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€ 19.95
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Label Challenge Classics |
UPC 0608917278026 |
Catalogue number CC 72780 |
Release date 27 September 2018 |
"Price CD week 46: Du bout des yeux. Charlotte Haesen sings beautifully and also in fine French."
Radio 4, 12-11-2018Een greep uit de chansons
Het album opent met het overbekende Paris Canaille (Parijs de 'deugniet') van Léo Ferré. Dit chanson gooit de deur wijd open naar het bruisende Parijs. De stad die door zijn wervelende dynamiek zoveel schrijvers, musici, schilders en andere artiesten altijd weer opnieuw intrigeert. In het lied Je me suis fait tout petit (Ik maak mezelf klein) beschrijft Georges Brassens, met humor en een knipoog, zijn totale onderwerping aan zijn partner Joha Heiman, die hij ook wel liefkozend 'Püppchen' noemde omdat ze zo klein was. Qui protège les marins? is het lied van Charlotte Haesen zelf: Wie beschermt de zeelui tegen de angst voor de storm? In het oog van de storm verdwijnt de angst.Lovende recensies
Na het uitkomen van hun eerste album en een optreden op tv bij Podium Witteman kreeg Café des Chansons een vloedgolf aan lovende reacties. Mooier kan haast niet. Neem deze van Erik Voermans van Het Parool, hij had er vijf sterren voor over: “Wie de cd Café des Chansons hoort, staat meteen van drie dingen versteld. Een fascinerende stem. Het glasheldere Frans. En de fluwelen strijkers eromheen.” Of Mischa Spel, NRC die het album beschreef als “prachtig intiem en authentiek" met "precies de juiste mix onzware ernst en vlinderachtige humor.” Dat belooft dus wat voor dit tweede album met de buitengewoon afwisselende selectie Franse liederen. Aardig is dat er naast die chansons ook een lied van Charlotte Haesen zèlf opgenomen is.Charlotte Haesen
Charlotte Haesen (1987) in Amsterdam geboren, maar in Franstalig België opgegroeid, heeft roots in Nederland, Frankrijk en Burundi. De veelzijdige zangeres beheerst een breed scala aan muziekgenres, waarmee ze het publiek betovert met haar unieke timbre en onmiskenbare muzikaliteit. Charlotte studeerde jazz-zang op het Conservatorium van Amsterdam en won onder andere de EuJazz Award, de publieksprijs bij het 28e Concours de la Chanson Alliance Française. Ze trad wereldwijd op met verschillende formaties op festivals en podia in meer dan 15 landen.Café des Chansons
Ooit op een mooie zonnige zaterdagmiddag zong Charlotte Haesen Franse chansons op de Noordermarkt in Amsterdam. Zo ontdekte altvioliste Odile Torenbeek haar: "Daar stond ze dan zingend op straat. Ik werd onmiddellijk gelanceerd naar mijn kinderjaren waar chansons een vertrouwd geluid waren." Odile en Charlotte besloten samen een chansonsprogramma te maken met een strijkkwartet als basis. Hierbij werden gerenommeerde arrangeurs als Paul Prenen en Wijnand van Klaveren betrokken die op bijzondere wijze het chanson om Charlottes stem-timbre wisten te ‘draperen’. Vervolgens ontwikkelde zich de groepering Café des Chansons: Charlotte Haesen plus vier musici uit het Nederlands Philharmonisch Orkest: het Tobalita Strijkkwartet. Zij voeren de juweeltjes uit van Franstalige artiesten als Barbara, Serge Gainsbourg, Edith Piaf, George Brassens, Léo Ferré, Jacques Brel, Charles Trenet en Charles Aznavour.Née en 1987, la chanteuse Charlotte Haesen est d’origine franco- néerlando- burundaise. Elle grandit entre la Belgique Francophone et les Pays - Bas. Dés ses 17 ans, elle est passionnée par le jazz. Elle étudie la musique aux conservatoires de Maastricht et d’Amsterdam. La musique de Charlotte mixe tantôt la musique du monde et la pop, tantôt le singer-songwriting avec le jazz. Son univers visuel incomparable est soutenu par des musiciens de musique classique et de jazz de haut niveau.
Connue pour être active dans des styles variés, elle gagne le Eujazz Award, le prix du public à la compétition de l’Alliance Française des Pays-Bas et reçoit plusieurs récompense pour ses vidéoclips en collaboration avec les producteurs Ma-ké. Etant une artiste uniquement versatile, Haesen se produit mondialement dans différentes formations sur les scènes de plus de 15 pays.
CAFé DES CHANSONS (2017)
Pendant ses études au conservatoire d’Amsterdam, l’étudiante chante parfois dans les rues du marché au fameux Noordermarkt. C’est là qu’elle est découverte par la violoniste alto Odile Torenbeek. S’en suit la formation de l’ensemble ‘Café des Chansons’.
Odile rassemble un quartet de violons de l’orchestre philharmonique des Pays-Bas, autour du son particulier de la voix de Charlotte. Ceux-ci se marient merveilleusement bien grâce aux les arrangements aujourd’hui réputés de Paul Prenen et de Wijnand van Klaveren.
En 2017, Odile et Charlotte sortent leur premier album. Celui-ci se place nr. 5 du top 10 dans la liste Concerto Plato World et dans le magazine Mania.
Known to be active in various musical genres, the singer Charlotte Haesen reaches her listeners with her authentic performance and storytelling, her unmistakable timbre and her incredible musicality. She has won the EuJazz Award, the public price at the 28th Concours de la Chanson Alliance Francaise and received several rewards for her videoclips. Being a uniquely versatile artist, Haesen has performed with different formations at festivals and stages in over 15 countries worldwide.
Born in Amsterdam, she has origins from France, The Netherlands and Burundi. She grows up at the border between French speaking Belgium and The Nederlands. She studies jazz singing at the Maastricht Conservatory and the Amsterdam University of the Arts.
Charlotte currently focuses on two main projects: Café des Chansons and her duo with guitar player Philip Breidenbach: Haesen & Breidenbach.
Amsterdam born winner of the 2013 Prix d' Amis of The Netherlands Opera for his portrayal of Papageno in Simon McBurney's production of Die Zauberflöte, Thomas Oliemans made his professional opera debut aged 24 as the Father in Hans Werner Henze’s Pollicino with the Nationale Reisopera of the Netherlands where he also sang Minos in Händel’s Arianna in Creta and Ned Keene in Britten’s Peter Grimes.
In 2005 he made his debut at the Salzburg Festival as Gonsalvo Fieschi in Schreker's Die Gezeichneten. Further important debuts followed in 2006 as Papageno in Mozart´s Die Zauberflöte at the Opéra de Nantes/Angers to great public and critical acclaim, and at the Grand Théâtre de Genève as Guglielmo in Cosi fan tutte.
His most recent operatic engagements have included his debut at Teatro Real in Madrid with Ivor Bolton and Krysztof Warlikowski (Hercule in Gluck’s Alceste) Donner in Das Rheingold under the baton of Ingo Metzmacher at the Grand Théâtre de Genève, reprisal of his Papageno in Die Zauberflöte at the Festival d’Aix-en-Provence and Amsterdam. Conte in Le Nozze di Figaro in Gothenburg, Ramiro in L'Heure Espagnole in concert conducted by Charles Dutoit. He appeared as Lescaut in Massenet’s Manon at the Théâtre du Capitole in Toulouse partnering Natalie Dessay, had his debut at the Royal Opera House Covent Garden singing Schaunard alongside Joseph Calleja, Roberto Alagna and Angela Gheorghiu in La Bohème conducted by Semyon Bychkov, Papageno in a new production of Die Zauberflöte staged by esteemed director Simon McBurney and Fritz Kothner in Die Meistersinger von Nürnberg conducted by Marc Albrecht at De Nederlandse Opera in Amsterdam, Marcello in La Bohème and Gunther inGötterdämmerung at the Nationale Reisopera, Eisenstein in Die Fledermaus and Marcello in La Bohème at the Opéra National du Rhin in Strasbourg, Figaro in Le Nozze di Figaro and Figaro in Il Barbiere di Siviglia for the Scottish Opera, Hercule in Gluck’s Alceste at the Festival d’Aix-en-Provence, Papageno in Die Zauberflöte at the Théâtre du Capitole in Toulouse. His strong ties to The Netherlands Opera have resulted in parts in Don Carlo, Un Ballo in maschera, Die Zauberflöte, Meistersinger and Rameau’sCastor et Pollux. He also sang leading roles in three world-premiere productions of contemporary Dutch operas by Wagemans (Legende), Zuidam (Adam in Ballingschap) and Martijn Padding (Laika).
Robert Lis was born in Dabrowa Gornicza (Poland) in 1987. He played soloist and chamber musician in major concert halls in Europe. As orchestra violinist Robert Lis has played in the Sinfonietta Polonia, Radio Chamber Philharmonic, Philharmonic Orchestra and the Poznan Philharmonic Orchestra. In addition to his position in the Netherlands Philharmonic Orchestra, he plays in the Lyrique Trio, the Moses Quartet and leases with his duo partner, the Polish-Canadian pianist Justyna Maj.
Odile Torenbeek studied viola at the Hochschule für Musik (Detmold) at Nobuko Imai, surgeon the prestigious Fulbright scholarship gave her the opportunity to obtain a Master of Music at Yale University with prof.Jesse Levine. Odile works in many orchestras both in the US and in Germany. Since 1996 she is a member of the Netherlands Philharmonic Orchestra. Chamber music has always been central to her career. She performs in many different formations at home and abroad.
Jacques Brel, in full Jacques Romain Georges Brel, (born April 8, 1929, Schaerbeeck, Belgium—died October 9, 1978, Bobigny, near Paris, France), Belgian singer and songwriter whose literate, passionate songs made him one of the most popular French-language musicians in Europe and gained him a worldwide following.
Brel began writing stories and poems as a teen, but he was an indifferent student, and after his final year of secondary school he took a job with his father’s packaging company. While there he became involved with a philanthropic youth organization, and he started performing and writing songs as a member of that group. Brel began singing his compositions in Brussels cabarets in 1952, and the following year he released his first recording, a single that featured the songs “Il y a” (“There Is” or “There Are”) and “La Foire” (“The Fair”) on its two sides. Although the single was only modestly successful, it caught the attention of a French recording executive, who invited Brel to move to Paris.
In 1953 Brel began singing in French cafés. He did not meet with immediate success, but he persevered, and his first album, Jacques Brel et ses chansons (“Jacques Brel and His Songs”) appeared in 1955. He finally broke through with the title song of his second album, Quand on n’a que l’amour (1957; “If We Only Have Love”), and by the end of the decade he was a star in France. His songs, frequently sharply satirical and often implicitly religious, also became hugely popular in much of Europe. His best-known songs, including “Ne me quitte pas” (“Do Not Leave Me”), “Amsterdam,” “Madeleine,” “Les Vieux” (“The Old Ones”), and “La Chanson des vieux amants” (“Song of Old Lovers”), were translated and recorded by numerous singers in other languages. Notable American recordings of Brel’s songs included Damita Jo’s “If You Go Away” (1966), a translation by Rod McKuen of “Ne me quitte pas”; Judy Collins’s “The Dove” (1963), an English-language version of “La Colombe”; David Bowie’s “Amsterdam” (1973) and “My Death” (1983), the latter a translation of Brel’s “La Mort” (1959); and Terry Jacks’s “Seasons in the Sun” (1974), McKuen’s rather cloying translation of Brel’s 1961 song “Le Moribond” (“The Dying Man”). Brel became best known in the United States, however, through the 1968 Off-Broadway revue Jacques Brel Is Alive and Well and Living in Paris, which was revived on Broadway in 1972 and filmed in 1975, featuring translations by Eric Blau and Mort Shuman.
Brel announced his retirement from performing in 1966, with his final performance the following year, and he also released the album Jacques Brel 67. His next, and final, album, Les Marquises (1977), was rapturously received. A statue of Brel singing was unveiled in Brussels in 2017.
Brel also acted in 10 films from 1967 to 1973, two of which he directed. In addition, he adapted and translated the stage musical Man of La Mancha as L’Homme de la Mancha, and he both directed and played the lead in 1968 in Brussels and in a 1968–69 staging in Paris.
George Brassens, (born October 22, 1921, Sète, France—died October 30, 1981, Sète), French singer and songwriter. One of the most-celebrated French chansonniers (cabaret singers) of the 20th century, Brassens held a unique place in the affections of the French public and, during a career of nearly 30 years, sold more than 20 million records.
Brassens’s songs, which won the poetry prize of the Académie Française in 1967, belonged to a tradition reaching back to the medieval jongleurs (professional storytellers and entertainers). They combined bawdy humour, tenderness, and contempt for the self-importance of bigots and authority figures. After arriving in Paris in 1940, Brassens worked in the Renault car factory and was conscripted for war work in Germany. While off duty back in France, Brassens deserted and was given refuge by his aunt’s neighbour, Jeanne Planche, to whom he dedicated many of his songs. In 1952 Brassens was discovered by Jacques Grello and made his debut in a nightclub owned by the singer Patachou. His warm voice and emphatic guitar accompaniment were heard at the Olympia, the Alhambra, and the Palais de Chaillot, but he was at his best in his regular appearances in the unpretentious surroundings of the Bobino music hall.
Louis Charles Auguste Claude (Charles) Trenet (Narbonne, 18 May 1913 - Créteil, 19 February 2001) was a French singer, composer and actor, active from the nineties until the nineties of the 20th century. Trenet, who got his comic expression and his felt hat the nickname "Le Fou Chantant" (the singing fool), is best known for his world hit Douce France and La mer. In France, Trenet is just as famous as Édith Piaf and Charles Aznavour.
Aznavour was born as the son of Micha Aznavourian, an Armenian-born Armenian, and Knar Baghdassarian, an Armenian who grew up in Smyrna (now Izmir). His parents, in vest in the city, are vest in the city of his roots. His father performed as a singer in restaurants and later opened a Japanese restaurant himself.
Aznavour twice: in 1946, Micheline meets Rugel, meets Evelyn Plessis in 1956 and in 1967 Ulla Thorsell met the more than 20 years younger Swedish. From his marriages six children were born: Séda (1946), Patrick (1951), Charles (1952), Katia (1969), Mischa (1972) and Nicolas (1977). He lived with his wife Ulla six months a year in southern France and the rest of the year in Geneva in Switzerland. In Saint-Sulpice, on Lake Geneva, they had a new house built in 2012.
In December 2008 he was granted Armenian citizenship.
Charles Aznavour died on 1 October 2018 at the age of 94 from heart and lung failure as a result of acute pulmonary edema.
Price CD week 46: Du bout des yeux.
Charlotte Haesen sings beautifully and also in fine French.
Radio 4, 12-11-2018
A chance meeting in the street, singer Charlotte Haesen and viola player Odile Torenbeek found each other in their love for French chansons. A passionate romance between strings and singing followed.
De Volkskrant, 19-10-2018
The voice of Haesen, complemented by a classical string, almost automatically creates that image of a couple in lova along the Paris avenues.
Opus Klassiek, 11-10-2018
Here, she edits a number of well-known and lesser-known chansons in a grand way and gives them a new life.
Mania, 09-10-2018
With her jazz timing, her unadorned presentation, her great, pure and therefore moving voice she can do very special things. Of course, this did not go unnoticed. And so there is now CD number 2 (released on Challenge Records), which is even better than the first one.
Het Parool, 06-10-2018
A wonderful CD that is often heard here in house and a must not only for the lovers of chansons, but actually for everyone who has their ears in the right place!
Rootstime, 04-10-2018
The approach is that brand new arrangements perfectly serve the classical instrumentation and the delicate voice of the lead singer. This CD is a real gem.
Kerk & Leven, 10-9-2018