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Mass in G Minor
Ralph Vaughan Williams

The Choir of St John's College, Cambridge

Mass in G Minor

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212054123
Catnr: SIGCD 541
Release date: 01 June 2018
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Label
Signum Classics
UPC
0635212054123
Catalogue number
SIGCD 541
Release date
01 June 2018
Album
Artist(s)
Composer(s)
EN
NL

About the album

Andrew Nethsingha and The Choir of St John’s College, Cambridge mark the centenary of the 1918 Armistice with a new recording of choral works by Ralph Vaughan Williams. Many of the works were composed in the years immediately following the event, including O clap your hands, Lord, thou hast been our refuge and the Mass in G minor which leads the programme.

Vaughan Williams turned his attention to liturgical music following his service as a wagon orderly during the Great War. Ursula Vaughan Williams, his second wife and biographer, wrote that such work ‘gave Ralph vivid awareness of how men died’. It is perhaps unsurprising that in many of the texts to which he turned after the 1918 Armistice, the fragility and weakness of humanity becomes a recurrent theme. Despite being described as a ‘confirmed atheist’ by the philosopher Bertrand Russell, his heightened exploration of Christian texts, symbols, and images after the War might rather be understood both as an attempt to grapple anew with what might lie, as he put it, ‘beyond sense and knowledge’, and to search for consolation in religious and other inherited traditions amid a world irrevocably changed.

The fifth release in their series with Signum, the Choir of St John’s have received glowing praise for their previous releases, culminating in the choral prize at the 2017 BBC Music Magazine Awards for their debut release of works by Jonathan Harvey (Deo SIGCD456).

Met deze opname herdenken Andrew Nethsingha en The Choir of St John’s College, Cambridge het honderdjarig jubileum van de wapenstilstand van de Eerste Wereldoorlog in 1918, met een nieuwe opname van koorwerken van Ralph Vaughan Williams. Veel van de werken werden gecomponeerd in de jaren volgend op de wapenstilstand, waaronder O clap your hands, Lord, thou hast been our refuge en de Mass in G minor, die centraal staat in het programma.

Williams richtte zich na de oorlog op liturgische muziek

Vaughan Williams richtte zijn aandacht op liturgische muziek nadat hij als militair dienst nam tijdens de Eerste Wereldoorlog. Ursula Williams, zijn tweede echtgenote en biografe, schreef dat dergelijk werk “Ralph een helder bewustzijn gaf van hoe mensen stierven”. Het is misschien niet verrassend dat in veel van de teksten waarop hij zich na de wapenstilstand van 1918 richtte de kwetsbaarheid en zwakheid van de mensheid een terugkerend thema is. Ondanks dat hij door de filosoof Bertrand Russell werd beschreven als een “overtuigd atheïst”, kan zijn toenemende onderzoek naar Christelijke teksten, symbolen en afbeeldingen na de oorlog, misschien begrepen worden als zowel een poging om opnieuw te worstelen met datgene wat, zoals hij zelf zegt, “buiten verstand en kennis ligt”, als een zoektocht naar troost in religieuze en andere geërfde tradities te midden van een wereld die onherroepelijk veranderd is.

Dit is de vijfde uitgave in een met prijzen bekroonde reeks albums van het Choir of St John’s College. De eerdere albums zijn alle met enthousiasme ontvangen.

Artist(s)

The Choir of St John's College Cambridge

The Choir of St John’s College, Cambridge is one of the finest collegiate choirs in the world, known and loved by millions from its broadcasts, concert tours and over 90 recordings. Founded in the 1670s, the Choir is known for its distinctive rich, warm sound, its expressive interpretations and its breadth of repertoire. Alongside these musical characteristics, the Choir is particularly proud of its happy, relaxed and mutually supportive atmosphere. The Choir is directed by Andrew Nethsingha following a long line of eminent Directors of Music, recently Dr George Guest, Dr Christopher Robinson and Dr David Hill. The Choir is made up of around 20 Choristers and Probationers from St John’s College School and 15 Choral Scholars who are members of...
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The Choir of St John’s College, Cambridge is one of the finest collegiate choirs in the world, known and loved by millions from its broadcasts, concert tours and over 90 recordings. Founded in the 1670s, the Choir is known for its distinctive rich, warm sound, its expressive interpretations and its breadth of repertoire. Alongside these musical characteristics, the Choir is particularly proud of its happy, relaxed and mutually supportive atmosphere. The Choir is directed by Andrew Nethsingha following a long line of eminent Directors of Music, recently Dr George Guest, Dr Christopher Robinson and Dr David Hill.
The Choir is made up of around 20 Choristers and Probationers from St John’s College School and 15 Choral Scholars who are members of St John’s College, its primary purpose being to enhance the liturgy and worship at daily services in the College Chapel. The Choir has a diverse repertoire spanning over 500 years of music. It is also renowned for championing contemporary music by commissioning new works, including compositions by Joanna Ward, Nico Muhly, James Burton and the College’s Composer in Residence Michael Finnissy. The Choir regularly sings Bach Cantatas liturgically with St John’s Sinfonia, its period instrument ensemble.
The Choir brings the ‘St John’s Sound’ to listeners around the world through its weekly webcasts (available at sjcchoir. co. uk).
In addition to regular radio broadcasts in this country and abroad, the Choir usually makes two CD recordings each year. In May 2016 the College launched its new ‘St John’s Cambridge’ recording label on which the Choir has released the BBC Music Magazine Award winning recording of Jonathan Harvey’s music: DEO; Christmas with St John’s; KYRIE (works by Poulenc, Kodály and Janáček); and Mass in G Minor (works by Vaughan Williams).
The Choir also maintains a busy schedule of concerts and tours internationally twice a year. It also performs regularly in the UK, with venues including Symphony Hall, Birmingham and Royal Festival Hall, London.

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Andrew Nethsingha (conductor)

Performing as a conductor and organist in North America, South Africa, Far East, and throughout Europe, Andrew Nethsingha has been Director of Music at St John’s College, Cambridge since 2007. His innovations at St John’s have included weekly webcasts and a termly Bach cantata series.  His recordings for Chandos have been well reviewed. Andrew Nethsingha received his early musical training as a chorister at Exeter Cathedral, where his father was organist for over a quarter of a century. He later studied at the Royal College of Music, where he won seven prizes, and at St John’s College, Cambridge. He held Organ Scholarships under Christopher Robinson, at St George’s Windsor, and George Guest, at St John’s, before becoming Assistant Organist at Wells...
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Performing as a conductor and organist in North America, South Africa, Far East, and throughout Europe, Andrew Nethsingha has been Director of Music at St John’s College, Cambridge since 2007. His innovations at St John’s have included weekly webcasts and a termly Bach cantata series. His recordings for Chandos have been well reviewed.

Andrew Nethsingha received his early musical training as a chorister at Exeter Cathedral, where his father was organist for over a quarter of a century. He later studied at the Royal College of Music, where he won seven prizes, and at St John’s College, Cambridge. He held Organ Scholarships under Christopher Robinson, at St George’s Windsor, and George Guest, at St John’s, before becoming Assistant Organist at Wells Cathedral. He was subsequently Director of Music at Truro and Gloucester Cathedrals. Other recent positions have included Artistic Director of the Gloucester Three Choirs Festival and Musical Director of the Gloucester Choral Society.

He has served as President of the Cathedral Organists’ Association. He has worked with some of the UK’s leading orchestras. Andrew’s concerts with the Philharmonia Orchestra have included many of the major choral works: Mahler’s 8th Symphony, Beethoven’s 9th Symphony, Britten War Requiem, Brahms Requiem, Elgar’s The Dream of Gerontius and The Kingdom, Walton Belshazzar’s Feast, Poulenc Gloria and Duruflé Requiem. He has also worked with the Royal Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the London Mozart Players, Britten Sinfonia, the Aarhus Symfoniorkester and the BBC Concert Orchestra. Recent conducting engagements have included the BBC Proms, Amsterdam Concertgebouw and Tokyo Suntory Hall. He regularly runs choral courses in various countries, including France and the U.S.A.


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Joseph Wicks (organ)

Composer(s)

Ralph Vaughan Williams

Ralph Vaughan Williams was an English composer and folk song collector. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over nearly fifty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–08 with the French composer Maurice Ravel helped him clarify the textures of his music. Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to...
more
Ralph Vaughan Williams was an English composer and folk song collector. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over nearly fifty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–08 with the French composer Maurice Ravel helped him clarify the textures of his music.
Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and large-scale choral pieces. He wrote eight works for stage performance between 1919 and 1951. Although none of his operas became popular repertoire pieces, his ballet Job: A Masque for Dancing (1930) was successful and has been frequently staged.

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