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Leonard Bernstein, Piano & Chamber Music
Leonard Bernstein

Various Artists

Leonard Bernstein, Piano & Chamber Music

Price: € 40.95 28.67
Format: CD
Label: CAvi
UPC: 4260085534708
Catnr: AVI 8553411
Release date: 01 March 2019
old €40.95 new € 28.67
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40.95 28.67
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Label
CAvi
UPC
4260085534708
Catalogue number
AVI 8553411
Release date
01 March 2019
Album
Artist(s)
Composer(s)
EN

About the album

LEONARD BERNSTEIN

Anniversary Edition for his 100th Birthday

That which comes closest to love

“Leonard Bernstein was certainly not surrounded by an aura of aloofness. He enjoyed his immense popularity, although he never consciously attempted to be “everybody’s darling” and to be hailed as “Lenny” by everyone on the street.

His parents had officially named him Louis, but tended to call him Leonard. Serge Koussevitzky, his teacher and elder friend – with whom he not only shared an outstanding musical talent but also an East European Jewish family background – called him “Lenyusha”.

Bernstein himself preferred “Lenny” and thought up a pseudonym under which he wrote popular music during his youth to stay afloat: “Lenny Amber”, since “amber” is the English translation of the German word “Bernstein”. He founded a publishing house to bring out his own works and called it “Amberson Enterprises”.

Games with codes, cyphers, codenames and identities run through Bernstein’s entire output: references to himself, to people in his private circle, or to works by other composers from all periods and almost all genres from Baroque to jazz…...” (Excerpt from the Booklet Notes by Johannes Jansen)

Artist(s)

Wayne Marshall (piano)

WAYNE MARSHALL’s relationship with music began at the age of three, when he had already familiarised himself with the piano; he only began to take formal lessons a few years later. He was a student at Chetham’s School of Music in Manchester from 1971 to 1979. He won a foundation scholarship to the Royal College of Music in London, which was combined with the post of Organ Scholar at St George’s Chapel, Windsor Castle, and he was a postgraduate student at the Hochschule für Musik in Vienna from 1983-84. Wayne’s musical forays led him to experiment in multiple genres, including church music and jazz, but he quickly found his professional voice as an organ/piano recitalist. This was also the time in which Wayne began to find his footing...
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WAYNE MARSHALL’s relationship with music began at the age of three, when he had already familiarised himself with the piano; he only began to take formal lessons a few years later. He was a student at Chetham’s School of Music in Manchester from 1971 to 1979. He won a foundation scholarship to the Royal College of Music in London, which was combined with the post of Organ Scholar at St George’s Chapel, Windsor Castle, and he was a postgraduate student at the Hochschule für Musik in Vienna from 1983-84.
Wayne’s musical forays led him to experiment in multiple genres, including church music and jazz, but he quickly found his professional voice as an organ/piano recitalist. This was also the time in which Wayne began to find his footing as a conductor, a path that would see him working with some of the world’s most accomplished orchestras. He is thus a man with two gifts and one legacy.
He was the BBC Music Magazine’s Artist of the Year in 1998. In 2004, Wayne received an Honorary Doctorate from Bournemouth University, and in 2010 became a Fellow of the Royal College of Music.
2016 he received the prestigious Golden Jubilee Award in commemoration of his services to music.

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Benyamin Nuss (piano)

BENYAMIN NUSS (*1989 in Bergisch-Gladbach) began piano lessons at the age of six He was inspired and encouraged by his father, the trombonist Ludwig Nuss, an internationally renowned jazz musician. Benyamin made classical music and jazz into his passion. Benyamin has played with many international highly reputed orchestras such as the London Symphony and Japan Philharmonic.  
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BENYAMIN NUSS (*1989 in Bergisch-Gladbach) began piano lessons at the age of six He was inspired and encouraged by his father, the trombonist Ludwig Nuss, an internationally renowned jazz musician.
Benyamin made classical music and jazz into his passion. Benyamin has played with many international highly reputed orchestras such as the London Symphony and Japan Philharmonic.

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Maria Kliegel (cello)

Cellist Maria Kliegel has been described as La Cellissima by Rostropovich: 'The best cellist I have heard since Jacqueline du Pré.' She has won many first prizes in national and international cello competitions and has made appearances as a soloist across the world. Her extensive repertoire has been recorded on both album and video. With around 1 million albums sold worldwide, Maria Kliegel is the market leader in the field of cello literature. Above all, she has made a name for herself through her untiring commitment to contemporary music, which includes world premieres and recordings of works by, among others, Alfred Schnittke and Sofia Gubaidulina as well as Wilhelm Kaiser-Lindemann's Hommage à Nelson Mandela. She has also been a jury member...
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Cellist Maria Kliegel has been described as La Cellissima by Rostropovich: "The best cellist I have heard since Jacqueline du Pré." She has won many first prizes in national and international cello competitions and has made appearances as a soloist across the world.
Her extensive repertoire has been recorded on both album and video. With around 1 million albums sold worldwide, Maria Kliegel is the market leader in the field of cello literature. Above all, she has made a name for herself through her untiring commitment to contemporary music, which includes world premieres and recordings of works by, among others, Alfred Schnittke and Sofia Gubaidulina as well as Wilhelm Kaiser-Lindemann's Hommage à Nelson Mandela. She has also been a jury member in many competitions and is known for her active involvement in music education. Since 1986 Maria Kliegel has been teaching a master class at the Cologne University of Music.
In Schott Master Class Cello, her multimedia book and DVD project published in 2006, she explores completely new paths for learning how to play the instrument. Since 2010 the English version Using Technique and Imagination to Achieve Artistic Expression is sold worldwide.
Maria Kliegel plays a cello by Carlo Tononi, ca.1730, Venice.
http://www.maria-kliegel.com/
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Maurice Steger (recorder)

With concerts held all over the world and numerous CD recordings – many of which have been awarded the highest accolades – MAURICE STEGER (*1971) has established himself as one of the most popular soloists in the field of early music. With his vibrant manner and his personal, spontaneous and technically brilliant style, Maurice Steger has enhanced the standing of the recorder as an instrument and positioned it on an entirely new level.
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With concerts held all over the world and numerous CD recordings – many of which have been awarded the highest accolades – MAURICE STEGER (*1971) has established himself as one of the most popular soloists in the field of early music. With his vibrant manner and his personal, spontaneous and technically brilliant style, Maurice Steger has enhanced the standing of the recorder as an instrument and positioned it on an entirely new level.

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Lisa Schumann (violin)

LISA SCHUMANN was born near Cologne in 1988 and had first violin lessons when she was four years old. At the age of eight she started studying with Zakhar Bron at the Hochschule für Musik und Tanz in Cologne. She garnered further valuable artistic counsel from renowned musicians including Daniel Sepec, Igor Ozim, Mihaela Martin, Sergei Fatkulin, Gerhard Schulz (of the Alban Berg Quartet) and Vineta Sareika (of the Artemis Quartet). Lisa Schumann has won several awards. Concert appearances have led her to perform in Austria, Switzerland, France, Japan and Germany. Lisa Schumann is concertmaster of the Cologne Kammersymphoniker and is regularly called upon to guest as concertmaster for Hamburg Camerata, Cologne Chamber Orchestra, and other ensembles. She plays a violin made by Ferdinando Gagliano in Naples (1795).
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LISA SCHUMANN was born near Cologne in 1988 and had first violin lessons when she was four years old. At the age of eight she started studying with Zakhar Bron at the Hochschule für Musik und Tanz in Cologne. She garnered further valuable artistic counsel from renowned musicians including Daniel Sepec, Igor Ozim, Mihaela Martin, Sergei Fatkulin, Gerhard Schulz (of the Alban Berg Quartet) and Vineta Sareika (of the Artemis Quartet). Lisa Schumann has won several awards.
Concert appearances have led her to perform in Austria, Switzerland, France, Japan and Germany.
Lisa Schumann is concertmaster of the Cologne Kammersymphoniker and is regularly called upon to guest as concertmaster for Hamburg Camerata, Cologne Chamber Orchestra, and other ensembles.
She plays a violin made by Ferdinando Gagliano in Naples (1795).

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Composer(s)

Leonard Bernstein

Leonard Bernstein was one of the most iconic American composers and conductors of the 20th century, and was among the first American musicians who gained worldwide recognition. He actually made his breakthrough as a conductor by chance, when he suddenly had to stand in for the ailing Bruno Walter for a concert by the New York Philharmonic in 1943. The concert, which was broadcast live on radio, received critical acclaim from the press. Bernstein would soon become a sought-after guest conductor. From 1958 till 1969, Bernstein was principal conductor of the New York Philharmonic, with which he performed amongst others the complete symphonies of Mahler, which sparked a renewed interest in the music of the Austrian composer in the United States. He...
more
Leonard Bernstein was one of the most iconic American composers and conductors of the 20th century, and was among the first American musicians who gained worldwide recognition.
He actually made his breakthrough as a conductor by chance, when he suddenly had to stand in for the ailing Bruno Walter for a concert by the New York Philharmonic in 1943. The concert, which was broadcast live on radio, received critical acclaim from the press. Bernstein would soon become a sought-after guest conductor.
From 1958 till 1969, Bernstein was principal conductor of the New York Philharmonic, with which he performed amongst others the complete symphonies of Mahler, which sparked a renewed interest in the music of the Austrian composer in the United States. He was also an advocate of the music of American composers, in particular that of his close friend Aaron Copland. Bernstein recorded nearly all of his orchestral works, and paid much attention to his music in his popular television series Young People’s Concerts, in which he introduced a young audience to classical music.
As a composer, Bernstein is primarily known for his accessible theatre works such as Wonderful Town, Candide and The West Side Story, which still is his most popular work. He also composed three symphonies and several shorter chamber works. In his music he fused elements of Jewish music, theatre music and jazz with those of composers like Copland, Stravinsky and Gershwin.

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Press

Play album Play album
Disc #1
01.
Five Anniversaries (1954): I. For Elizabeth Rudolf
01:07
(Leonard Bernstein) Benyamin Nuss
02.
Five Anniversaries (1954): II. For Lukas Foss
01:30
(Leonard Bernstein) Benyamin Nuss
03.
Five Anniversaries (1954): III. For Elizabeth B.
00:40
(Leonard Bernstein) Benyamin Nuss
04.
Five Anniversaries (1954): IV. For Sandy Gellhorn
01:46
(Leonard Bernstein) Benyamin Nuss
05.
Five Anniversaries (1954): V. For Susanna Kyle
01:39
(Leonard Bernstein) Benyamin Nuss
06.
Four Anniversaries (1948): I. For Felicia Montealegre
02:38
(Leonard Bernstein) Benyamin Nuss
07.
Four Anniversaries (1948): II. For Johnny Mehegan
00:41
(Leonard Bernstein) Benyamin Nuss
08.
Four Anniversaries (1948): III. For David Diamond
02:12
(Leonard Bernstein) Benyamin Nuss
09.
Four Anniversaries (1948): IV. For Hellen Coates
01:03
(Leonard Bernstein) Benyamin Nuss
10.
Seven Anniversaries (1943): I. For Aaron Copland
01:09
(Leonard Bernstein) Benyamin Nuss
11.
Seven Anniversaries (1943): II. For my sister, Shirley
01:00
(Leonard Bernstein) Benyamin Nuss
12.
Seven Anniversaries (1943): III. In Memoriam: Alfred Eisner
03:09
(Leonard Bernstein) Benyamin Nuss
13.
Seven Anniversaries (1943): IV. For Paul Bowles
01:14
(Leonard Bernstein) Benyamin Nuss
14.
Seven Anniversaries (1943): V. In Memoriam: Nathalie Koussevitzky
02:14
(Leonard Bernstein) Benyamin Nuss
15.
Seven Anniversaries (1943): VI. For Sergei Koussevitzky
01:53
(Leonard Bernstein) Benyamin Nuss
16.
Seven Anniversaries (1943): VII. For William Schuman
00:38
(Leonard Bernstein) Benyamin Nuss
17.
Thirteen Anniversaries (1989): I. For Shirley Roads Perle
01:35
(Leonard Bernstein) Benyamin Nuss
18.
Thirteen Anniversaries (1989): II. In Memoriam: William Kapell
00:25
(Leonard Bernstein) Benyamin Nuss
19.
Thirteen Anniversaries (1989): III. For Stephan Sondheim
01:33
(Leonard Bernstein) Benyamin Nuss
20.
Thirteen Anniversaries (1989): IV. For Craig Urquhart
01:03
(Leonard Bernstein) Benyamin Nuss
21.
Thirteen Anniversaries (1989): V. For Leo Smit
00:32
(Leonard Bernstein) Benyamin Nuss
22.
Thirteen Anniversaries (1989): VI. For My Daughter, Nina
02:41
(Leonard Bernstein) Benyamin Nuss
23.
Thirteen Anniversaries (1989): VII. In Memoriam: Helen Coates
02:37
(Leonard Bernstein) Benyamin Nuss
24.
Thirteen Anniversaries (1989): VIII. In Memoriam : Goddard Lieberson
01:04
(Leonard Bernstein) Benyamin Nuss
25.
Thirteen Anniversaries (1989): IX. For Jessica Fleischmann
02:10
(Leonard Bernstein) Benyamin Nuss
26.
Thirteen Anniversaries (1989): X. In Memoriam: Constance Hope
03:06
(Leonard Bernstein) Benyamin Nuss
27.
Thirteen Anniversaries (1989): XI. For Felicia, on Our 28th Birthday (& and her 52nd)
01:24
(Leonard Bernstein) Benyamin Nuss
28.
Thirteen Anniversaries (1989): XII. For Aaron Stern
02:31
(Leonard Bernstein) Benyamin Nuss
29.
Thirteen Anniversaries (1989): XIII. In Memoriam: Ellen Goetz
02:30
(Leonard Bernstein) Benyamin Nuss
30.
Piano Sonata (1938): I.
05:30
(Leonard Bernstein) Benyamin Nuss
31.
Piano Sonata (1938): II.
11:11
(Leonard Bernstein) Benyamin Nuss
32.
Touches (1981): I. Chorale
01:48
(Leonard Bernstein) Benyamin Nuss
33.
Touches (1981): II. (Var. 1)
00:24
(Leonard Bernstein) Benyamin Nuss
34.
Touches (1981): III. (Var. 2)
00:35
(Leonard Bernstein) Benyamin Nuss
35.
Touches (1981): IV. (Var. 3)
00:21
(Leonard Bernstein) Benyamin Nuss
36.
Touches (1981): V. (Var. 4)
01:03
(Leonard Bernstein) Benyamin Nuss
37.
Touches (1981): VI. (Var. 5)
01:25
(Leonard Bernstein) Benyamin Nuss, Maria Kliegel
38.
Touches (1981): VII. (Var. 6)
00:30
(Leonard Bernstein) Benyamin Nuss
39.
Touches (1981): VIII. (Var. 7)
00:25
(Leonard Bernstein) Benyamin Nuss
40.
Touches (1981): IX. (Var. 8)
00:39
(Leonard Bernstein) Benyamin Nuss
41.
Touches (1981): X. Coda
03:02
(Leonard Bernstein) Benyamin Nuss

Disc #2
01.
Leonardo’s Vision Leonardo’s Vision
04:34
(Leonard Bernstein) Benyamin Nuss
02.
Sonata for Clarinet and Piano: I.
03:54
(Leonard Bernstein) Benyamin Nuss
03.
Sonata for Clarinet and Piano: II.
06:23
(Leonard Bernstein) Benyamin Nuss
04.
Sonata for Clarinet and Piano: I. Moderato assai
04:16
(Leonard Bernstein) Benyamin Nuss
05.
Sonata for Clarinet and Piano: II. Var. 1 - Allegro
01:38
(Leonard Bernstein) Benyamin Nuss
06.
Sonata for Clarinet and Piano: III. Var. 2 - Prestissimo
02:01
(Leonard Bernstein) Benyamin Nuss
07.
Sonata for Clarinet and Piano: IV. Var. 3 - L’Istessa temp (ma un poco più libre)
01:53
(Leonard Bernstein) Benyamin Nuss
08.
Sonata for Clarinet and Piano: V. Var. 4 - Andante teneramente
01:16
(Leonard Bernstein) Benyamin Nuss
09.
Sonata for Clarinet and Piano: VI. Var. 5 – Allegro agitato
01:20
(Leonard Bernstein) Benyamin Nuss
10.
Sonata for Clarinet and Piano: VII. Var. 6 – (Finale)
01:57
(Leonard Bernstein) Benyamin Nuss
11.
Piano Trio (1937): I. Adagio non troppo – Allegro Vivace
07:33
(Leonard Bernstein) Benyamin Nuss
12.
Piano Trio (1937): II. Tempo di marcia – Presto
03:26
(Leonard Bernstein) Benyamin Nuss
13.
Piano Trio (1937): III. Largo – Allegro vivo e molto ritmico
04:42
(Leonard Bernstein) Benyamin Nuss
14.
Three Mediations from “Mass” for Cello and Piano (1971): Meditation No. 1
04:43
(Leonard Bernstein) Benyamin Nuss
15.
Three Mediations from “Mass” for Cello and Piano (1971): Meditation No. 2
03:50
(Leonard Bernstein) Benyamin Nuss
16.
Three Mediations from “Mass” for Cello and Piano (1971): Meditation No. 3
06:20
(Leonard Bernstein) Benyamin Nuss

Disc #3
01.
Elegy for Mippy I for Horn and Piano (1948)
02:13
(Leonard Bernstein) Benyamin Nuss
02.
Elegy for Mippy II for solo Trombone (1948)
01:59
(Leonard Bernstein) Benyamin Nuss
03.
Waltz for Mippy III for Tuba and Piano (1948)
01:33
(Leonard Bernstein) Benyamin Nuss
04.
Rondo for Lifey, for Trumpet and Piano (1948)
01:24
(Leonard Bernstein) Benyamin Nuss
05.
Dance Suite for Wind Quintet (1990)**: I. Dancisca
00:59
(Leonard Bernstein) Benyamin Nuss
06.
Dance Suite for Wind Quintet (1990)**: II. Waltz
00:47
(Leonard Bernstein) Benyamin Nuss
07.
Dance Suite for Wind Quintet (1990)**: III. Bi-Tango
00:44
(Leonard Bernstein) Benyamin Nuss
08.
Dance Suite for Wind Quintet (1990)**: IV. Two-Step
00:36
(Leonard Bernstein) Benyamin Nuss
09.
Dance Suite for Wind Quintet (1990)**: V. MTV
01:43
(Leonard Bernstein) Benyamin Nuss
10.
Fanfare for Bima for Wind Quartet (1948)
01:01
(Leonard Bernstein) Benyamin Nuss
11.
Variations on an Octatonic Scale for Recorder and Cello (1988): I. Theme – Andante sostenuto
01:43
(Leonard Bernstein) Benyamin Nuss
12.
Variations on an Octatonic Scale for Recorder and Cello (1988): II. Var. 1 – Piu mosso
00:29
(Leonard Bernstein) Benyamin Nuss
13.
Variations on an Octatonic Scale for Recorder and Cello (1988): III. Var. 2 – Piu mosso ma comodo
01:32
(Leonard Bernstein) Benyamin Nuss
14.
Variations on an Octatonic Scale for Recorder and Cello (1988): IV. Var. 3 – Ancora piu mosso, agitato
00:42
(Leonard Bernstein) Benyamin Nuss
15.
Variations on an Octatonic Scale for Recorder and Cello (1988): V. Var. 4 – Piu mosso, quasi allegro
00:43
(Leonard Bernstein) Benyamin Nuss
16.
Variations on an Octatonic Scale for Recorder and Cello (1988): VI. Coda – Adagio
01:27
(Leonard Bernstein) Benyamin Nuss
17.
Bridal Suite for Piano four Hands (1960): Prelude, Moderato (Beginning Part I)
01:58
(Leonard Bernstein) Benyamin Nuss
18.
Bridal Suite for Piano four Hands (1960): Variation on Adolph Filis Green No. 1: Love Song
01:46
(Leonard Bernstein) Benyamin Nuss
19.
Bridal Suite for Piano four Hands (1960): Variation on Adolph Filis Green No. 2: Chaplinesque
00:41
(Leonard Bernstein) Benyamin Nuss
20.
Bridal Suite for Piano four Hands (1960): Variation on Adolph Filis Green No. 3: Chaplinade
00:53
(Leonard Bernstein) Benyamin Nuss
21.
Bridal Suite for Piano four Hands (1960): Interlude (Beginning Part II)
01:42
(Leonard Bernstein) Benyamin Nuss
22.
Bridal Suite for Piano four Hands (1960): Wedding dance No. 1: The first waltz
00:50
(Leonard Bernstein) Benyamin Nuss
23.
Bridal Suite for Piano four Hands (1960): Wedding dance No. 2: Cha-Cha-Cha
00:31
(Leonard Bernstein) Benyamin Nuss
24.
Bridal Suite for Piano four Hands (1960): Wedding dance No. 3: Hora
00:35
(Leonard Bernstein) Benyamin Nuss
25.
Bridal Suite for Piano four Hands (1960): Encore No. 1 – Modern music
00:27
(Leonard Bernstein) Benyamin Nuss
26.
Bridal Suite for Piano four Hands (1960): Encore No. 2 – Old music
01:00
(Leonard Bernstein) Benyamin Nuss
27.
Bridal Suite for Piano four Hands (1960): Encore No. 3 – Magyar lullaby
00:38
(Leonard Bernstein) Benyamin Nuss
28.
Music for Two Pianos (1937)
06:19
(Leonard Bernstein) Benyamin Nuss
29.
Four Sabras (1950?): I. Ilana. The Dreamer
00:55
(Leonard Bernstein) Benyamin Nuss
30.
Four Sabras (1950?): II. Idele. The Chassidele
01:54
(Leonard Bernstein) Benyamin Nuss
31.
Four Sabras (1950?): III. Yosi. The Jokester
00:52
(Leonard Bernstein) Benyamin Nuss
32.
Four Sabras (1950?): IV. Dina. The Tomboy Who Weeks Alone
01:19
(Leonard Bernstein) Benyamin Nuss
show all tracks

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