At the beginning of the 2015/16 season, Adam Fischer was appointed Principal Conductor of the Düsseldorfer Symphoniker and Artistic Consultant of the Düsseldorf Tonhalle. He is also Honorary Conductor of the Austrian-Hungarian Haydn Orchestra, founder of the Eisenstadt Haydn Festival, and founder and director of the Wagner Festival in Budapest. Well-known for his courageous political commitment, Adam Fischer has spoken out often in favor of human rights.
Together with András Schiff he initiated and signed a petition against racism and discrimination, which they submitted to the European Union.
Born in 1949 in Budapest, Adam Fischer studied composition and conducting in the Hungarian capital, and with professor Hans Swarowsky in Vienna.
After appointments as Kapellmeister in Helsinki, in Karlsruhe and at Munich State Opera, Fischer held the post of General Music Director successively at the opera houses of Freiburg, Kassel and Mannheim, and was also Music Director of Hungarian State Opera in Budapest. Since 1999 he has been Chief Conductor of the Danish National Chamber Orchestra in Copenhagen.
Regular engagements have led Adam Fischer to perform in the great opera houses of Europe and the US, including Vienna, Milan, Munich, Covent Garden, the New York Met and Bayreuth Festival. In orchestra appearances he also conducts the Vienna Philharmonic, the Vienna Symphony, the Munich Philharmonic, the Orchestre de Paris, the London Philharmonic (LPO), the Orchestra of the Age of Enlightenment, the Chicago and Boston Symphonies and the NHK Symphony in Tokyo.
Fischer’s award-winning CD releases include the complete symphonic works of Haydn (distinguished with the German national prize “Echo Klassik”) and Mozart as well as the symphonies of Beethoven.
He has also been awarded the Grand Prix du Disque twice: for his recordings of Die Königin von Saba (Goldmark) and of Bluebeard’s Castle (Bartók). In 2017, Adam Fischer was named Honorary Member of Vienna State Opera.
Düsseldorfer Symphoniker “An orchestra for Düsseldorf ”: that is the objective and the high standard that the Düsseldorfer Symphoniker set for themselves – 250 times a year. This orchestra has an uncommon profile, since it performs not only in the Tonhalle, but also for the Deutsche Oper am Rhein in Düsseldorf and in Duisburg. On its regular tours to Holland, Austria, China and Japan, the orchestra carries Düsseldorf ’s reputation as a city of culture out into the world.
Already in the 1700’s, internationally celebrated artists such as Handel and Corelli collaborated on occasion with the “Düsseldorf Court Orchestra” until the court was dissolved. A century later, in 1818, orchestral culture was re-introduced into Düsseldorf when the Municipal Music Society (Städtischer Musikverein) was founded, attracting celebrated musicians of the likes of Mendelssohn and Schumann to serve as conductors.
The orchestra became truly “municipal” in 1864, and after Aachen it is thus the second oldest civic orchestra in Germany. Throughout the following decades it became one of the leading and largest orchestras in the country. Its conductors in the postwar era have been Heinrich Hollreiser, Eugen Szenkar, Jean Martinon, Rafael Frühbeck de Burgos, Henryk Czyz, Willem van Otterloo, Bernhard Klee, David Shallon, Salvador Mas Conde, John Fiore and Andrey Boreyko.
Starting in the 2015 season, Adam Fischer has taken up the post of Principal Conductor.
The orchestra went on tour to Spain in 2011, guested at the Beethoven Easter Festival in Warsaw in 2012, and enjoyed resounding success in Moscow that same year. In 2014, the Düsseldorfer Symphoniker gave a superb début performance at the Musikverein in Vienna, and were likewise well-received at the Concertgebouw in Amsterdam.
In May 2015 they made nine acclaimed appearances in Tokyo.
In 2017 the orchestra was invited to open the new concert hall in Arnheim, guested in Moscow and played again at the Concertgebouw in Amsterdam. The orchestra did various tours over the years.

“An orchestra for Düsseldorf”: that is the objective and the high standard that the Düsseldorfer Symphoniker set for themselves – 250 times a year. This orchestra has an uncommon profile, since it performs not only in the Tonhalle, but also for the Deutsche Oper am Rhein in Düsseldorf and in Duisburg. On its regular tours to Holland, Austria, China and Japan, the orchestra carries Düsseldorf’s reputation as a city of culture out into the world.

Already in the 1700’s, internationally celebrated artists such as Handel and Corelli collaborated on occasion with the “Düsseldorf Court Orchestra” until the court was dissolved. A century later, in 1818, orchestral culture was re-introduced into Düsseldorf when the Municipal Music Society (Städtischer Musikverein) was founded, attracting celebrated musicians of the likes of Mendelssohn and Schumann to serve as conductors. The orchestra became truly “municipal” in 1864, and after Aachen it is thus the second oldest civic orchestra in Germany. Throughout the following decades it became one of the leading and largest orchestras in the country. Its conductors in the postwar era have been Heinrich Hollreiser, Eugen Szenkar, Jean Martinon, Rafael Frühbeck de Burgos, Henryk Czyz, Willem van Otterloo, Bernhard Klee, David Shallon, Salvador Mas Conde, John Fiore and Andrey Boreyko. Starting in the 2015 season, Adam Fischer has taken up the post of Principal Conductor. The orchestra went on tour to Spain in 2011, guested at the Beethoven Easter Festival in Warsaw in 2012, and enjoyed resounding success in Moscow that same year. In 2014, the Düsseldorfer Symphoniker gave a superb début performance at the Musikverein in Vienna, and were likewise well-received at the Concertgebouw in Amsterdam. In May 2015 they made nine acclaimed appearances in Tokyo.

The German soprano Manuela Uhl studied in Salzburg, Zurich and Freiburg, and is specialised in the late Romantic German repertoire. From 2006 to 2011 she was a member of the Deutsche Oper Berlin, where she sang title roles Salome, Die Liebe der Danae, Die Kaiserin Die Frau ohne Schatten, Chrysothemis Elektra, Senta Der fliegende Holländer, Elisabeth Tannhäuser and Prinzessin/Gertraut in Zemlinsky’s Traumgörge. She has worked with conductors such as Christian Thielemann, Antonio Pappano, Kent Nagano, Gustavo Dudamel, Semyon Bychkov and Lorin Maazel and has been a guest at the major German opera houses and in Madrid (Marietta Die tote Stadt), Palermo, Copenhagen, Tokyo, Los Angeles, Beijing, Caracas and at the Festspiele Baden-Baden. She has collaborated on recordings of works by Schönberg, Mahler, Zemlinsky and Waltershausen, as well as taking part in the world première of Franz Schreker’s Flammen (Kiel). Upcoming roles: Die Kaiserin (Buenos Aires), Irene Rienzi (Rome), title role Salome (Cagliari), Elsa Lohengrin (Deutsche Staatsoper Berlin), Senta (Naples) and Senta SehnSuchtMEER oder Vom Fliegenden Holländer staged by Claus Guth (world première, Düsseldorf).