Seraph by Tine Thing Helseth

Various composers

Tine Thing Helseth

Seraph

Price: € ~~19.95~~ 13.97
Format: CD
Label: Lawo Classics
UPC: 7090020182735
Catnr: LWC 1251
Release date: 18 November 2022

old €~~19.95~~ new € 13.97

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1 CD ✓ in stock	€ ~~19.95~~ 13.97	old €~~19.95~~ new € 13.97 Buy

Label
Lawo Classics

UPC
7090020182735

Catalogue number
LWC 1251

Release date
18 November 2022

Album

Artist(s)

Composer(s)

About the album

MELODIC FRIENDSHIP
Tine Thing Helseth is back with a new release – “Seraph” – this time together with Ensemble Allegria. Helseth and Allegria have had a close association for many years and have appeared together at the Bergen International Festival, the Northern Lights Festival in Tromsø, the Oslo Chamber Music Festival, and on the main stage at the Norwegian National Opera.

This release features some familiar as well as lesser known works for trumpet and string orchestra by composers from Norway and abroad, with the first four written for this instrumentation, while the last three were arranged by Jarle Storløkken.

In Tine’s own words:
“Seraph” is an album I have wanted to record for a long time, both because of the repertoire and the ensemble I’m playing with. I studied together with these musicians and many are good friends I’ve known for a long time. This makes it all the more rewarding, fun and inspiring to play together!

It is important to record new music, and on this album I play two trumpet concertos written by composers I’ve work with myself. The title track “Seraph” by James MacMillan is a wonderful blend of splendid melodies and suggestive and aggressive sections. The concerto for trumpet and strings by the American composer Eric Ewazen is a work that captures the “American sound”, and it both enchants and captivates the listener each time I perform it. The recording also features some of my favourite smaller pieces by Rolf Wallin, Alexander Arutiunian, Francis Poulenc, Edvard Grieg and Erik Satie.

Since the beginning of her career, Tine Thing Helseth has been challenging the boundaries of genre with an intensely creative, open-minded philosophy and has championed the trumpet repertoire, meriting the highest critical praise for her soulful, lyrical sound and collaborative approach to music-making. She has been the recipient of numerous awards.

Artist(s)

Ensemble Allegria

Ensemble Allegria ranks among Norway’s finest music ensembles and is known for combining its high artistic standard with spontaneity and flexibility. The orchestra consists of 25 permanent musicians and has from the beginning been managed by the musicians themselves under the artistic direction of Maria Angelika Carlsen. In addition to its own concert series “NÅ” in Oslo, Ensemble Allegria has performed at large music festivals in Norway and appeared with some of the world’s leading soloists, including Tine Thing Helseth, Martin Fröst, Truls Mørk, Lawrence Power, Kathryn Stott and Benjamin Schmid. The ensemble has released four recordings on the LAWO Classics label, two of which were nominated for Spellemannprisen, Norway’s Grammy. In recent years the ensemble has worked closely together...

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Tine Thing Helseth (trumpet)

Since the beginning of her career, Norwegian trumpeter Tine Thing Helseth has championed the trumpet repertoire amongst audiences on all six continents, meriting the highest critical praise for her soulful, lyrical sound and collaborative approach to music-making. An artist who challenges the boundaries of genre with an intensely creative, open-minded philosophy, Tine’s ever-expanding repertoire ranges from the classical period to contemporary works and new commissions. She has been the recipient of numerous awards for her work in classical music, including “Newcomer of the Year” at the 2013 Echo Klassik Awards, the 2009 Borletti-Buitoni Trust Fellowship, and second prize in the 2006 Eurovision Young Musicians Competition, to which Tine returned to serve as juror for the 2016 competition. In 2007, Tine had the rare honour of being the first ever classical artist to win Newcomer of the Year at the Norwegian Grammy Awards (Spellemannprisen).
Tine has worked with some of the world's leading orchestras, including the NDR Elbphilharmonie Hamburg, Gürzenich-Orchester Cologne, Tonkünstler-Orchester Vienna, Philharmonia Orchestra, BBC Scottish Orchestra at the BBC Proms, Warsaw, Rotterdam, Oslo, Bergen and Helsinki Philharmonic orchestras, Danish Radio Symphony orchestra, Royal Stockholm Philharmonic and Swedish Radio Symphony, Minneapolis, Baltimore and Cincinnati Symphony orchestras, Tokyo Symphony, Singapore Symphony, KBS Symphony and Hong Kong Philharmonic. She also enjoys collaborating with a number of chamber orchestras, namely the Norwegian Chamber, Zurich Chamber and Munich Chamber orchestras, Chamber Orchestra of Philadelphia, Australian Chamber Orchestra, and as well as the Orchestre de chambre de Lausanne, Mozarteum Salzburg, and the Hong Kong Sinfonietta.
Tine continues to embark on regular tours with her ten-piece, all-female brass ensemble tenThing. An idea which started in 2007 as a fun and exciting project to pursue with her closest musical friends, the group have gone on to play to numerous audiences across Europe, USA and China. Past festival appearances include the BBC Proms, Schleswig-Holstein, Beethoven Bonn, Gstaad, MDR Musiksommer, Mecklenburg-Vorpommern, Rheingau, Merano, Thüringer Bachwochen, and Bremen. In August 2021 Tine released a highly anticipated album Magical Memories for Trumpet and Organ (LWC1216) on the LAWO Classics label which was selected by Gramophone to feature in their “Recording of the Year 2021” August selection and received 5* review from BBC Music Magazine. Earlier recordings include concertos by Haydn, Albioni, Neruda and Hummel with the Norwegian Chamber Orchestra, Storyteller with the Royal Liverpool Philharmonic released on the EMI Classics label, a self-titled CD in March 2013, presenting a personal selection of original and transcribed works accompanied by pianist Kathryn Stott, and an album with tenThing Brass Ensemble released on Warner Classics.
Tine resides in Oslo and maintains an active role in her community as a regular TV and radio presenter and teaches trumpet at the Norwegian Academy of Music. An all-round musician, she also regularly performs in some of the most iconic jazz bars in Norway. In June 2013, Tine launched her own project, Tine@Munch, in celebration of the 150th anniversary of the birth of Edvard Munch, featuring a variety of performances and guest artists such as Leif Ove Andsnes, Nicola Benedetti, and Truls Mork. Since 2019, she is a member of Artistic Board at Risør Chamber Music Festival.

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Composer(s)

James MacMillan

James MacMillan is one of today’s most successful composers and is also internationally active as a conductor. His musical language is flooded with influences from his Scottish heritage, Catholic faith, social conscience and close connection with Celtic folk music, blended with influences from Far Eastern, Scandinavian and Eastern European music.
MacMillan first became internationally recognized after the extraordinary success of The Confession of Isobel Gowdie at the BBC Proms in 1990.
His prolific output has since been performed and broadcast around the world. His major works include percussion concerto Veni, Veni, Emmanuel, which has received more than 400 performances, a cello concerto for Mstislav Rostropovich and three symphonies. Recent major works include his St John Passion co-commissioned by the London Symphony Orchestra, Royal Concertgebouw Orchestra, Boston Symphony Orchestra and the Berlin Radio Choir, his Violin Concerto, Viola Concerto, St Luke Passion and, most recently, his Percussion Concerto No.2 for Colin Currie, co-commissioned by the Philharmonia Orchestra, Edinburgh International Festival, Netherlands Radio Philharmonic Orchestra, Orchestre National du Capitole de Toulouse, Baltimore Symphony Orchestra, Sao Paulo Symphony Orchestra and Cabrillo Festival of Contemporary Music.
MacMillan enjoys a flourishing career as conductor of his own music alongside a range of contemporary and standard repertoire, praised for the composer’s insight he brings to each score. He was Principal Guest Conductor of the Netherlands Radio Chamber Philharmonic until 2013 and was Composer/ Conductor of the BBC Philharmonic from 2000-2009; he has conducted orchestras such as the Baltimore Symphony, Rotterdam Philharmonic, Munich Philharmonic, Vienna Radio Symphony, Danish Radio Symphony, Gothenburg Symphony, Luxembourg Philharmonic, City of Birmingham Symphony, Bournemouth Symphony, Toronto Symphony, Los Angeles Philharmonic, New Zealand Symphony Orchestra and NHK Symphony Orchestra among others. MacMillan was Composer in Residence at the 2012 Grafenegg Festival and a London Symphony Orchestra Portrait Artist in the 2009/10 season.
In spring 2014 MacMillan conducted three projects with the BBC Scottish Symphony Orchestra, culminating in a ground-breaking tour to India with Nicola Benedetti performing in Chennai, Mumbai and Delhi including public concerts, schools concerts and outreach work. In the 2014/15 season, MacMillan conducts orchestras including the Bergen Philharmonic, the Royal Liverpool Philharmonic Orchestra, City of Birmingham Symphony Orchestra and the Britten Sinfonia. In January 2015 he conducts a new production of his opera, Inés de Castro, at Scottish Opera and elsewhere this season conducts choral concerts in Sao Paulo and with the BBC Singers. In October 2014 MacMillan founded his music festival, The Cumnock Tryst, which takes place in his native Ayrshire.

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Edvard Grieg

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is...

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively.
Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and buried there, he travelled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole. He is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him.

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Rolf Wallin

Alexander Arutiunian

Francis Poulenc

Francis Jean Marcel Poulenc was a French composer and pianist. Poulenc's wealthy family intended him for a business career in the Rhone Poulenc family company and did not allow him to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc soon came under the influence of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was 'L'art pour l'art': they composed music for the sake of...

Francis Jean Marcel Poulenc was a French composer and pianist. Poulenc's wealthy family intended him for a business career in the Rhone Poulenc family company and did not allow him to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc soon came under the influence of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was "L'art pour l'art": they composed music for the sake of music, without any 'meaning' or extramusical intents. In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works.

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