Cascadia by Dmitri Matheny

Dmitri Matheny

Cascadia

Price: € 19.95
Format: CD
Label: Origin Records
UPC: 0805558284922
Catnr: ORIGIN 82849
Release date: 26 May 2023
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Label
Origin Records

UPC
0805558284922

Catalogue number
ORIGIN 82849

Release date
26 May 2023

Album

Artist(s)

Composer(s)

About the album

Flugelhornist Dmitri Matheny celebrates the beauty, terrain, and expansiveness of his adopted home in the Pacific Northwest. With ongoing decades of touring, Matheny recorded his 12th album with a trio of longtime Seattle collaborators - pianist Bill Anschell, bassist Phil Sparks, and drummer Mark Ivester - with saxophonist Charles McNeal joining them from Las Vegas. Performing several inspired classics such as Tadd Dameron's "On a Misty Night," Coltrane's "After the Rain," and Jimmy Webb's "Wichita Lineman" adds depth and clarity to Matheny's six original compositions and "Humble Origins" by Bill Anschell. "Perfect Peaches," a lyrical bossa, "Dark Eyes," a seductive noir ballad, "Evergreen Girl," a soul-jazz shuffle, "Bourdain," a memorial elegy for a great man, "The Lonesome Road," a weary traveler’s lament, and "Cascadia," the evocative title track, combine to create an emotionally expressive set that will be familiar to Matheny's many followers across the country. “Dmitri Matheny has ample talent, executing beautiful lines with a flawless warm tone. An excellent performer on gentle ballads and bop scorchers alike.” — Rolling Stone

Flügelhornist Dmitri Matheny zelebriert die Schönheit, das Terrain und die Weite seiner Wahlheimat im pazifischen Nordwesten. Matheny, der seit Jahrzehnten auf Tournee ist, hat sein 12. Album mit einem Trio aus langjährigen Kollegen aus Seattle aufgenommen - dem Pianisten Bill Anschell, dem Bassisten Phil Sparks und dem Schlagzeuger Mark Ivester - und dem Saxophonisten Charles McNeal, der aus Las Vegas zu ihnen gestoßen ist. Die Aufführung mehrerer inspirierter Klassiker wie Tadd Damerons "On a Misty Night", Coltranes "After the Rain" und Jimmy Webbs "Wichita Lineman" verleiht Mathenys sechs Eigenkompositionen und "Humble Origins" von Bill Anschell Tiefe und Klarheit. "Perfect Peaches", ein lyrischer Bossa, "Dark Eyes", eine verführerische Noir-Ballade, "Evergreen Girl", ein Soul-Jazz-Shuffle, "Bourdain", eine Elegie zum Gedenken an einen großen Mann, "The Lonesome Road", ein müdes Klagelied eines Reisenden, und "Cascadia", das stimmungsvolle Titelstück, fügen sich zu einem emotional ausdrucksstarken Set zusammen, das Mathenys vielen Anhängern im ganzen Land vertraut sein dürfte. "Dmitri Matheny hat reichlich Talent, er führt schöne Linien mit einem makellosen, warmen Ton aus. Er ist ein hervorragender Interpret von sanften Balladen und Bop-Scorchern gleichermaßen." - Rolling Stone

Artist(s)

Dmitri Matheny (trumpet)

Celebrated for his warm tone, soaring lyricism and masterful technique, American musician Dmitri Matheny has been lauded as 'one of the most emotionally expressive improvisers of his generation' (International Review of Music). First introduced to jazz audiences in the 1990s as the protégé of Art Farmer, Matheny has matured into 'one of the jazz world's most talented horn players' (San Francisco Chronicle). Born on Christmas Day, 1965 in in Nashville,Tennessee, Dmitri was raised in Georgia and Arizona. Attracted to his father's collection of jazz and classical LP records, Dmitri began piano lessons at age 5, switched to the trumpet at age 9, and took up the flugelhorn at 18. Matheny attended the prestigious Interlochen Arts Academy in Michigan, then the Berklee College of...

Celebrated for his warm tone, soaring lyricism and masterful technique, American musician Dmitri Matheny has been lauded as "one of the most emotionally expressive improvisers of his generation" (International Review of Music). First introduced to jazz audiences in the 1990s as the protégé of Art Farmer, Matheny has matured into "one of the jazz world's most talented horn players" (San Francisco Chronicle).
Born on Christmas Day, 1965 in in Nashville,Tennessee, Dmitri was raised in Georgia and Arizona. Attracted to his father's collection of jazz and classical LP records, Dmitri began piano lessons at age 5, switched to the trumpet at age 9, and took up the flugelhorn at 18. Matheny attended the prestigious Interlochen Arts Academy in Michigan, then the Berklee College of Music, Boston, graduating magna cum laude in 1989. After private studies with Carmine Caruso in New York City, Matheny became the protégé of the legendary Art Farmer, a formative relationship that lasted over a decade.
Farmer, "the bebop master who defined the sound of the flugelhorn in modern jazz" (All Music Guide), was Matheny's public champion and private mentor. Generously sharing his wisdom, experience and influence, it was Farmer who encouraged Dmitri to devote himself exclusively to the "Big Horn." Under Farmer's tutelage Matheny emerged as a promising new voice in jazz. "Art Farmer's role in the early success of Dmitri Matheny cannot be overstated," observed writer and historian Phil Elwood. "Without Art, there could be no Dmitri." At 29, after launching a busy recording career on the West Coast, Matheny made his New York debut at the Weill Recital Hall at Carnegie Hall, then began touring internationally. The soulful sound of Dmitri's horn garnered praise from critics and audiences alike, drawing frequent comparisons to Miles Davis, Chet Baker and—not surprisingly—to Art Farmer. Upon Farmer's passing in 1999, Matheny acquired his mentor's copper-bell flugelhorn.
Today, Dmitri leads the Dmitri Matheny Group, "an all-star jazz band featuring some of the most accomplished musicians in the western United States" (All About Jazz). Matheny has toured extensively throughout the United States, Europe and Asia. He has traveled to 21 countries and has performed with many Motown and popular music acts including the Temptations, Martha Reeves, Fabian, the Four Tops, Bobby Vinton, Sandy Patty, Bobby Rydell, Frankie Avalon and the O'Jays. Matheny has had the privilege of appearing in concert with such jazz luminaries as Larry Coryell, Nathan Davis, Amina Figarova, Tommy Flanagan, Wycliffe Gordon, Darrell Grant, Larry Grenadier, John Handy, Tom Harrell, Billy Higgins, Red Holloway, Denise Jannah, Joe Lovano, James Moody, Jean Louis Rassinfosse, Tony Reedus, Sam Rivers, Max Roach, the Rosenberg Trio, Bud Shank, Sonny Simmons, Mary Stallings, Akira Tana, Billy Taylor, Bobby Watson and Paula West.
Matheny's discography lists over 120 albums on which he appears as a composer, arranger, producer, annotator or flugelhorn soloist. He has released eleven critically-acclaimed albums as a leader: Red Reflections (1995), Penumbra (1996), Starlight Café (1998), Santa's Got a Brand New Bag (2000), Nocturne (2005), The SnowCat (2006), Spiritu Sancto (2007), Best of Dmitri Matheny (2008), Grant & Matheny (2010), Sagebrush Rebellion (2014) and Jazz Noir (2016). His latest album Cascadia (Origin Records) is now in production for a June 2022 release.
Dmitri Matheny has received several prestigious music awards, including "NW Instrumentalist of the Year" in the 2016 Earshot Jazz Golden Ear Awards and "Best New Artist" (with Brad Mehldau, Stefon Harris and Ravi Coltrane) in the 1999 JazzTimes Readers Poll.
Dmitri Matheny is also a prolific composer and lyricist whose published compositions span the jazz, pop, symphonic, choral, chamber and world music genres. He has received premieres and commissions from Meet the Composer, St. Domenic's Church, the Manhattan New Music Project, the American Society of Composers Authors and Publishers (ASCAP), the Jazz Composers Orchestra and 20th Century Forum. Matheny's film scoring and soundtrack credits include the PBS documentary Mary, Paradox & Grace (1996), the short film Greenhorn Creek (1997), the San Francisco Museum of Modern Art production Voices & Images of California Art (1997), and the RKO Pictures feature film Shade (2003) starring Gabriel Byrne, Jamie Foxx, Melanie Griffith,Thandie Newton, Sylvester Stallone and Stewart Townsend. Matheny also contributed original music for the horror anthology Trapped Ashes (2006) and the supernatural thriller Fire City (2014). Matheny's most ambitious composition to date is Spiritu Sancto, the New Millennium Mass, a monumental sacred work scored for chorus, organ, percussion, brass quintet, jazz ensemble and gospel soloist, Spiritu Sancto received its world premiere on the dawn of the new millennium at St. Domenic's Cathedral in San Francisco.
Throughout his professional career as a concert and recording artist, Dmitri Matheny has distinguished himself as a dedicated educator, community leader and advocate for jazz and the arts. Matheny presents clinics, lectures, master classes and workshops at leading universities and conservatories, and is gratified to have staged more than 500 free, curriculum-based concerts for kids, introducing over 50,000 school children to jazz. Matheny has held teaching faculty and management positions with the Boston Center for the Arts, California Jazz Conservatory, San Francisco Museum of Modern Art, Chabot Space and Science Center, Monarch Records and the Stanford Jazz Workshop. He has served as Director of Education, Director of Development and Director of Corporate Sponsorships for SFJAZZ, the largest nonprofit jazz presenter on the west coast, as Assistant Education Director for the Thelonious Monk Institute Jazz Colony at Jazz Aspen Snowmass, and as Artist-In-Residence at several universities and conservatories. Matheny is past president of the Berklee College of Music Alumni Association, a former governor of the National Academy of Recording Arts and Sciences, and a former trustee of the San Francisco Jazz Organization. His volunteer service to the field includes frequent participation in music industry conferences, symposia and grant-making initiatives. Past and current affiliations include the International Association for Jazz Education, Association of Performing Arts Presenters, Western Arts Alliance, California Arts Council, National Endowment for the Arts, Chamber Music America and National Jazz Service Organization.

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Composer(s)

John Coltrane

Bill Anschell

Seattle native Bill Anschell returned to the Emerald City in 2002 after spending 25 years studying, composing, and performing across the country and around the world.
Anschell left Seattle after high school, studying for two years at Oberlin College (Ohio), then transferring to Wesleyan University (Connecticut), where he graduated Phi Beta Kappa with a degree in Music. At Wesleyan, Anschell worked closely with saxophone great Bill Barron. He also studied semi-privately with South Indian mridangum master T Ranganathan, kindling a passion for rhythmic experimentation that has driven Anschell’s music ever since.
After leading the life of a jazz vagabond for several years, Anschell settled in Atlanta in 1989. He was initially drawn there by the opportunity to serve as Jazz Coordinator for the Southern Arts Federation (SAF), the regional arts agency of the South. Firing up SAF’s jazz department virtually from scratch, Anschell launched a host of high-profile programs, published a book on grantswriting, and created JazzSouth, an internationally syndicated radio show. At night he dove headlong into the city’s thriving jazz scene, working as a sideman with various groups and leading his own trio.
By 1992, Anschell’s performing itinerary had grown to the point where it demanded his full attention. He left the SAF post, continuing to produce JazzSouth out of his home while focusing on playing and composing. Over the next ten years, Anschell ascended the jazz ranks in Atlanta, leading his trio at major festivals and becoming a first-call accompanist for visiting jazz greats. His trio’s highlights included the 1996 Summer Olympic Games, the Montreux Atlanta Festival and four extensive tours of South America.
During the same period, Anschell enjoyed a lengthy association with vocalist Nnenna Freelon, serving as her pianist, arranger and musical director. Among their many performing highlights were the North Sea Jazz Festival in Holland, the Monterey Jazz Festival in California, the Kennedy Center in Washington, and six European tours. Their concerts were broadcast on Radio France, French national television, and NPR’s JazzSet. Anschell’s piano work and arrangements were featured throughout Freelon’s 1996 Concord release Shaking Free, which was nominated for a Grammy as the year’s best jazz vocal recording.
Anschell’s own CDs have earned critical acclaim and widespread exposure, with several making Jazzweek’s national “Top 50” chart for radio airplay. Anschell’s 1998 release, a different note all together, was selected by United Press International (UPI) as one of the “10 Best” jazz releases of the year. His 2006 CD, More to the Ear than Meets the Eye, was chosen by numerous critics and radio stations across the country for their “10 Best of 2006” lists. His 2009 duo CD of spontaneous improvisations with saxophonist Brent Jensen was described by Cadence as “startlingly beautiful, surprising, and powerful…a transforming experience.” And his 2011 solo piano release, Figments was called “magical” in Thomas Conrad’s JazzTimes review.
In 2001, Anschell was selected by the American Composers Forum for its Composer-in-the-Schools program; his residency included a commissioned piece for chamber orchestra. Since 2003, his original compositions have received widespread cable and network exposure, with more than 70 placements on programs including NBC’s The West Wing, NCIS: LA, HBO’s acclaimed series The Wire, and HBO’s Bessie Smith biopic, Bessie.
In 2008, Anschell's Atlanta trio reunited for a fifth South American tour, visiting the Colombian cities of Medellin, Pereira and Manizales; in 2012 the trio made its fourth visit to Peru, and in 2014 its third trip to Paraguay.
As a Seattleite, Anschell had the honor of playing a weekly gig with Northwest jazz legend Floyd Standifer for the two years before his passing. In 2005, Anschell received a Golden Ear Award as the “Northwest Jazz Instrumentalist of the Year,” and in 2006 his trio was named the “Best Northwest Acoustic Jazz Ensemble.” In 2010 and 2011 Anschell was again was named “Northwest Jazz Instrumentalist of the Year,” and in 2011 his CD Figments was named “Northwest Jazz Recording of the Year.” In 2013, he played several concerts with the Seattle Symphony. His 2013 CD, Impulses, took him into new territory, featuring twelve tracks of original electronica.
Anschell is also well known as a jazz humorist, writing jazz vignettes and a monthly jazz etiquette column. His satirical essay, Careers in Jazz, is the all-time most-read piece on leading jazz website allaboutjazz.com with more than 350,000 hits, and was prominently featured in a Wall Street Journal story on jazz audiences. In 2014 he was a winner of the inaugural Paul Desmond Award, allaboutjazz.com’s celebration of the funniest jazz artists.

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