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12 February 2021
"In Zurich as in Aix-en-Provence, a dream Pamina. Tender without sentimentality, limpid without harshness, musician of every second"Diapason, 01-2-2022
Mari Eriksmoen Soprano
The profile of Norwegian soprano Mari Eriksmoen continues to rise through her regular appearance on Europe’s major opera, concert and recital stages, and she is consistently praised for her compelling blend of radiant stage personality and purity of vocal tone.
On completion of her studies in Oslo (Norwegian Academy of Music), Paris (Conservatoire National Superieur) and Copenhagen (Royal Danish Academy of Opera), Eriksmoen was invited almost immediately to debut
as Zerbinetta (Ariadne auf Naxos) at Theater an der Wien, launching her career and marking the beginnings of a close and ongoing collaboration, appearing there since as Olympia (Les contes d’Hoffmann), Euridice (Monteverdi’s L’Orfeo), Agilea (Handel’s Teseo), Servilia (La clemenza di Tito) and as Susanna, Zerlina and Fiordiligi in the Da Ponte Trilogy conducted by the late Nikolaus Harnoncourt.
Eriksmoen made her role debut as Mélisande (Pelléas et Mélisande) in an acclaimed staging for Opera Vlaanderen by Sidi Larbi Cherkaoui, Damien Jalet and Marina Abramović, of which Forum Opéra wrote “her French diction was faultless, her voice like crystal, and she embodies the hypnotising fragility of this heroine to perfection.” Further performances followed at Grand Théâtre de Luxembourg, and she reprises the role and staging this season marking her debut at Grand Théâtre de Genève.
In Zurich as in Aix-en-Provence, a dream Pamina. Tender without sentimentality, limpid without harshness, musician of every second
This is my first occasion listening to Mari Eriksmoen, but I will be watching for her recordings in the future. I am captivated by her purity of vocal tone and magically mellifluous coloratura.
Positive Feedback, 13-12-2021
Jan Willem de Vriend and the Stavanger Symphony Orchestra provide a lively, alert orchestral accompaniment in partnership with Eriksmoen. The Stavanger is one of Scandinavia's most successful orchestras, performing its concerts in the Stavanger Concert Hall (site of this recording) which is considered one of the best concert halls in Europe.
The sound quality is exceptional. Another outstanding recording from independent producer and recording engineer Bert van der Wolf, Northstar Recordings.
Positive Feedback, 13-12-2021
This disc of Handel and Mozart arias and overtures is an enjoyable way to spend 71 minutes, but leaves one wanting more than we get here.
American Record Guide, 13-10-2021
Mari Eriksmoen uses her voice with acrobatic flexibility, but at the same time her interpretations are well-thought-out and rich in detail. Eriksmoen impresses with the expression of her voice. Thanks to the colorful and dynamic voice, the arias of Mozart and Heandel performed by Eriksmoen sound dramatic and moving.
... she is a star here. Pamina's 'ach, ich fühl's' doesn't quite touch the heart until the very end, but the other items are exemplary. [...] Jan Willem de Vriend and the Stavanger Symphony Orchestra do a good job overall. Forget the less than perfect presentation and enjoy the top-drawer singing.
The Norwegian soprano (who appears as Zerlina, Fiordiligi and Susanna in Nikolaus Harnoncourt’s recently-released cycle of the Mozart/Da Ponte operas) sings arias from Idomeneo, Don Giovanni, Die Zauberflöte, Mitridate and Mozart’s arrangements of Messiah and Acis and Galatea, plus excerpts from Handel’s Silla, Joshua, Teseo, and Giulio Cesare; her singing here was described as ‘top-drawer’ in this month’s edition of Gramophone.
But the focus, after all, is Mari Eriksmoen’s voice, and it is superb. The natural grace of the light, agile and confident soprano voice, the cultivated declamation and the fresh liveliness, but also the often moving empathy of her singing show a singer who, far from all effects, fully convinces with a stylistically confident musicality.