’ unique style, this programme is filled with beauty, drama and storytelling.
As part of this project, The King’s Singers and Fretwork have commissioned two new works for their joint forces, by two of Britain’s great living composers: Sir James MacMillan and Roderick Williams. These works only feature in the version performed by The King’s Singers and Fretwork, but represent a commitment to keeping the spirit of Byrd and Weelkes alive in today’s musical landscape.
Few other ensembles can match the range of Fretwork’s repertory, spanning as it does the first printed music of 1501 in Venice, to music commissioned by the group this year. This extraordinary breadth of music has taken them all over the world since their debut in 1986; but they now prefer to travel by train and car. Their recordings of the classic English viol repertory – Purcell, Gibbons, Lawes, Dowland & Byrd – have become the benchmark by which others are judged, while their newly-commissioned music has included works by Sir George Benjamin, Nico Muhly, Elvis Costello, John Woolrich and many others. The consistently high standards they have achieved have brought music old and new to audiences hitherto unfamiliar with the inspiring sound-world of the viol.
James MacMillan is one of today’s most successful composers and is also internationally active as a conductor. His musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music, blended with influences from Far Eastern, Scandinavian and Eastern European music.
MacMillan first became internationally recognized after the extraordinary success of The Confession of Isobel Gowdie at the BBC Proms in 1990.
His prolific output has since been performed and broadcast around the world. His major works include percussion concerto Veni, Veni, Emmanuel, which
has received more than 400 performances, a cello concerto for Mstislav Rostropovich and three symphonies. Recent major works include his
St John Passion co-commissioned by the London Symphony Orchestra,
Royal Concertgebouw Orchestra, Boston Symphony Orchestra and the Berlin Radio Choir, his Violin Concerto, Viola Concerto, St Luke Passion and, most recently, his Percussion Concerto No.2 for Colin Currie, co-commissioned by the Philharmonia Orchestra, Edinburgh International Festival, Netherlands Radio Philharmonic Orchestra, Orchestre National du Capitole de Toulouse, Baltimore Symphony Orchestra, Sao Paulo Symphony Orchestra and Cabrillo Festival of Contemporary Music.
MacMillan enjoys a flourishing career as conductor of his own music alongside a range of contemporary and standard repertoire, praised for the composer’s
insight he brings to each score. He was Principal Guest Conductor of the Netherlands Radio Chamber Philharmonic until 2013 and was Composer/ Conductor of the BBC Philharmonic from 2000-2009; he has conducted orchestras such as the Baltimore Symphony, Rotterdam Philharmonic, Munich Philharmonic, Vienna Radio Symphony, Danish Radio Symphony, Gothenburg Symphony, Luxembourg Philharmonic, City of Birmingham Symphony, Bournemouth Symphony, Toronto Symphony, Los Angeles Philharmonic,
New Zealand Symphony Orchestra and NHK Symphony Orchestra among others. MacMillan was Composer in Residence at the 2012 Grafenegg Festival and a London Symphony Orchestra Portrait Artist in the 2009/10 season.
In spring 2014 MacMillan conducted three projects with the BBC Scottish Symphony Orchestra, culminating in a ground-breaking tour to India with Nicola Benedetti performing in Chennai, Mumbai and Delhi including
public concerts, schools concerts and outreach work. In the 2014/15 season, MacMillan conducts orchestras including the Bergen Philharmonic, the Royal Liverpool Philharmonic Orchestra, City of Birmingham Symphony Orchestra and the Britten Sinfonia. In January 2015 he conducts a new production of his opera, Inés de Castro, at Scottish Opera and elsewhere this season conducts choral concerts in Sao Paulo and with the BBC Singers. In October 2014 MacMillan founded his music festival, The Cumnock Tryst, which takes place in his native Ayrshire.
Roderick Williams is one of the most sought-after baritones of his generation and enjoys relationships with all the major UK and European opera houses. He has sung world premieres of operas by, among others, David Sawer, Sally Beamish, Michael van der Aa, Robert Saxton and Alexander Knaifel as well as roles by Mozart, Britten and Strauss. He has performed concert repertoire with many of the leading orchestras and ensembles internationally including the Berlin and New York Philharmonic Orchestras, London Symphony Orchestra and all of the BBC Orchestras. In demand as a recitalist, he has performed at major venues worldwide and festival appearances have included BBC Proms (Last Night 2014), Edinburgh, Cheltenham, Aldeburgh and Melbourne. In 2016 he won the RPS Singer award and the prize for best choral composition at the British Composer Awards. He was awarded the OBE for services to music in 2017 and was one of the featured soloists at the coronation of King Charles III in 2023.
William Byrd was an English composer. He was one of the greatest composers of his generation. Hiis name is sometimes spelled as Bird, Byrde, or Byred. The exact dates of his birth and death are not known, and even his place of birth (Lincoln) is merely guesswork, based on the fact that several families named Byrd lived in Lincolnshire during the 17th century.
As a child, Byrd received music lessons from the renowned Thomas Tallis in the Chapel Royal in London. Byrd is part of the so-called virginalists. In 1563, he was appointed as organist of the cathedral in Lincoln, even though he must have only been around 20 years old and in 1572 he was appointed as organist of Chapel Royal together with Tallis. In 1575, again with Tallis, he received the rights to publish and sell his music by Queen Elizabeth I. In honour of the Queen, the two composers dedicated their Cantiones Sacrae in the same year.
On multiple occasions, Byrd was prosecuted in court. As a catholic, he was repeatedly prosecuted for the rejection of Anglicanism. Nonetheless, he remained in favour of the Queen, probably because he composed music for both religious branches. Moreover, he wrote both secular and sacred music, and both vocal and instrumental pieces.