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03 November 2017
"Malcolm Martineau weaves the piano accompaniment beautifully by the vocal parts and clearly shines the intense chromaticism of Fanny Hensel. The CD booklet contains an excellent essay by Susan Youens about Fanny Hensel and the repertoire on the CD and all song lyrics with English translation."Opera Nederland, 20-11-2017
Malcolm Martineau was born in Edinburgh, read Music at St Catharine’s College, Cambridge and studied at the Royal College of Music.
Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Sarah Walker and Bryn Terfel.
He has presented his own series at the Wigmore Hall (a Britten and a Poulenc series and Decade by Decade – 100 years of German Song broadcast by the BBC) and at the Edinburgh Festival (the complete lieder of Hugo Wolf). He has appeared throughout Europe (including London’s Wigmore Hall, Barbican, Queen Elizabeth Hall and Royal Opera House; La Scala, Milan; the Chatelet, Paris; the Liceu, Barcelona; Berlin’s Philharmonie and Konzerthaus; Amsterdam’s Concertgebouw and the Vienna Konzerthaus and Musikverein), North America (including in New York both Alice Tully Hall and Carnegie Hall), Australia (including the Sydney Opera House) and at the Aix en Provence, Vienna, Edinburgh, Schubertiade, Munich and Salzburg Festivals.
Recording projects have included Schubert, Schumann and English song recitals with Bryn Terfel (for Deutsche Grammophon); Schubert and Strauss recitals with Simon Keenlyside (for EMI); recital recordings with Angela Gheorghiu and Barbara Bonney (for Decca), Magdalena Kozena (for DG), Della Jones (for Chandos), Susan Bullock (for Crear Classics), Solveig Kringelborn (for NMA); Amanda Roocroft (for Onyx); the complete Fauré songs with Sarah Walker and Tom Krause; the complete Britten Folk Songs for Hyperion; the complete Beethoven Folk Songs for Deutsche Grammophon; the complete Poulenc songs for Signum; and Britten Song Cycles as well as Schubert’s Winterreise with Florian Boesch for Onyx.
This season’s engagements include appearances with Simon Keenlyside, Magdalena Kozena, Dorothea Röschmann, Susan Graham, Christopher Maltman, Thomas Oliemanns, Kate Royal, Christiane Karg, Iestyn Davies, Florian Boesch and Anne Schwanewilms.
He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004, and appointed International Fellow of Accompaniment in 2009. Malcolm was the Artistic Director of the 2011 Leeds Lieder Festival.
Kitty Whately trained at Chetham’s School of Music, the Guildhall School of Music and Drama, and the Royal College of Music International Opera School. She won both the Kathleen Ferrier Award and the 59th Royal Overseas League Award in 2011, and was part of the prestigious Verbier Festival Academy where she appeared as Cherubino in Le Nozze di Figaro and in Beethoven’s Choral Fantasy. Kitty was a BBC New Generation Artist from 2013-15, during which time she recorded her debut solo album This Other Eden (Champs Hill Records), made recordings with BBC orchestras, commissioned a new song cycle by Jonathan Dove (included on this album) and made several appearances at the BBC Proms.
Opera highlights include the world premiere of Vasco Mendonca’s The House Taken Over directed by Katie Mitchell, with performances in Antwerp, Strasbourg, Luxembourg, Bruges and Lisbon; Rosina in Il barbiere di Siviglia and Stewardess in Jonathan Dove’s Flight (Opera Holland Park); Hermia in A Midsummer Night’s Dream (Bergen National Opera); Kate in Owen Wingrave (Opera National de Lorraine); Dorabella in Così fan tutte (English Touring Opera) and Ippolita / Pallade in Cavalli’s Elena in Montpellier and Versailles for the Aix-en-Provence Festival.
Kitty is in high demand as a concert artist and has given performances with most of the UK’s major orchestras, including Duruflé’s Requiem and Mozart’s Requiem (Royal Philharmonic Orchestra), Bach’s B Minor Mass (Royal Northern Sinfonia and Scottish Chamber Orchestra), Beethoven’s Mass in C Major (Philharmonia Orchestra), Mendelssohn’s A Midsummer Night’s Dream (Ulster Orchestra), Haydn’s Nelson Mass (Britten Sinfonia on tour in Spain and the Netherlands) and Bach’s Magnificat (Britten Sinfonia and Choir of King’s College Cambridge). Further performances include Elgar’s Dream of Gerontius at St John’s Smith Square and Handel’s Messiah at the Royal Albert Hall. Kitty has given recitals at Wigmore Hall, Leighton House, and the Edinburgh, Oxford Lieder, Leeds Lieder and Buxton festivals, working regularly
Malcolm Martineau weaves the piano accompaniment beautifully by the vocal parts and clearly shines the intense chromaticism of Fanny Hensel. The CD booklet contains an excellent essay by Susan Youens about Fanny Hensel and the repertoire on the CD and all song lyrics with English translation.
Opera Nederland, 20-11-2017