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Label Challenge Records |
UPC 0608917347128 |
Catalogue number CR 73471 |
Release date 08 March 2019 |
"Intriguing, otherworldly improvisations..."
Scotsman.com, 19-6-2019Bram's relentless search for unknown territory and new destinations began in 2007 with his first album Tonelist, followed by 12 other albums (5 releases on Challenge Records). At 18 he was selected for the prestigious Young VIP tour. At the age of 26, he was the youngest composer ever to receive the annual North Sea Jazz Composition Commission. Not long after, he received carte blanche from the BIMhuis, for which he wrote the successful Cantata for tenor voice, guitar and live electronics.
Bram's playing is influenced by (natural) landscapes, visual arts, ambient and global music, always exploring the boundary between improvisation and composition. Trained as a jazz guitarist, he often seeks metamorphosis with electronics and classical music. With each new project he tries to challenge himself again. Bram is part of the trio Under the surface (with singer Sanne Rambags and drummer Joost Lijbaart) and is currently working on three major projects: A collaboration with the enigmatic Berlin neo-classical pianist Lambert. The further development of Orbit, an immersive surround sound experience with 8 Ambisonics speakers and special guests (including Nils Petter Molvaer and Remy van Kesteren at So What's Next? festival). And Suite X: a 9-part work inspired by baroque music in collaboration with the Belgian out-of-the-box thinking baroque ensemble B.O.X.
Apart from Holland's neighboring countries, Bram has performed in Mali, Rwanda, Tanzania, Zanzibar, Mexico, Colombia, Panama, Bolivia, Peru, Tadzjikistan, Kyrgyzstan, Egypt, India, China, South-Korea, North America, Canada, Norway, Poland, Germany, Russia, Israel, Spain, Turkey, Macedonia, Greece, Serbia, Turkey, Slovakia, Slovenia, Hungary, Bulgaria.
He has collaborated with artists like: Onno Govaert, Eric Vloeimans, Jim Black, Sidsel Endresen, Terje Isungset, Arve Henriksen, Wolfert Brederode, Karl Seglem, Thomas Strønen, Grzech Piotrowski, Sainkho Namtchylak, Sinikka Langeland, Per Oddvar Johansen, Ruth Wilhelime Meyer, Mari Kvien Brunvoll, Koenraad Ecker, Gulli Gudmundsson, Skuli Sverisson, Theodossi Spassov, Marcin Wasilewski, Bulgarian choir Angelite, Harmen Fraanje, Jeroen van Vliet, Eric van der Westen, Sanne van Hek, Haytham Safia, Wouter Jaspers, Laïs, Noel Redding (bassist from Jim Hendrix), Nelson Veras, Hein van de Geyn, Matthieu Chazarenc, Staplerfahrer, Spinvis, the Netherlands Chamber Choir, and much more.
“His composition with the barrel organ was not only fascinating, but also sounded wonderful. It attracted a lot of audience.”— Michelle Kuypers, North Sea Jazz Festival “The result is breathtakingly beautiful. Very unique how classical vocals and impro-jazz come together here. **** 4 stars, 23-09-2015. About Henosis.” — Gijsbert Kamer, Volkskrant
“The guitarist claims a unique place in the music world for himself with this project” — Jan Jasper Tamboer, ParoolBram's relentless search for unknown territory and new destinations began in 2007 with his first album Tonelist, followed by 12 other albums (5 releases on Challenge Records). At 18 he was selected for the prestigious Young VIP tour. At the age of 26, he was the youngest composer ever to receive the annual North Sea Jazz Composition Commission. Not long after, he received carte blanche from the BIMhuis, for which he wrote the successful Cantata for tenor voice, guitar and live electronics.
Bram's playing is influenced by (natural) landscapes, visual arts, ambient and global music, always exploring the boundary between improvisation and composition. Trained as a jazz guitarist, he often seeks metamorphosis with electronics and classical music. With each new project he tries to challenge himself again. Bram is part of the trio Under the surface (with singer Sanne Rambags and drummer Joost Lijbaart) and is currently working on three major projects: A collaboration with the enigmatic Berlin neo-classical pianist Lambert. The further development of Orbit, an immersive surround sound experience with 8 Ambisonics speakers and special guests (including Nils Petter Molvaer and Remy van Kesteren at So What's Next? festival). And Suite X: a 9-part work inspired by baroque music in collaboration with the Belgian out-of-the-box thinking baroque ensemble B.O.X.
Apart from Holland's neighboring countries, Bram has performed in Mali, Rwanda, Tanzania, Zanzibar, Mexico, Colombia, Panama, Bolivia, Peru, Tadzjikistan, Kyrgyzstan, Egypt, India, China, South-Korea, North America, Canada, Norway, Poland, Germany, Russia, Israel, Spain, Turkey, Macedonia, Greece, Serbia, Turkey, Slovakia, Slovenia, Hungary, Bulgaria.
He has collaborated with artists like: Onno Govaert, Eric Vloeimans, Jim Black, Sidsel Endresen, Terje Isungset, Arve Henriksen, Wolfert Brederode, Karl Seglem, Thomas Strønen, Grzech Piotrowski, Sainkho Namtchylak, Sinikka Langeland, Per Oddvar Johansen, Ruth Wilhelime Meyer, Mari Kvien Brunvoll, Koenraad Ecker, Gulli Gudmundsson, Skuli Sverisson, Theodossi Spassov, Marcin Wasilewski, Bulgarian choir Angelite, Harmen Fraanje, Jeroen van Vliet, Eric van der Westen, Sanne van Hek, Haytham Safia, Wouter Jaspers, Laïs, Noel Redding (bassist from Jim Hendrix), Nelson Veras, Hein van de Geyn, Matthieu Chazarenc, Staplerfahrer, Spinvis, the Netherlands Chamber Choir, and much more.
“His composition with the barrel organ was not only fascinating, but also sounded wonderful. It attracted a lot of audience.”— Michelle Kuypers, North Sea Jazz Festival “The result is breathtakingly beautiful. Very unique how classical vocals and impro-jazz come together here. **** 4 stars, 23-09-2015. About Henosis.” — Gijsbert Kamer, Volkskrant
“The guitarist claims a unique place in the music world for himself with this project” — Jan Jasper Tamboer, ParoolIntriguing, otherworldly improvisations...
Scotsman.com, 19-6-2019
Under The Surface takes the listener on a journey through different stages of "being".
Nederlands Dagblad, 14-6-2019
Audiences across the world have reacted positively to the group’s spontaneous music.
Glasgow We Today, 14-6-2019
The interpretations are one hundred percent improvised, but retain an admirable coherence.
Jazz Bulletin, 03-6-2019
Collection of live recordings of new improvisations that are powerful in volume ...
De Volkskrant, 17-5-2019
Carefully chosen live recordings from six concerts in the Netherlands and Europe. They are snapshots that are worth listening to. The music is ethereal and intimate.
Jazzel's Blog, 27-4-2019
Well worth it, so check it out!
Slagwerkkrant, 19-4-2019
Sanne Rambags is one of the most striking vocal talents of contemporary Dutch jazz.
Jazzenzo, 11-4-2019
The music of the band that bears the name of the first album is clearly evolved in two years in a more natural interaction.
Hifi.nl, 10-4-2019
... Lijbaart, Rambags and Stadhouders do indeed create a sound refra-gium that arises out of nowhere and in which every instrumental passage seems to float. ..
Jazzthing 04 05 2019, 25-3-2019
An impressive performance on an album that is in any case filled with special moments: indeed the work of a close trinity.
3voor12, 18-3-2019
Whereas the studio album mainly illustrates the modest and architectural side of the trio, the live concerts manage to bring the listener to the edge of their chair after an appropriate build-up, thanks to the enormous range of musical ambiance, guitar lines and soundscapes of Bram, the dynamic, grooving and sometimes also explosive rhythm by Joost and the versatile and impressive voice and presentation of Sanne.
Progjazz, 15-3-2019
Tasteful with jazz mentality
Het Parool, 02-3-2019