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Complete Piano Trios vol. 1
Ludwig van Beethoven

Van Baerle Trio

Complete Piano Trios vol. 1

Price: € 19.95 13.97
Format: SACD
Label: Challenge Classics
UPC: 0608917276527
Catnr: CC 72765
Release date: 03 November 2017
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Label
Challenge Classics
UPC
0608917276527
Catalogue number
CC 72765
Release date
03 November 2017

"The three performers play their instruments perfectly well."

MusicWeb international, 26-10-2018
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Artist(s)
Composer(s)
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About the album

Beethoven’s primary reason for settling in Vienna in 1792 was to study with Joseph Haydn, who at the time was widely considered the greatest living composer. Beethoven’s three Piano Trios op. 1 were the first compositions that he deemed important enough to give an opus number. They were dedicated to Prince Karl Lichnowsky, a patron of Beethoven in whose house he lived for some time. According to Beethoven’s lifelong friend Ferdinand Ries, Haydn was complimentary about the set of trios. The trios combine various elements that would have been familiar to Beethoven’s contemporaries. Less familiar, however, would be the fact that the trios contain four movements rather than the three that had been traditional in this genre. Although changes from major to minor had been common in the music of previous generations, where they would normally apply to just the last chord, Beethoven employs this technique more extensively here than was probably common at that time.

Much like op. 1, the Trio op. 11 is also connected to the Viennese nobility of the time. Beethoven cleverly dedicated it to Maria Wilhelmine Countess of Thun-Hohenstein. In other ways, too, Beethoven tried to make this a particularly attractive publication for the Viennese public: the trio could be performed with a clarinet instead of a violin, a flexible approach to instrumentation that would doubtless increase its marketability. In addition, the last movement consists of a theme from Joseph Weigl’s comic opera L'amor marinaro, followed by a series of variations. At the time when Beethoven wrote this trio, Weigl’s opera was very popular in Vienna.

This recording was made using a Chris Maene Concert Grand built in 2017.
This remarkable instrument combines the knowledge and materials used in modern piano building with those found in older historical instruments. The most striking feature is that unlike in modern grand pianos, in which the strings in the bass and middle registers cross, in this instrument all strings run parallel to each other. As a result, it combines the solidity of a modern concert grand piano with the transparent sound ideal of older instruments. The sound of this symbiosis of old and new was a source of inspiration during the recording of Beethoven’s Piano Trios.

Een hele uitdaging voor het Van Baerle Trio: het opnemen van alle pianotrio's van Ludwig van Beethoven. Dit album is het eerste in de reeks en pianist Hannes Minnaar, violiste Maria Milstein en cellist Gideon den Herder, kwijten zich nu al uitstekend van deze omvattende taak.


Gecomponeerd voor de adel

Beethovens Pianotrio’s opus 1 waren de eerste composities die hij belangrijk genoeg vond om er een opusnummer aan toe te kennen. Ze zijn opgedragen aan Prins Karl Lichnowsky, een mecenas bij wie Beethoven een tijdje in huis leefde. De eerste uitvoering vond plaats tijdens een van de wekelijkse huisconcerten die de prins organiseerde. Zo leerde Beethoven de Weense adel kennen en kreeg hij toegang tot toekomstige sponsors en ondersteuners. Zijn naam hielp daar ook bij, want 'van' of 'von' suggereerde dat Beethoven zelf ook van adel was.

Ook Haydn vol lof over Beethovens trio's

Volgens Ferdinand Ries, bevriend met Beethoven, was ook Joseph Haydn complimenteus over de trio’s. Ze combineren verschillende elementen waarmee Beethovens tijdgenoten bekend waren. Het is wel ongewoon dat de trio’s uit vier delen bestaan, in plaats van de gebruikelijke drie. Beethoven maakt ook uitgebreider gebruik van de wisseling van majeur naar mineur, die in zijn tijd gewoonlijk slechts op het laatste akkoord werd toegepast.

Ook aantrekkelijk voor het Weense publiek

Het derde Trio opus 11 is ook met de Weense adel uit Beethovens tijd verbonden. De componist droeg het op aan gravin Maria Wilhelmine von Thun und Hohenstein. Hij probeerde het werk zodanig aantrekkelijk te maken, dat ook het Weense publiek ervan zou genieten. Het trio kon daarom niet alleen met een viool, maar ook met een klarinet uitgevoerd worden. Deze flexibele aanpak tot de instrumentatie heeft de verkoopbaarheid van het werk ongetwijfeld vergroot. Bovendien bevat het laatste deel een thema uit Joseph Weigls komische opera L’amor marinaro, in die tijd een zeer populaire opera in Wenen.

Opgenomen op een bijzondere piano

Deze opname is extra bijzonder omdat Hannes Minnaar speelt op een Chris Maene Concert Grand, gebouwd in 2017. In dit bijzondere instrument zijn kennis en materialen van de moderne pianobouw gecombineerd met die van oudere, historische instrumenten. Het meest opvallende aspect is wel dat in tegenstelling tot de moderne vleugel, waarin de bassnaren gekruist zijn aangebracht ten opzichte van die van het middenregister, in dit instrument alle snaren parallel naast elkaar liggen. Daarmee verenigt het de soliditeit van de moderne vleugel met het transparante klankideaal van oudere instrumenten. De klank van deze symbiose van oud en nieuw was een inspiratiebron bij het opnemen van Beethovens pianotrio's.

Van Baerle Trio

Het Van Baerle Trio is in 2004 opgericht door pianist Hannes Minnaar, violiste Maria Milstein en cellist Gideon den Herder. De naam van het trio is ontleend aan de straat waar hun muzikale wortels liggen: de Van Baerlestraat in Amsterdam. Hier ontmoetten de drie musici elkaar tijdens hun studie aan het Conservatorium van Amsterdam, op een steenworp afstand van het Concertgebouw, dat het trio als zijn muzikale thuis beschouwt. Inmiddels heeft het trio een gevestigde reputatie opgebouwd in binnen- en buitenland.

Lees ook de recensie van Michel Dutrieue, Stretto.

Der zentrale Grund, aus dem Beethoven sich 1792 in Wien niederzulassen, war das Studium bei Joseph Haydn, der zu dieser Zeit weithin als größter lebender Komponist galt. Seine drei Klaviertrios Op. 1 waren die ersten Kompositionen, die er für wichtig genug erachtete, um ihnen eine Opuszahl zu geben. Er widmete sie dem Prinzen Karl Lichnowsky, einem Gönner Beethovens, in dessen Haus er für einige Zeit gelebt hatte. Beethovens langjährigem Freund Ferdinand Ries zufolge äußerte sich Haydn positiv über diese Trios. Sie verbinden verschiedene Elemente, die Beethovens Zeitgenossen bekannt waren. Weniger gewöhnlich allerdings war, dass die Trios aus vier Sätzen bestehen, nicht den in dieser Gattung üblichen drei. Wenngleich Tonartwechsel von Dur zu Moll in der Musik vorheriger Generationen durchaus üblich war, wo er gewöhnlich auf dem letzten Akkord lag, verwendet Beethoven diese Technik hier ausgedehnter als es zu dieser Zeit wohl üblich war.

Ganz ähnlich wie Opus 1 ist auch das Trio Op. 11 mit dem Wiener Adel der Zeit verbunden. Beethoven widmete es Maria Wilhelmina Gräfin von Thun-Hohenstein und versuchte auch, das Werk zu einer besonders ansprechenden Veröffentlichung für die Wiener Öffentlichkeit zu machen: das Trio konnte mit einer Klarinette anstelle der Violine aufgeführt werden, eine Flexibilität hinsichtlich der Instrumentierung, die ihm zweifelsohne eine höhere Absetzbarkeit bescherte. Außerdem fußt der letzte Satz auf einem Thema aus Joseph Weigls komischer Oper L’amor marinaro, gefolgt von einer Reihe an Variationen, und zur Zeit der Entstehung des Trios war Weigls Oper sehr beliebt in Wien.

Artist(s)

Van Baerle Trio

The Van Baerle Trio was founded in 2004 by the pianist Hannes Minnaar, violinist Maria Milstein and cellist Gideon den Herder. The name of the trio refers to the street where it all started: the Van Baerle street in Amsterdam. The three musicians met there during their studies at the Conservatorium van Amsterdam, at a stone‘s throw from the Concertgebouw, which they consider as their musical home. After winning the 2011 Vriendenkrans Competition in the Concertgebouw and performing there on numerous occasions since, the Van Baerle Trio was nominated by this celebrated concert hall for ECHO Rising Stars 2013/14, a tour which brought the trio to major concert venues across Europe, including Vienna‘s Musikverein, the London Barbican, Cité de la Musique...
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The Van Baerle Trio was founded in 2004 by the pianist Hannes Minnaar, violinist Maria Milstein and cellist Gideon den Herder. The name of the trio refers to the street where it all started: the Van Baerle street in Amsterdam. The three musicians met there during their studies at the Conservatorium van Amsterdam, at a stone‘s throw from the Concertgebouw, which they consider as their musical home.
After winning the 2011 Vriendenkrans Competition in the Concertgebouw and performing there on numerous occasions since, the Van Baerle Trio was nominated by this celebrated concert hall for ECHO Rising Stars 2013/14, a tour which brought the trio to major concert venues across Europe, including Vienna‘s Musikverein, the London Barbican, Cité de la Musique in Paris, L‘Auditori in Barcelona and the Philharmonie in Cologne.
Before starting this European tour, the Van Baerle Trio had already established its international reputation, after being awarded top prizes at the ARD International Music Competition in Munich in 2013 and the Lyon International Chamber Music Competition in 2011, as well as receiving the audience prize at both contests. In the Netherlands the trio was awarded the Kersjes Prize, a bursary which supports an outstanding, young Dutch ensemble each year.
The Van Baerle Trio was formed under the guidance of Dmitri Ferschtman and received lessons from Ferenc Rados and Claus-Christian Schuster, among others. The encounter with Menahem Pressler in 2008 was a great inspiration to the three musicians, who subsequently played for him on several occasions. Eager to share their experience with the next generation of musicians, the trio members have been teaching at the Conservatorium van Amsterdam since 2014.
The Van Baerle Trio’s debut CD, featuring works by Saint-Saëns, Loevendie and Ravel, received an Edison Award in 2013. This CD was followed by an album dedicated to Mendelssohn’s piano trios, which includes the world premiere recording of the early version of his Piano Trio in D minor. The latest project of the Van Baerle Trio is recording the complete piano trios by Beethoven. Already four cd's appeared. The last one is nominated for the Edison Klassiek 2019, the last volume, number 5, will appear in spring 2020.

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Hannes Minnaar (piano)

Hannes Minnaar received international acclaim after winning prizes at the Queen Elisabeth Competition (2010, 3rd prize) and the Geneva International Music Competition (2008, 2nd prize) and being awarded a Borletti-Buitoni Trust Fellowship (2011). He studied with Jan Wijn at the Amsterdam Conservatory, graduating with the highest distinction and took master classes with Menahem Pressler and Ferenc Rados. In addition, he studied organ with Jacques van Oortmerssen. Minnaar was soloist with various orchestras, including the Royal Concertgebouw Orchestra, during which time he worked with conductors such as Marin Alsop, Jiří Bělohlávek, Herbert Blomstedt, Frans Brüggen, Eliahu Inbal, Edo de Waart and Xian Zhang. He gives recitals in many European countries and around the world. He performed at the Royal Concertgebouw (Amsterdam), Konzerthaus...
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Hannes Minnaar received international acclaim after winning prizes at the Queen Elisabeth Competition (2010, 3rd prize) and the Geneva International Music Competition (2008, 2nd prize) and being awarded a Borletti-Buitoni Trust Fellowship (2011). He studied with Jan Wijn at the Amsterdam Conservatory, graduating with the highest distinction and took master classes with Menahem Pressler and Ferenc Rados. In addition, he studied organ with Jacques van Oortmerssen.
Minnaar was soloist with various orchestras, including the Royal Concertgebouw Orchestra, during which time he worked with conductors such as Marin Alsop, Jiří Bělohlávek, Herbert Blomstedt, Frans Brüggen, Eliahu Inbal, Edo de Waart and Xian Zhang. He gives recitals in many European countries and around the world. He performed at the Royal Concertgebouw (Amsterdam), Konzerthaus (Berlin), Musashino Hall (Tokyo) and the Great Hall of the Tchaikovsky Conservatory (Moscow) and was invited to the festivals of La Roque d’Anthéron, Bordeaux (Jacobins) and Guangzhou.
Minnaar is also active as a chamber musician. As a member of the Van Baerle Trio he won prizes at competitions in Lyon (2011, CIMCL, 1st prize) and Munich (2013, ARD, 2nd prize). The trio gave 18 concerts in an international tour in the “Rising Stars” series in 2014, including the Barbican (London), Musikverein (Vienna) and Cité de la Musique (Paris). Minnaar also performed with musicians such as Janine Jansen, Isabelle van Keulen and Mischa Maisky.
His two solo albums are highly acclaimed. His debut album was awarded an Edison and Gramophone published a full-page article about this album. The same magazine wrote about his second album “Bach inspirations”: “After Minnaar’s debut disc, this makes two hits in a row”. BBC Music Magazine selected it as “Instrumental choice of the month” with 5 stars.
Minnaar is currently recording all of Beethoven’s piano concertos for Challenge Classics. Other future concert highlights include Liszt’s Totentanz and a new concerto by Robert Zuidam with the Radio Philharmonic Orchestra under the baton of Markus Stenz – at which occiasion he will be awarded the Dutch Music Prize by the Dutch Minister of Culture – and Beethoven’s Third Piano Concerto with the London Philharmonic Orchestra conducted by Daniele Rustioni.


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Maria Milstein (violin)

Born in Moscow into a family of musicians, Maria Milstein studied in Amsterdam with Ilya Grubert, in London with David Takeno and at the Queen Elisabeth Music Chapel in Waterloo (Belgium) with Augustin Dumay. Maria is a prizewinner of major international competitions both as a soloist and as a chamber musician, such as “Città di Brescia” and “Premio Rodolfo Lipizer” in Italy, the ARD Competition in Munich, the Lyon Chamber Music Competition and the Kersjes Prize in the Netherlands. In 2016, Maria is awarded the Fellowship of the Borletti Buitoni Trust, and in 2018, she receives the Dutch Music Prize - the highest recognition for a classical musician in the Netherlands awarded by the Ministry of Culture. Maria performs extensively across Europe...
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Born in Moscow into a family of musicians, Maria Milstein studied in Amsterdam with Ilya Grubert, in London with David Takeno and at the Queen Elisabeth Music Chapel in Waterloo (Belgium) with Augustin Dumay.
Maria is a prizewinner of major international competitions both as a soloist and as a chamber musician, such as “Città di Brescia” and “Premio Rodolfo Lipizer” in Italy, the ARD Competition in Munich, the Lyon Chamber Music Competition and the Kersjes Prize in the Netherlands. In 2016, Maria is awarded the Fellowship of the Borletti Buitoni Trust, and in 2018, she receives the Dutch Music Prize - the highest recognition for a classical musician in the Netherlands awarded by the Ministry of Culture.
Maria performs extensively across Europe in halls such as the Concertgebouw in Amsterdam, BOZAR in Brussels, Musikverein in Vienna, the Philharmonie of Cologne and Cité de la Musique in Paris. She has appeared as a soloist with a.o. The Netherlands Radio Philharmonic Orchestra, the National Orchestra of Belgium, the Hague Philharmonic, the Brussels Philharmonic and Amsterdam Sinfonietta, and worked with conductors such as Vasily Petrenko, Giancarlo Guerrero, Michel Tabachnik, Jean-Jacques KA keen chamber musician, Maria formed the succesful Van Baerle Trio together with pianist Hannes Minnaar and cellist Gideon den Herder, one of the leading trios of its generation. After winning the ARD Competition and the Lyon Chamber Music Competition, the Trio made the ECHO Rising Stars Tour in 2014, peforming in famous concert halls all over Europe. The Trio already released two CD’s, both praised in the international press, and is presently recording the complete works for piano trio by Beethoven for Challenge Records.
Maria’s own debut CD « Sounds of War », recorded with pianist Hanna Shybayeva for Cobra Records and featuring Sonatas by Poulenc, Janáček and Prokofiev, received lavish reviews in the international press and won the Edison Klassiek Prize 2015 in the category “best chamber music album”. In October 2017 her second album “La Sonate de Vinteuil”, recorded with pianist Nathalia Milstein is released on the French label Mirare, and is voted “best CD of 2017” by the Dutch press.
Maria plays on a violin by Michel Angelo Bergonzi (Cremona, ca. 1750), on loan from the Dutch Music Instruments Foundation, and holds a teaching position at the Conservatory of Amsterdam.antorow, Christian Arming and Reinbert de Leeuw.

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Gideon den Herder (cello)

  Gideon den Herder initially started at Monique Bartels in Amsterdam and at Hagen in Salzburg. In Zurich he obtained his solo degree with Thomas Grossenbacher. In baroque cello he trained under the guidance of Jaap ter Linden and Roel Dieltiens. In 2003 Gideon den Herder won the title Young Music Talent of the Year, and in 2009 he won the old music competition À Tre in Trossingen (Germany) with the Trio Otone. As a member of the Van Baerle Trio Gideon den Herder won several prizes, including the Kersjesprijs and the first prizes of the ARD Competition 2013 in Munich and the international chamber music competition of Lyon in 2011. The Van Baerle Trio performs frequently and is a guest...
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Gideon den Herder initially started at Monique Bartels in Amsterdam and at Hagen in Salzburg. In Zurich he obtained his solo degree with Thomas Grossenbacher. In baroque cello he trained under the guidance of Jaap ter Linden and Roel Dieltiens. In 2003 Gideon den Herder won the title Young Music Talent of the Year, and in 2009 he won the old music competition À Tre in Trossingen (Germany) with the Trio Otone. As a member of the Van Baerle Trio Gideon den Herder won several prizes, including the Kersjesprijs and the first prizes of the ARD Competition 2013 in Munich and the international chamber music competition of Lyon in 2011. The Van Baerle Trio performs frequently and is a guest in famous venues as the Musikverein in Vienna, the Cité de la Musique in Paris, the Philharmonie in Cologne and the Barbican Center in London. Gideon den Herder has also been in charge of the cellular section since 2014 at the Residentie Orkest in The Hague. He played an instrument by builder Giuseppe Dall'Aglio with a bow attributed to Dominique Peccatte, both on loan from the Nationaal Muziekinstrumenten Fonds.


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Composer(s)

Ludwig van Beethoven

Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School.    Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob...
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn, and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.

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Press

The three performers play their instruments perfectly well.
MusicWeb international, 26-10-2018

The only time I put my car aside to listen to the radio better was when I heard this trio, they played collectively, from one thought, that everything came together.The sum of these three different spirits is not three, but five or six.
Trouw, 10-7-2018

Enjoy the perfectly balanced interplay of these three top musicians, that Beethoven's pronounced, classical style of the past, with warm phrasing, rhythmic contagion, motivic profiling, mischievous charm and warm poetry, sonorous. Beautifully played.
Stretto, 21-6-2018

On this CD they play brilliantly, full of tension and yet always balanced.
Kerk & Leven, 23-5-2018

In this way, the young van Baerletrio shows how the historical performance practice has completely matured. We are already looking forward to the following CDs.
Kerk & Leven, 04-4-2018

Sparkling performances: the Van Baerle Trio impress in Beethoven piano trios.
Gramophone, 02-4-2018

The Van Baerle trio is exceptionally brilliant. This integral should be their PhD, and from what we have heard, it could be cum laude
Scherzo, 29-1-2018

Yes really. Milstein is that good
De Volkskrant, 26-1-2018

Things are going well with violinist Maria Milstein. In addition to her success with the Van Baerle Trio, her solo career has not gone unnoticed.
Preludium, 26-1-2018

Maria Milstein wins Dutch music prize.
Luister, 19-1-2018

The Van Baerle Trio plays Beethoven's piano trios almost in consultation with the listener ... ... astonishingly unanimous  
Luister, 19-1-2018

Right from the start of the First Piano Trio in E flat major it's absolutely spot on. Playful and virtuosic, as all fast movements and nicely understated in slow.
Luister, 19-1-2018

The best of the best, that briefly summarizes this intensely musical 'kick-off' of what will be the integral cycle of Beethoven's piano trios by the Van Baerle Trio in a while. If it continues at this high level, it is a project that can only be properly defined with the concept of 'top production'.
Opus Klassiek, 18-12-2017

The Van Baerle Trio is so charming and always in excellent balance. The trio is at its best when the notes ask for a melancholic touch.
De Volkskrant, 15-12-2017

New gadgets make young Beethoven sparkle.
NRC Handelsblad, 06-12-2017

Vivid and spontaneous performances, promising another excellent complete recording of Beethoven’s Piano Trios. The highlight on this SACD is the mesmerising and breath-taking Adagio from Opus 11.
Pizzicato, 04-12-2017

An excitingly crafted, well balanced reading. In short: They got it just right! A most promising debut of a projected complete cycle. And what’s more: Thus far not available in hi-resolution.
HRAudio, 15-11-2017

Play album Play album
01.
Piano Trio in E flat Major Op. 1, No. 1: Allegro
09:39
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
02.
Piano Trio in E flat Major Op. 1, No. 1: Adagio cantabile
06:57
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
03.
Piano Trio in E flat Major Op. 1, No. 1: Scherzo. Allegro assai
05:06
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
04.
Piano Trio in E flat Major Op. 1, No. 1: Finale. Presto
07:36
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
05.
Piano Trio in C Minor Op. 1, No. 3: Allegro con brio
09:51
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
06.
Piano Trio in C Minor Op. 1, No. 3: Andante cantabile con Variazioni
07:29
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
07.
Piano Trio in C Minor Op. 1, No. 3: Menuetto. Quasi Allegro
04:27
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
08.
Piano Trio in C Minor Op. 1, No. 3: Finale. Prestissimo
08:23
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
09.
Piano Trio in B flat Major Op. 11: Allegro con brio
08:58
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
10.
Piano Trio in B flat Major Op. 11: Adagio
04:45
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
11.
Piano Trio in B flat Major Op. 11: Thema : Pria ch'io l'impegno. Allegretto
06:37
(Ludwig van Beethoven) Van Baerle Trio, Hannes Minnaar, Maria Milstein, Gideon den Herder
show all tracks

Often bought together with..

Ludwig van Beethoven
Complete Works for Piano Trio vol. 5
Van Baerle Trio | Residentie Orkest The Hague
Ludwig van Beethoven
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Ludwig van Beethoven
Complete Piano Trios vol. 2
Van Baerle Trio
Violin Concerto No. 1, Op. 77 / In tempus praesens
Simone Lamsma / The Netherlands Radio Philharmonic Orchestra
Felix Mendelssohn
Piano Trios
Van Baerle Trio

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