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Garden of Devotion

Lisa Larsson / Netherlands Chamber Orchestra / Gordan Nikolić

Garden of Devotion

Price: € 20.95
Format: SACD
Label: Challenge Classics
UPC: 0608917275421
Catnr: CC 72754
Release date: 15 February 2019
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Label
Challenge Classics
UPC
0608917275421
Catalogue number
CC 72754
Release date
15 February 2019

"With a cross-section of Rolf Martinsson's contemporary work, 'Garden of Devotion' draws attention to a composer who is seldom played in this country."

Klassik.com, 15-10-2021
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Artist(s)
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About the album

Rolf Martinsson is one of Sweden's internationally leading composers. In this CD five works are gathered.
One work is for soprano and string orchestra: Garden of Devotion is a collection of poems by Rabindranath Tagore set to music by Martinsson in 2013.

In To the Shadow of Reality, the soprano is istead accompanied by string quartet in these five songs with lyrics by Swedish poetess Karin Boye.

A.S. in memoriam is a piece for string orchestra. Composed in 1999; it is a homage to Arnold Schoenberg.
A piece called Landscape for solo violin is dated 2010 and takes its inspiration from The Strand, a painting by Edvard Munch.
The disc closes with a work for chamber orchestra, Kalliope, composed in 2004.
Op Garden of Devotion staan vijf werken van Rolf Martinsson, uitgevoerd door het Nederlands Kamerorkest onder leiding van Gordan Nikolić, samen met sopraan Lisa Larsson. Martinsson en de Zweedse sopraan kennen een vruchtbare samenwerking. Deze opname met mooi spel van het orkest, getuigt van de bijzondere chemie tussen de twee.

Indiase gedichten

Rolf Martinsson besloot in 2013 gedichten van de Indiase dichter Rabindranath Tagore op muziek te zetten voor een liederencyclus voor sopraan en strijkorkest, waarmee een passie uit zijn jonge jaren herleefde. In 1988, deed hij dat al voor sopraan en piano. Voor dit album Garden of Devotion vulde hij drie van die eerdere stukken aan met twee nieuwe gedichten, alle afkomstig uit Tagores beroemde verzameling The Gardener. De componist benadrukt dat de muziek uit 1988 uit "Martinssons modernisme" stamt. Uit de nieuw gecomponeerde muziek spreekt de rijpere muzikale taal van de componist van nu, en die is compleet anders.

Onbeantwoorde liefde

De vijf liederen vertellen het verhaal van een onbeantwoorde liefde. Prachtige voorbeelden van een elegante en delicate uitdrukking van gevoelens, vervat in beelden uit de natuur: vogels, bloemen, stille nachten en sterren. Martinsson: "Tagore gebruikte mooie simpele woorden, inspirerende en geestverruimende metaforen, die mij een wereld aan muzikale mogelijkheden bieden." De componist creëert een atmosfeer van opgehoopte spanning om de gepassioneerde emoties te kleuren die een toegewijde vrouw naar haar vriend in de tuin van de liefde leiden. Elk effect dat snaren maar kunnen bieden haalt hij uit de kast. Het motief van dalende akkoorden aan het begin van het eerste lied zorgt voor ontroerende passie in de dialoog. In het tweede gedicht schilderen zachte en sombere timbres de duistere vooruitzichten. De trillende snaren in de opening van het laatste lied introduceren de sinistere uitkomst van het liefdesdrama. Voor de vocale lijn ontwikkelde Martinsson een fraaie en subtiele soort zang die past bij de hoofse woorden. In een van zijn liefdesgedichten schreef Tagore: "De liefde tussen jou en mij is zo eenvoudig als een lied". Martinsson bracht de liederen muzikaal tot leven, de componist werd de perfecte tuinman.

Artistieke klik met sopraan

Martinssons motivatie om deze liederencyclus te realiseren kwam door een samenwerking met Lisa Larsson en de artistieke klik die tussen hen ontstond bij de bewerking van een eerdere liederencyclus. Martinsson: "Haar toewijding inspireerde me niet alleen, maar gaf me ook zelfvertrouwen en meer inzicht in de stem en het zingen op zich."

Lisa Larsson studeerde, na een vroege carrière als fluitiste, zang in Bazel. Ze werkte met grote dirigenten en maakte na haar debuut in La Scala in Milaan internationaal snel naam als begenadigd Mozartzangeres. Voor Nederland is ze geen onbekende. Samen met het Combattimento Consort Amsterdam onder leiding van Jan Willem de Vriend maakte ze een Haydn album, ze nam Bachcantates op met Ton Koopman en bracht met het Gelders Orkest onder leiding van Antonello Manacorda een Mahler en een Berlioz album uit. Haar vruchtbare samenwerking met Rolf Martinsson leidde tot meer dan honderd internationale uitvoeringen van aan haar opgedragen werken.

Rolf Martinsson zählt zu Schwedens führenden Komponisten. Auf dieser CD hören Sie fünf seiner Werke, das erste davon für Sopran und Streichorchester: Garden of Devotion ist eine Gedichtsammlung von Rabindranath Tagore, von Martinsson 2013 vertont; To the Shadow of Reality für Sopran und Streichquartett besteht aus fünf Liedern zu Texten der schwedischen Dichterin Karin Boye. A.S. in memoriam ist ein Werk für Streichorchester, eine 1999 komponierte Hommage an Arnold Schönberg. Das Werk mit Titel Landscape für Violine solo entstand 2010, inspiriert von Edvard Munchs Gemälde The Strand. Die CD schließt mit Kalliope, einem 2004 komponierten Werk für Kammerorchester.

Artist(s)

Lisa Larsson (soprano)

Swedish soprano Lisa Larsson started her career as a flautist and studied singing in Basel. Her first engagement was at the Zurich Opera House, where she performed under a number of conductors including Nikolaus Harnoncourt and Franz Welser-Möst. Following her debut at La Scala in Milan in ›The Magic Flute‹ under Riccardo Muti, she swiftly developed her international opera career, in particular as a Mozart singer performing parts such as Susanna, Pamina, Zaide, Zerlina, Servilia, Ilia, Fortuna and Ismene; other roles included Marzelline, Anne Trulove, Ännchen, Eurydice, Adele, Adina, Oscar, Xenia, Tytania, Polissena and Morgana. She appeared at renowned European opera houses including the Bavarian State Opera, the Royal Opera House in London, the Teatro La Fenice in Venice, the...
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Swedish soprano Lisa Larsson started her career as a flautist and studied singing in Basel. Her first engagement was at the Zurich Opera House, where she performed under a number of conductors including Nikolaus Harnoncourt and Franz Welser-Möst. Following her debut at La Scala in Milan in ›The Magic Flute‹ under Riccardo Muti, she swiftly developed her international opera career, in particular as a Mozart singer performing parts such as Susanna, Pamina, Zaide, Zerlina, Servilia, Ilia, Fortuna and Ismene; other roles included Marzelline, Anne Trulove, Ännchen, Eurydice, Adele, Adina, Oscar, Xenia, Tytania, Polissena and Morgana. She appeared at renowned European opera houses including the Bavarian State Opera, the Royal Opera House in London, the Teatro La Fenice in Venice, the Royal Danish Opera, the Opéra de Monte-Carlo, the Leipzig Opera, the Grand Théâtre de Genève, the Royal Swedish Opera and the Theater Basel as well as at the Salzburg Festival, the Lucerne Festival, the Glyndebourne Festival and the Festival d'Aix-en-Provence.
Lisa Larsson is also a remarkably versatile concert singer of international renown. In recent years she has constantly expanded her broad repertoire with works by Mahler, Richard Strauss, Brahms, Berlioz, Britten and Stravinsky, and has performed in a number of world premieres of contemporary works. Conductors she has worked with include Claudio Abbado, Sir Colin Davis, Daniel Harding, Adam Fischer, Mikhail Pletnev, David Zinman, Antonello Manacorda, Lawrence Renes, Massimo Zanetti, Louis Langrée, Douglas Boyd, Juanjo Mena, Christian Arming, Andrew Manze, Stefan Solyom, Vassily Sinaisky and Edo de Waart. Lisa Larsson has performed with leading orchestras including the Berlin Philharmonic, the Zurich Tonhalle Orchestra, the Frankfurt Radio Symphony Orchestra, the Munich Philharmonic, the Vienna Symphony Orchestra, the Orchestre Philharmonique de Radio France, the Orchestre National de Lyon, the Netherlands Philharmonic, the Royal Stockholm Philharmonic Orchestra, the Hong Kong Philharmonic, the Orquestra Sinfônica do Estado de São Paulo, the NHK Symphony Orchestra and the New Japan Philharmonic.
In the field of baroque music, she has often worked with leading conductors and their orchestras, including Sir John Eliot Gardiner, Sir Roger Norrington, Christopher Hogwood, Frans Brüggen, Andrea Marcon, Emmanuelle Haïm, Ton Koopman, Nathalie Stutzmann, Nicholas McGegan, Paul Goodwin, Martin Haselböck, Gottfried von der Goltz, Trevor Pinnock, Richard Egarr, Fabio Bonizzoni, Jan Willem de Vriend and David Stern.
Highlights of her 2014 | 2015 season include two world premieres of works dedicated to her by Swedish composer Rolf Martinsson: “Ich denke Dein…” for soprano and orchestra, commissioned by the Zurich Tonhalle Orchestra, and “Garden of Devotion” for soprano and string orchestra, commissioned by the Swedish ensemble Musica Vitae.
“Ich denke Dein…” will be first performed by the Zurich Tonhalle Orchestra and conducted by John Storgårds who will also lead the Finnish premiere with the Helsinki Philharmonic Orchestra. The Dutch premiere will be with the Netherlands Philharmonic Orchestra under its chief conductor Marc Albrecht in Amsterdam’s Concertgebouw. More performances are planned for future seasons with the Philharmonia Orchestra, Gothenburg Symphony Orchestra, Orchestra Sinfonica di Milano Giuseppe Verdi, Iceland Symphony Orchestra, Malmö Symphony Orchestra and Helsingborg Symphony Orchestra.
"Garden of Devotion" will be first performed on tour in Sweden by Musica Vitae and conducted by Nathalie Stutzmann. Further performances are scheduled with the Scottish Chamber Orchestra under Olari Elts as well as the Helsingborg Symphony Orchestra under Stefan Solyom. More performances in future seasons are planned with the Swedish Chamber Orchestra, Stuttgart Chamber Orchestra, Staatskapelle Weimar and the Norrköping Symphony Orchestra.
Lisa Larsson will continue her many years of collaboration with Antonello Manacorda in performances of Beethoven’s 9th symphony in the Netherlands as well as Alban Berg’s “Seven Early Songs” and Mahler’s 4th symphony with the BBC Philharmonic. She will also sing the Berg cycle with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra at the Prague Spring Festival and in Liverpool. Performances of Mahler’s 2nd symphony, conducted by Stefan Asbury, are planned for a tour in Holland. Other projects she is looking forward to are two new recital programmes with concerts in Italy together with Andrea Lucchesini and in Switzerland with Roland Pöntinen.
Recent additions to her substantial discography are two Challenge Classics releases: A Haydn album with the Combattimento Consort Amsterdam under the direction of Jan Willem de Vriend as well as Berlioz programme with the Arnhem Philharmonic Orchestra conducted by Antonello Manacorda who is also the conductor of her next CD to be released on the same label in the autumn of 2014 and featuring Mahler’s 4th symphony combined with a selection of “Wunderhorn” songs by Mahler. In spring 2015 she will record Rolf Martinsson’s “Orchestral Songs on Poems by Emily Dickens” with the Royal Stockholm Philharmonic Orchestra under Andrew Manze for BIS Records. Her other recordings include Strauss‘ ›Four Last Songs‹ under Douglas Boyd, Mahler’s 8th symphony under David Zinman, the Mozart operas ›Don Giovanni‹ under Daniel Harding, ›Mitridate‹ under Adam Fischer, ›Il sogno di Scipione‹ under Gottfried von der Goltz, Händel‘s ›Jephta‹ under David Stern as well as numerous Bach Cantatas under Sir John Eliot Gardiner and Ton Koopman. With the latter she also recorded Bach’s Christmas and Easter Oratorio as well as the Magnificat.

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Netherlands Chamber Orchestra

The Netherlands Chamber Orchestra was formed in 1955, since when it has proved itself an exceptional ensemble with a long history of notable achievements. Although it merged with the Netherlands Philharmonic Orchestra in 1985, the orchestra has never lost its own identity. In fact, the Netherlands Chamber Orchestra has consistently surprised its symphonic ‘big brother’.   Particularly notable is the dynamic between the members of the orchestra, which rarely performs under a conductor. The musicians have complete confidence in each other and their chemistry is obvious to all. “It’s a state of mind in which everything comes together. You can rise above yourself. Everyone goes to a own special place where we all meet each other. Call it a common feeling, a...
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The Netherlands Chamber Orchestra was formed in 1955, since when it has proved itself an exceptional ensemble with a long history of notable achievements. Although it merged with the Netherlands Philharmonic Orchestra in 1985, the orchestra has never lost its own identity. In fact, the Netherlands Chamber Orchestra has consistently surprised its symphonic ‘big brother’.
Particularly notable is the dynamic between the members of the orchestra, which rarely performs under a conductor. The musicians have complete confidence in each other and their chemistry is obvious to all. “It’s a state of mind in which everything comes together. You can rise above yourself. Everyone goes to a own special place where we all meet each other. Call it a common feeling, a certain mythology, a scent, poetry, whatever. The Netherlands Chamber Orchestra can do that,” states concertmaster Gordan Nikolitch with verve.
Gordan Nikolitch was appointed concertmaster in 2004. Through his passion and commitment, the Serbian-born violinist has spurred the orchestra to ever greater artistic heights.
Nikolitch is aware that he is the custodian of a rich artistic heritage. The Netherlands Chamber Orchestra rose to international fame under violinist and conductor Szymon Goldberg, who founded the ensemble in 1955 and continued in the role of concertmaster until 1979. Goldberg took the orchestra on several international tours. On one occasion, the music critic of the New York Times wrote, “If ever a concert merited the epithet ‘perfect’, it was the one given by Szymon Goldberg and his Netherlands Chamber Orchestra at Carnegie Hall.” The Netherlands Chamber Orchestra gives dozens of concerts every year. It can regularly be heard in Amsterdam’s Royal Concertgebouw and the Muziekgebouw aan ’t IJ, as well as other major concert halls throughout the Netherlands and beyond. The orchestra also plays in venues that are not so readily associated with classical music, such as Amsterdam’s Paradiso where an enthusiastic capacity audience enjoyed a programme of works by Stravinsky and Ravel. Like the Netherlands Philharmonic Orchestra, the Netherlands Chamber Orchestra often takes part in productions of the Dutch National Opera.

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Gordan Nikolić (conductor)

Gordan Nikolić was born in Serbia and learned the trade from the French violinist and conductor Jean-Jacques Kantorow at the Musikhochschule in Basel. Sir Colin Davis was his great inspiration; Under him Gordan Nikolić was appointed in 1997 as concertmaster of the London Symphony Orchestra, a position he still holds. He also immersed himself in baroque music, but also collaborated with Witold Lutosławski and György Kurtág, for example, because contemporary music also fascinated him. From the first lectern he led the chamber orchestra of the London Symphony Orchestra, the Orchester National de Lille and the Rotterdam Philharmonic Orchestra. Since 2004/05 he has been artistic director and 'directing concert master' of the Dutch Chamber Orchestra. As a chamber musician Gordan Nikolić...
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Gordan Nikolić was born in Serbia and learned the trade from the French violinist and conductor Jean-Jacques Kantorow at the Musikhochschule in Basel. Sir Colin Davis was his great inspiration; Under him Gordan Nikolić was appointed in 1997 as concertmaster of the London Symphony Orchestra, a position he still holds. He also immersed himself in baroque music, but also collaborated with Witold Lutosławski and György Kurtág, for example, because contemporary music also fascinated him. From the first lectern he led the chamber orchestra of the London Symphony Orchestra, the Orchester National de Lille and the Rotterdam Philharmonic Orchestra. Since 2004/05 he has been artistic director and 'directing concert master' of the Dutch Chamber Orchestra. As a chamber musician Gordan Nikolić worked with colleagues like Christophe Coin, Emanuel Ax and Leif Ove Andsnes and he is part of the Vellinger Quartet. Les gives the violinist to the Royal College of Music and the Guildhall School of Music in London and to Codarts Rotterdam. Gordan Nikolić plays an instrument from 1794 by Lorenzo Storioni.

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Composer(s)

Rolf Martinsson

Rolf Martinsson is one of Sweden's internationally leading composers. He serves as professor of composition at the Malmö Academy of Music and is a Fellow of the Royal Swedish Academy of Music. The successful collaboration with Swedish soprano Lisa Larsson, now exceeding 100 performances, has led to major international commissions such as Into Eternity (2015), Ich denke Dein... and Garden of Devotion (2014), To the Shadow of Reality (2013) and the high version of Orchestral Songs on Poems by Emily Dickinson (2009). Collaborating orchestras have been among others Tonhalle-Orchester Zürich, Philharmonia Orchestra London, Netherlands PO/CO, Scottish CO and several Swedish orchestras. Larsson has premiered all these works, which are dedicated to her and she has now also Martinsson's St. Luke's Passion on her repertoire. In 2008 Martinsson was featured composer at Stockholm International Composer...
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Rolf Martinsson is one of Sweden's internationally leading composers. He serves as professor of composition at the Malmö Academy of Music and is a Fellow of the Royal Swedish Academy of Music.

The successful collaboration with Swedish soprano Lisa Larsson, now exceeding 100 performances, has led to major international commissions such as Into Eternity (2015), Ich denke Dein... and Garden of Devotion (2014), To the Shadow of Reality (2013) and the high version of Orchestral Songs on Poems by Emily Dickinson (2009). Collaborating orchestras have been among others Tonhalle-Orchester Zürich, Philharmonia Orchestra London, Netherlands PO/CO, Scottish CO and several Swedish orchestras. Larsson has premiered all these works, which are dedicated to her and she has now also Martinsson's St. Luke's Passion on her repertoire.

In 2008 Martinsson was featured composer at Stockholm International Composer Festival and Composer in Residence (CiR) with Malmö SO 2002-2006 and with Netherlands PO/CO 2014-2015 at Concertgebouw. He is also CiR with Helsingborg SO 2014-2017 and he has been CiR with Musica Vitae and with Dalasinfoniettan at Martin Fröst's "Vinterfest".

Rolf Martinsson's collaborations have led to performances in venues such as Carnegie Hall, Musikverein, Berliner Philharmonie, Concertgebouw, Royal Festival Hall, Wigmore Hall, Salzburger Festspielhaus and Suntory Hall, Opera City Hall and Metropolitan Art Space, Tokyo. His music is performed by orchestras such as Cleveland Orchestra, Detroit SO, Boston SO, BBC SO, City of Birmingham SO, NDR Sinfonieorchester, Bamberger Symphoniker, Rundfunk-Sinfonieorchester Berlin, Vienna Radio Orchestra, Tonkünstler Orchester, Academy of St Martin in the Fields and all the major Nordic orchestras in collaboration with conductors such as Alan Gilbert, Andris Nelsons, Sakari Oramo, Neeme Järvi, Manfred Honeck, Edward Gardner, Vassily Sinaisky, Vasily Petrenko and Stefan Solyom and soloists such as Lisa Larsson, Anne Sofie von Otter, Martin Fröst and Håkan Hardenberger.

The collaboration with Hardenberger in the trumpet concerto Bridge (1998) led to the big international scenes. A. S. in Memoriam (1999) for string orchestra is also frequently performed as is the orchestral work and concert opener Open Mind (2005). Fröst premiered both the clarinet concerto Concert Fantastique (2010) and Suite Fantastique (2011) for clarinet and piano and the collaboration proceeds with new projects.

The soprano saxophone concerto Golden Harmony (2012) was premiered by Anders Paulsson and the Double Bass Concerto (2011) was premiered by Dan Styffe and has in recent years been adapted by many bassists and programmed by, among others, Edicson Ruiz with many orchestras.

His music is well represented on CD. Several European orchestras have toured internationally with his music. www.rolfmartinsson.com


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Press

With a cross-section of Rolf Martinsson's contemporary work, 'Garden of Devotion' draws attention to a composer who is seldom played in this country.
Klassik.com, 15-10-2021

Martinsson not afraid of beautiful melodies and dramatic, sometimes dark effects. Something that we immediately notice at "Garden of Devotion, opus 97", that he based on poems by the Indian poet Rabindranath Tagore and he wrote with Larsson.
Nieuwe noten, 21-10-2019

Her expressive, pure sound is good for this idiom.
Music Web, 30-9-2019

I’m sure that in Lisa Larsson’s interpretation these five songs will win many hearts.
HRAudio, 19-2-2019

Play album Play album
01.
Garden of Devotion Op. 97: Trust Love
06:19
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
02.
Garden of Devotion Op. 97: Do Not Keep
03:44
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
03.
Garden of Devotion Op. 97: Do No Go
04:35
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
04.
Garden of Devotion Op. 97: My Heart
04:08
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
05.
Garden of Devotion Op. 97: Lest I Should Know
03:46
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
06.
A. S. in Memoriam Op. 50a
10:32
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
07.
To the Shadow of Reality Op. 96 (Till skuggan av en verklighet): Morgon
01:50
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
08.
To the Shadow of Reality Op. 96 (Till skuggan av en verklighet): Hur kan jag säga
02:45
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
09.
To the Shadow of Reality Op. 96 (Till skuggan av en verklighet): Från en stygg flicka
01:52
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
10.
To the Shadow of Reality Op. 96 (Till skuggan av en verklighet): Du är min renaste tröst
02:55
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
11.
To the Shadow of Reality Op. 96 (Till skuggan av en verklighet): I rörelse
02:33
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
12.
Landscape Op. 84
04:45
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
13.
Kalliope Op. 66: Calliope Intrada
03:21
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
14.
Kalliope Op. 66: Urania
02:09
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
15.
Kalliope Op. 66: Terpsichore
04:09
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
16.
Kalliope Op. 66: Euterpe
03:30
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
17.
Kalliope Op. 66: Polyhymnia
02:08
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
18.
Kalliope Op. 66: Melpomene
03:22
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
19.
Kalliope Op. 66: Klio
04:18
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
20.
Kalliope Op. 66: Erato
01:56
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
21.
Kalliope Op. 66: Thalia
03:17
(Rolf Martinsson) Lisa Larsson, Netherlands Chamber Orchestra
show all tracks

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