Olivier Darbellay was born in Berne in 1974 and started his musical studies at the Berne Conservatory in the cello class of Patrick Demenga and Peter Hörr and in the horn class with Thomas Müller and David Johnson as his teachers. He completed his studies with Bruno Schneider in Freiburg and for the natural horn with Th. Müller in Basel at the “Schola Cantorum Basiliensis”.
Since winning the music competition of the “Communauté des Radios publiques de langue françaises” in 1999 as "Soliste de l’année 2000" and being awarded first prize at the competition of the "Tribune des jeunes interprètes" 2000 in Lissabon he is a regular guest in the most prestigious halls and festivals.
As soloist he performed with orchestras like the Moscow Symphony, the Moscow State Philharmonic, the Philharmonia Zurich, the Orchestre Philharmonique de Liège, the Orquestra Sinfonica Portuguesa, the Radio Chamber Orchestra Bucharest, the Tokio Sinfonietta, the Südwestdeutsche Philharmonie, the chamber orchestras of Basel and Zurich, the Symphony Orchestras of Berne and Biel and the Camerata Bern as well as the Camerata Zurich with conductors like Luisi, Schiff, Holliger, McCreesh, Kitajenko and Sakari.
Chamber music plays an important role in Olivier Darbellay’s career, bringing him to perform across Europe , Russia, the USA and Canada, Asia and Australia, with various ensembles and partners such as Joshua Bell, Patricia Kopatchinskaya, Sol Gabetta, Mischa Maisky, Daniil Trifonov, Christian Zacharias, Konstantin Lifschitz, Christoph Prégardien, Mark Padmore and the Ensemble Raro.
He is a regular guest at festivals such as the Lucerne Festival, Menuhin Festival Gstaad, Verbier Festival, Berlin (Festwochen and März Musik), Kuhmo, Présence Paris, Montpellier, Wratislawia, Rheingau Festival, Grafenegg, Davos, Ittingen, Murten, Meiringen, Boswiler Sommer, as well as the Barossa and Oxford Chamber Music festivals.
An important part of his activities focuses also on the contemporary repertory as a soloist and as a member of the Collegium Novum Zurich and the Ensemble Contrechamps Geneva. Among several pieces dedicated to him was Holliger’s “Induuchlen”-Duo, the world premiere of which was at the 2006 Lucerne Festival.
In addition he is regularly invited to play and record on historical baroque and classical natural horn with groups such as the "Tafelmusik Baroque Orchestra", the Basel Chamber Orchestra and the Bach Collegium Japan.
Olivier Darbellay is currently Principal Horn at the Berne Simphony Orchestra, the Basel Chamber Orchestra and the Gstaad Festival Orchestra.
Since 2001 he is a professor at the HEMU de Lausanne and holds the same position at the Musikhochschule Lucerne since 2010.
He is regularly invited to held workshops and masterclasses throughout Europe.
CD recordings for Challenge Records, ECM, Grammont, Cascavelle, cpo and Divox.

Born 1956 in Limburg, Germany, Christoph Prégardien began his musical education as a choirboy. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt, Carla Castellani in Milan, Alois Treml in Stuttgart and attended Hartmut Höll’s lieder-class.
Widely regarded as among the foremost lyric tenors, Christoph Prégardien frequently collaborates with conductors such as Barenboim, Chailly, Gardiner, Harnoncourt, Herreweghe, Luisi, Metzmacher, Nagano, Sawallisch and Thielemann. His repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th century works by Britten, Killmayer, Rihm, Stravinsky.
Recognized as an eminent recitalist, Christoph Prégardien is regularly welcomed at the major recital venues of Paris, London, Brussels, Berlin, Cologne, Amsterdam, Salzburg, Zurich, Vienna, Barcelona and Geneva, as well as during his concert tours throughout Italy, Japan and North America.
A longstanding collaboration unites him with his favourite piano partners Michael Gees and Andreas Staier. Soloist of choice for renowned orchestras, he performed with the Berlin and Vienna Philharmonic, Bavarian Radio Symphony, Royal Concertgebouw Orchestra Amsterdam, Gewand-hausorchester Leipzig, London Philharmonia, Staatskapelle Dresden, Philharmonie de Radio France, the Montreal, Boston, St. Louis and San Francisco Symphony Orchestras.
An important part of his repertory has been recorded by labels such as BMG, EMI, Deutsche Grammophon, Philips, Sony, Erato, Challenge Classics and Teldec. He is represented on more than a hundred and twenty titles, including nearly all of his active repertoire. His recordings of German Romantic Lied repertory have been highly acclaimed by the public and press and have received international awards including the prestigious Orphée d’Or of the Académie du Disque Lyrique-Prix Georg Solti, Preis der Deutschen Schallplattenkritik, Edison Award, Cannes Classical Award and Diapason d’Or.
As an opera singer, Christoph Prégardien has made stage appearences in major European houses, performing leading roles as Tamino (Zauberflöte), Don Ottavio (Don Giovanni), Almaviva (Il Barbiere di Seviglia), Fenton (Falstaff) and Monteverdi’s Ulisse. In Spring 2005, Christoph Prégardien sang the leading part in Mozart’s “La Clemenza di Tito” at the Paris National Opera conducted by Sylvain Cambreling.
An important aspect in the musical life of Christoph Prégardien is his intensive and varied educational work. From 2000 to 2005 Christoph Prégardien was in charge of a vocal class at the Hochschule für Musik und Theater in Zurich. Since the autumn of 2004, he is a professor at the Musikhochschule Köln. In a new combination of DVD and book, released in the serie “Schott Master Class”, he presents for the first time questions of singing technique and interpretation in word and picture. Film examples accompagny him during his lessons with masterclass students.
Christoph Prégardien now has a long-term cooperation with Challenge Classics. The first production on our label, released in February 2008, was Schubert’s “Die schöne Müllerin” with pianist Michael Gees. In the fall of 2008 “Schwanengesang” with pianist Andreas Staier followed and “Die schöne Müllerin” was awarded the Midem ‘Record of the Year’ 2009 at MIDEM, the world’s largest music industry trade fair. The duo Christoph Prégardien/Michael Gees also received the MIDEM ‘Vocal Recitals’ Award 2009. Throughout 2008 the recording received critical acclaim from many national and international magazines (Gramophone, Editor’s Choice & „Best of 2008“ among others).

"Throughout the evening Gees played as if he had composed the pieces himself and was therefore extremely vigilant to make sure the performance was carried out according to his inner ear. His eyes were not those of an artist intent on reproduction, but shone rather a lambent look of passion, just as one might imagine the composer as the creator.“ N. Campogrande Michael Gees’ biography certainly justifies the term: exceptional. Few others can claim to have a career already behind them at the tender age of fifteen: Born in 1953 into a world of sound and music, both parents are singers, the piano is his favourite toy at age three. Formal piano lessons follow at age five, and the young musician subsequently goes on to win the Steinway Competition at age eight and receives a scholarship at the Mozarteum in Salzburg.
The child prodigy is hailed as “Westphalian Mozart“, takes up studies at the conservatories in Detmold and Vienna and it seems as if he is fast on his way to become an internationally acclaimed pianist. Were it not for the gifted child’s longing to explore the world of sound on his own terms, to playfully experience his self like the great masters’ music, to invent their music all over again, note for note instead of limiting himself to a technical practice regimen. Michael Gees flees the pressure of a predetermined competitional career at the age of fifteen, leaves school, conservatory and home behind, supports himself through odd jobs, works as archeological assistant and, in the process, for the duration of two full years, becomes a sailor.
Chance leads him back to the Hochschule für Musik und Theater in Hannover, where he resumes his compositional studies and eventually graduates. He now develops first rate pianistic chops on his own, composes a number of works, gains international renown as lied accompanist of extraordinary proportions with Christoph Prégardien and also appears in concerts globally; in Paris, London, New York and Tokio. All the while, he nurses and feeds his preference for combining the performance of music of past masters with living inspiration, thereby creating remarkable performances with his instrument.
In 1989, Gees founds “forum kunstvereint“ in his adopted hometown of Gelsenkirchen; the Consol Theater, also installed by him, opens its doors in 2001 on the confines of the former mining area Consolidation. There, music, dance and theatre projects take shape, where children, youths and adults alike are incited and encouraged to discover and realize their own artistic impulses. A steady number of CDs have been released from 1996 onward on forum kunstvereint, CPO and EMI, showcasing Michael Gees’ range.
Since 2008 Michael Gees is associated to the Netherlands label Challenge Classics. The 2009 release of the Schöne Müllerin with Christoph Prégardien won the MIDEM Classical Award and became Recording of the Year. Michael Gees works on solo-recitals which enjoy breaking with tradition, on modernized lied-renditions, melodramas and stage music.