Alexandra Dariescu

The Nutcracker and I, by Alexandra Dariescu

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212054222
Catnr: SIGCD 542
Release date: 04 May 2018
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Label
Signum Classics
UPC
0635212054222
Catalogue number
SIGCD 542
Release date
04 May 2018
Album
Artist(s)
Composer(s)
EN

About the album

Pianist Alexandra Dariescu presents a reimagining of the classic ballet tale of Tchaikovsky’s The Nutcracker, with Alex herself taking the role of Clara, now a little girl longing to fulfil her dream of becoming a pianist. Alexandra performs extracts from the ballet in transcriptions by luminaries including Mikhail Pletnev and Percy Grainger, interspersed with narration from TV presenter Lindsey Russell in a new version of the story by Jessica Duchen.

The lavish book-bound release includes illustrations by Adam Smith, adapted from Yeast Culture’s cutting-edge digital animation that accompanies the show’s live performances.

Artist(s)

Alexandra Dariescu

Romanian pianist Alexandra Dariescu, recently named as ‘one of 30 pianists under 30 destined for a spectacular career’ (International Piano Magazine), dazzles audiences worldwide with her effortless musicality and captivating stage presence. From recent appearances in New York’s Carnegie Hall, Amsterdam’s Concertgebouw to the Royal Albert Hall, Dariescu’s 2017/18 season marks more important milestones including debuts both at Vienna’s prestigious Musikverein, celebrating the 100th anniversary of Dinu Lipatti with two concertos (Lipatti & Grieg) performed together with the Transylvania Philharmonic conducted by Gabriel Bebeselea and her Vienna Staatsoper debut in recital with Angela Gheorghiu.  Alexandra Dariescu makes her US concerto debuts with the Utah Symphony and Kazuki Yamada as well as her Canadian debut with the Kitchener-Waterloo Symphony and Marzena Diakun and Orchestre Symphonique de...
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Romanian pianist Alexandra Dariescu, recently named as ‘one of 30 pianists under 30 destined for a spectacular career’ (International Piano Magazine), dazzles audiences worldwide with her effortless musicality and captivating stage presence.

From recent appearances in New York’s Carnegie Hall, Amsterdam’s Concertgebouw to the Royal Albert Hall, Dariescu’s 2017/18 season marks more important milestones including debuts both at Vienna’s prestigious Musikverein, celebrating the 100th anniversary of Dinu Lipatti with two concertos (Lipatti & Grieg) performed together with the Transylvania Philharmonic conducted by Gabriel Bebeselea and her Vienna Staatsoper debut in recital with Angela Gheorghiu. Alexandra Dariescu makes her US concerto debuts with the Utah Symphony and Kazuki Yamada as well as her Canadian debut with the Kitchener-Waterloo Symphony and Marzena Diakun and Orchestre Symphonique de Québec with Fabien Gabel. Alexandra also performs Lipatti and Grieg with the Royal Philharmonic Orchestra and Cristian Mandeal in London’s Cadogan Hall and will be soloist with the Brighton Philharmonic and Barry Wordsworth as well as Bath Philharmonia and Jason Thornton. Following her return to the Enescu Festival for a duo recital, Alexandra will be resident at the Iserlohner Herbsttage für Musik in Germany performing a recital, concertos by Haydn and Rachmaninov and giving a three-day masterclass.

The premiere of Dariescu’s own production, The Nutcracker and I, by Alexandra Dariescu – a ground-breaking multimedia performance created for piano solo with dance and digital animation – will take place at Barbican’s Milton Court, followed by performances at Moscow’s International House of Music, the Stavanger International Chamber Music Festival and multiple tours to China.

This season will see Alexandra complete her trilogy recording of Messiaen and Faure preludes which compliments the previously released CDs of Chopin/Dutilleux and Shostakovich/ Szymanowski preludes (Champs Hill Records). The 2016 release of Tchaikovsky’s piano concerto No. 1 with the Royal Philharmonic Orchestra and Mikhail Pletnev’s concert suite of arrangements from The Nutcracker (Signum Records) received high praise. Another recording features Emily Howard’s ‘Mesmerism’ for piano and orchestra with the Royal Liverpool Philharmonic Orchestra was released on NMC Records.

Always curious to continue learning, Alexandra receives advice and guidance from Sir András Schiff. She has been mentored by Imogen Cooper through the Royal Philharmonic Society/YCAT Philip Langridge Mentoring Scheme. A former artist of Young Classical Artists Trust (YCAT) she was a Laureate at the Verbier Festival Academy. In 2013 Alexandra received the UK’s Women of the Future Award in the Arts and Culture category. She became the youngest musician to receive the Custodian of the Romanian Crown Medal and in 2017 was presented with the Radio Romania’s Cultural Award. In 2017 Alexandra was appointed patron of Music in Lyddington. A former graduate of the Royal Northern College of Music, as well as the Guildhall School of Music and Drama, Alexandra was appointed an Honorary Associate Artist of the Royal Northern College of Music in 2016.


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Composer(s)

Pyotr Ilyich Tchaikovsky

Tchaikovsky is considered as one of the most talented Russian composers of the 19th century. Unlike many other Russian composers of his time, he studied at a conservatory and made the western music theory his own. So, he was not as distrustful of western music as the group of nationalistic composers surrounding Balakirev. Yet, Tchaikovsky sought to express the typical Russian mentality just as much and used many Russian folk songs in his music.  He had a good relationship with Balakirev, who helped him with constructive feedback on his first masterpiece, the overture of Romeo and Juliet. At times, Tchaikovsky was emotionally unstable, which has often been attributed to struggles with his homosexuality. His decision to marry proved to be disastrous...
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Tchaikovsky is considered as one of the most talented Russian composers of the 19th century. Unlike many other Russian composers of his time, he studied at a conservatory and made the western music theory his own. So, he was not as distrustful of western music as the group of nationalistic composers surrounding Balakirev. Yet, Tchaikovsky sought to express the typical Russian mentality just as much and used many Russian folk songs in his music. He had a good relationship with Balakirev, who helped him with constructive feedback on his first masterpiece, the overture of Romeo and Juliet. At times, Tchaikovsky was emotionally unstable, which has often been attributed to struggles with his homosexuality. His decision to marry proved to be disastrous and plunged him into a deep crisis. Yet, the passionate letters of his fiance, even though they barely knew each other, did inspire him to compose his succesful opera Evgenij Onegin. Tchaikovsky had the wonderful gift of composing the most beautiful, lyric melodies. He had a feeling for creating a certain atmosphere in his music and mastered the art of orchestration. Moreover, he excelled in dance music, which made him the ideal composer for ballet. With his ballets The Swan Lake, The Sleeping Beauty, and The Nutcracker he brought the genre to a higher level. During his life, he was already a celebrity. He often did tours to conduct his music and in the USA he was welcomed as a star. He died unexpectedly, nine days after the premiere of his incredibly gloomy Sixth Symphony, probably of cholera. Some other highlights of his body of works are his First Piano Concerto, his Violin Concerto and the Rococo-variations.
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