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Ivory Forest Redux

Hal Galper | John Scofield

Ivory Forest Redux

Price: € 19.95
Format: CD
Label: Origin Records
UPC: 0805558286124
Catnr: ORIGIN 82861
Release date: 05 May 2023
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Label
Origin Records
UPC
0805558286124
Catalogue number
ORIGIN 82861
Release date
05 May 2023
Album
Artist(s)
Composer(s)
EN
DE

About the album

During a rich musical period in the late '70s with many performances around New York City and two European tours together, pianist Hal Galper and guitarist John Scofield recorded a pair of legendary albums that demonstrated the well grounded paths they were on, their concepts coalescing in a hub of scorched earth intensity. Scofield's Rough House was followed by Galper's Ivory Forest recorded in October 1979, both originally on the German Enja label and with Adam Nussbaum on drums. Now 40 years later, and the legacy set with countless thousands of musicians inspired to follow in their steps, the sounds remain modern and vital.
Während einer reichen musikalischen Periode in den späten 70er Jahren mit vielen Auftritten in New York City und zwei gemeinsamen Europatourneen nahmen der Pianist Hal Galper und der Gitarrist John Scofield zwei legendäre Alben auf, die zeigten, auf welch geerdeten Pfaden sie sich bewegten, und deren Konzepte sich zu einem Zentrum verbrannter Erde verdichteten. Auf Scofields Rough House folgte Galpers Ivory Forest, das im Oktober 1979 aufgenommen wurde, beide ursprünglich auf dem deutschen Label Enja und mit Adam Nussbaum am Schlagzeug. Heute, mehr als 40 Jahre später und mit dem Vermächtnis, das Tausende von Musikern inspiriert hat, in ihre Fußstapfen zu treten, bleibt der Klang modern und vital.

Artist(s)

Adam Nussbaum (drums)

Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager. He moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz...
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Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager. He moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz as well. He later joined Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987 he began touring with the Michael Brecker Quintet. In 1988 they recorded the Grammy winning "Don't Try This At Home" During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.
Since then he has kept active in a wide variety of groups. Among them a recently formed quartet 'BANN' with Seamus Blake, Jay Anderson & Oz Noy, A co-op quartet "NUTTREE" with Abercrombie, Jerry Bergonzi & Gary Versace, The James Moody Quartet, 'We Three' w/ Dave Liebman & Steve Swallow, Eliane Elias Trio, 'Playing in Traffic' w/ Steve Swallow & Ohad Talmor and also busy maintaining an active freelance schedule. Adam has taught as an Adjunct professor at New York University, the New School and State University of New York at Purchase. He also does clinics and master classes around the world.

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John Scofield (guitar)

Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in a day in New York in March 2019 - “old school” style as Scofield says, while acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with the bassist, and they have continued ever since. “I love these songs”, says Scofield of the selection of Swallow compositions explored here – a broad range including classics such as “Hullo Bolinas”, “Eiderdown”, “Falling Grace” and “Radio”, as well as lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: “Sometimes when we...
more
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in a day in New York in March 2019 - “old school” style as Scofield says, while acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with the bassist, and they have continued ever since. “I love these songs”, says Scofield of the selection of Swallow compositions explored here – a broad range including classics such as “Hullo Bolinas”, “Eiderdown”, “Falling Grace” and “Radio”, as well as lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: “Sometimes when we play it’s like one big guitar, the bass part and my part together.” Behind the drum kit, Bill Stewart, a close associate of Scofield’s since the early 90s, is alert to all the implications of the interaction. “What Bill does is more than ‘playing the drums,’” Scofield says. “He’s a melodic voice in the music, while also swinging really hard.”
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Composer(s)

Thelonious Monk

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.
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The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

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Hal Galper

Galper’s 21st century series of trio albums for Origin Records incorporates his development of “Rubato” playing as a means of melding In his fifth decade as a major jazz artist, In his fifth decade as a major jazz artist, Hal Galper continues the innovation that has made him one of today’s most surprising and satisfying pianists. Galper’s 21st-century series of trio albums, with bassist Jeff Johnson and Drummer John Bishop on Origin Records, incorporates his development of “Rubato” playing as a means of melding melodic lyricism with the rhythmic excitement and “sound of surprise” of the bebop tradition, deepening the jazz experience for musicians and listeners alike. The trio’s latest Origin Records release, “O’s Time” is available at originarts.com A student...
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Galper’s 21st century series of trio albums for Origin Records incorporates his development of “Rubato” playing as a means of melding In his fifth decade as a major jazz artist, In his fifth decade as a major jazz artist, Hal Galper continues the innovation that has made him one of today’s most surprising and satisfying pianists. Galper’s 21st-century series of trio albums, with bassist Jeff Johnson and Drummer John Bishop on Origin Records, incorporates his development of “Rubato” playing as a means of melding melodic lyricism with the rhythmic excitement and “sound of surprise” of the bebop tradition, deepening the jazz experience for musicians and listeners alike. The trio’s latest Origin Records release, “O’s Time” is available at originarts.com A student of the piano from the age of six, Galper entered the Berklee School of Music in Boston on scholarship in 1955 and studied technique with the famous Madam Chaloff. He quickly gravitated to the city’s jazz clubs, supplementing his formal Berklee training by studying the performances of such Boston stalwarts as Jaki Byard, Sam Rivers and Herb Pomeroy. It wasn’t long before Galper had soaked up enough practical jazz knowledge that he was employed as house pianist at The Stables, Lennie’s On The Turnpike, and Connelly’s, leading Boston jazz emporiums.
Beginning his international performing career in a three-year stint with trumpeter Chet Baker, he went on to be an integral member of the bands of Cannonball Adderley and Phil Woods. He also worked with Sam Rivers, Joe Henderson, Lee Konitz and John Scofield, among dozens of other major jazz figures. Supported by a grant from the National Endowment for the Arts, Galper formed one of his most critically acclaimed groups as a leader in the early 70’s with trumpeter Randy Brecker, his saxophonist brother Michael, bassist Wayne Dockery and drummer Billy Hart, the new Hal Galper Quintet debuted at Sweet Basil in New York’s Greenwich Village, eventually recording four albums including Reach Out, Speak With a Single Voice, Children of the Night, and Redux 78.
Galper’s discography includes 103 albums, with 32 of them under his name. He is a leader not only as a performer but also as an educator, with emphasis on theory, performance and the worldly side of music as a profession. He was a founding member of New York’s New School of Jazz and Contemporary Music and recently retired from his 14 year tenure at Purchase Conservatory. His best selling theory of Forward Motion was the first interactive E-book in which its more than 300 musical examples could be played in a computer browser. It offers insights into the workings of melodies, secrets of phrasing and ways of practicing to enhance jazz performance. Both the E-book and hard cover edition of Forward Motion, along with information on his other books and writings, are available at www.halgalper.com.

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