Kolja Blacher | Mahler Chamber Orchestra

Violin Concerto

Price: € 19.95
Format: CD
Label: Phil.Harmonie
UPC: 4250317416117
Catnr: PHIL 06011
Release date: 03 December 2021
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Label
Phil.Harmonie
UPC
4250317416117
Catalogue number
PHIL 06011
Release date
03 December 2021
Album
Artist(s)
Composer(s)
EN
DE

About the album

Kolja Blacher already recorded two releases on our label Phil.harmonie (Igor Strawinskys 'Geschichte vom Soldaten' with soloists of the Berlin Philharmonic Orchestra and Dominique Horwitz with the role of the narrator and the Bach Partitas BWV 1004, BWV 1006 with Frank Arnold as speaker). On this new recording together with the Mahler Chamber Orchestra (founded by Claudio Abbado) they recorded the last orchestral work of Robert Schumann, the concert for violin and orchestra in D minor. Together with the pianist and composer Vassilij Lobanov, Kolja Blacher plays on the recording the Schumann sonata No. 1 for piano and violin in A minor op 105 and the Three Romances for violin and piano op. 94 No. 1-3 that count to one of the nicest and most passionate chamber music of Schumann.
Kolja Blacher der auf unserem Label Phil.Harmonie bereits Igor Strawinskys 'Geschichte vom Soldaten' mit Solisten der Berliner Philharmoniker und Dominique Horwitz in der Rolle des Erzählers und die Bach Partiten BWV 1004, BWV 1006 mit Frank Arnold als Sprecher veröffentlichte, hat auf der vorliegenden Aufnahme zusammen mit dem von Claudio Abbado gegründeten Mahler Chamber Orchester das letzte Orchesterwerk Robert Schumanns, das Konzert für Violine und Orchester in D-Moll (WoO), eingespielt. Zusammen mit dem Pianisten und Komponisten Vassily Lobanov spielt Kolja Blacher auf der Aufnahme desweiteren die Schumann Sonate Nr.1 für Klavier und Violine in A-Moll op 105 und Die drei Romanzen für Violine und Klavier op. 94 Nr. 1-3 die zum Schönsten und Zärtlichsten der Schumann'schen Kammermusik überhaupt gehören.

Composer(s)

Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
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Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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