Kerenza is inspired by many different styles of music. She led the Pavão Quartet on five albums and 15 years of tours throughout the world. She is a regular concerto soloist with the Trafalgar Sinfonia in St. Martin in the Fields. Kerenza’s solo and chamber discs have received 5-star reviews. Also centre- stage in her career is her work with alternative bluegrass band the Coal Porters. And collaborations with artists in the classical and pop worlds have led to her playing on Grammy-Award winning discs, and many no. 1 albums in the Classical and Pop Charts. Kerenza studied at the Royal Academy of Music with Howard Davis, and was a Leverhulme Chamber Music Fellow for 2 years. It was at the Academy that the Pavão Quartet met in 1998, leading to a successful recording career, and extensive radio play on Classic FM, BBC Radio 3 and BBC Radio 2. Their disc of Elgar and Bax Quartets (“an ensemble of real depth and musical distinction” Classic FM Magazine, “an intoxicating warmth and emotional spontaneity” The Strad Magazine), was followed by their ‘Dreaming’ CD, which was described as “Chamber music for a new century” on Radio 2. Their Christmas CD became the soundtrack of Christmas for many people, on disc and on radio. Their concert tours took them everywhere from the Wigmore Hall to Ronnie Scott’s jazz club, and to the Wailing Wall of Jerusalem and the Great Wall of China. The Quartet toured extensively with the Henri Oguike Contemporary Dance Company, and collaborated with jazz musicians including Guy Barker, Dom Alldis and Iain Ballamy.

Oliver Davis graduated from the Royal Academy of Music in 1994 and has since composed numerous concertos, ballet scores, albums, soundtracks and television scores working with many of the major London orchestras.
Davis’ debut album Flight, recorded by the London Symphony Orchestra with soloist Kerenza Peacock, was released in March 2015 and quickly rose to number 2 in the UK Specialist Classical Charts with 5 star reviews in both the UK and US.
In addition it was chosen as Featured Album of the Week on Classic FM and was broadcast daily on the station. After the release of Flight came Davis’ second album Seasons in October 2015. This album featured his work Anno, a contemporary take on Vivaldi’s Quattro Stagioni. This album also charted in the UK top 10 and was Album of the Week on Classic FM and in the Mail on Sunday.
Following this release came Dance, recorded by the Royal Philharmonic Orchestra at Abbey Road studios and released in September 2016. This too became Classic FM’s Album of the Week and featured in their ‘Best of 2016’ show. Various pieces from Dance and Flight were used to create the ballet Dance Odyssey, choreographed by Peter Walker and performed by New York City Ballet.
Davis’ fourth album, Liberty, was released in February 2018. This reached number 1 in the iTunes Classical Charts and was also Classic FM’s Album of the Week. Pieces from Liberty formed a new ballet Bacchus, choreographed by Matthew Neenan for Pacific Northwest Ballet and premiered in March 2019. Davis’ next album, Arcadia, featured a piano piece of the same name, which on its release achieved over a million streams on Apple Music. The album reached number 1 in the iTunes Classical Charts, number 4 in the UK Classical Charts and 15 in the US Billboard Charts. Solace was released in 2021. It was a lockdown album which saw performers record remotely all around the world. It entered the US Billboard Charts at no.12 and was both Classic FM’s and Scala Radio’s Album of the Week. Interviews on both BBC Radio 3 and Scala Radio followed, with the title piece being selected by Sidra Bell for her choreographic debut at New York City Ballet’s Fall Fashion Gala 2021. The following year saw the release of the seventh album, Air. Its multi genre style included songs performed by Grace Davidson and Jeremy Budd, in addition to violin concertos performed by Kerenza Peacock and Benjamin Baker. Both violinists performed on the ballet The Veil Between Worlds, which was written for Edwaard Liang and Pacific Northwest Ballet.
Air was Classic FM’s Album of the Week and Scala Radio’s Album of the Weekend. Blue was the eighth release and was written for Dutch piano duo Beth and Flo. It reached no.1 in the iTunes Chart and was Album of the Week on Classic FM.
In April 2023 Davis collaborated with Celine Gettins, Principal with Birmingham Royal Ballet, to create Jubilate, a new ballet celebrating the coronation of King Charles III. In 2024 Davis’ music was used in over 100 ballet performances and on March 16th his music featured in five ballets across the US and UK.

‘Light, bright, agile and pure are all words that have been used to describe Grace Davidson’s voice. Yet beneath the gleaming surface of her crystalline sound and pinpoint technical accuracy lie rich reserves of emotional intelligence and expressive artistry. The British soprano's vocal and intuitive armoury en- able her to project the vivid contrasts of mood at the heart of her favourite Medieval, Renaissance & Baroque repertoire with near-divine ease, especially so in the works of Hildegard von Bingen, Mon- teverdi, J.S. Bach, Handel and Vivaldi.’ Her discography includes over a decade of recordings, many of which feature her as a soloist: Handel’s Jephtha, Acis and Galatea, Sliente venti, Monteverdi’s Vespers of 1610, Pianto della Madonna, The Lutheran Masses of J. S. Bach and the works by Purcell, Vivaldi and other Baroque composers, to name a few. She has also recorded solo discs with music by Hildegard von Bingen and John Dowland.
Her singing in Fauré’s Requiem (with The London Symphony Orchestra and Tenebrae Nigel Short) was reviewed on BBC Radio 3 by Richard Morrison quite simply ‘Grace Davidson’s Pie Jesu is matchless.’ Grace has also forged fruitful relationships with many contemporary and film composers such as Joe Hisaishi, Harry Gregson Williams, Hanz Zimmer, Howard Shore and Eric Whitacre, but most notably Max Richter who chose her as the solo voice in his 8 hour piece ‘Sleep’ which has been performed all over the world, including Sydney Opera House and The Great Wall Of China. Davidson, born in Lon- don, caught the singing bug during infancy and, after a short spell as a trainee chef, set the foundations for her career as a scholarship student at London's Royal Academy of Music.