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Live at the Cota Jazz Festival

Hal Galper & the Youngbloods

Live at the Cota Jazz Festival

Price: € 19.95
Format: CD
Label: Origin Records
UPC: 0805558273827
Catnr: ORIGIN 82738
Release date: 08 September 2017
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Label
Origin Records
UPC
0805558273827
Catalogue number
ORIGIN 82738
Release date
08 September 2017
Album
Artist(s)
Composer(s)
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DE

About the album

Pianist Hal Galper’s series of trio recordings over the last 10 years incorporates his development of “Rubato” playing as a means of melding melodic lyricism with the rhythmic excitement and “sound of surprise” of the bebop tradition. Being a passionate advocate for the apprenticeship system, Galper formed the Youngbloods in 2015 to further explore rubato while providing him the platform to work with vital young musicians on the New York scene, passing on lessons from his 50 year career. With saxophonist Nathan Bellot, bassist Dean Torrey, and drummer David Frazier, Galper revisits some of the compositions, fire, and adventurousness of his seminal recordings from the '70s during this set from the 2016 COTA Jazz Festival in Delaware Water Gap, where they celebrated the life of Galper's longtime employer, saxophonist Phil Woods.
Pianist Hal Galper's Serie von Trio-Aufnahmen der letzten 10 Jahren beinhaltet seine Entwicklung von "Rubato" Spielen als Mittel zur Verschmelzung melodischen Lyrik mit der rhythmischen Spannung und dem "Klang der Überraschung" der Bebop-Tradition. Als leidenschaftlicher Anwalt für das Ausbilden von Schülern gründete Galper die Youngbloods im Jahr 2015 um mit jungen Musikern aus der New Yorker Szene zu arbeiten und Lektionen aus seiner 50-jährigen Karriere weiter zu geben. Mit dem Saxophonisten Nathan Bellot, dem Bassisten Dean Torrey und dem Schlagzeuger David Frazier spielt Galper einige seiner Kompositionen aus den 70er Jahren auf dem COTA Jazz Festival 2016.

Artist(s)

Hal Galper (piano)

Galper’s 21st century series of trio albums for Origin Records incorporates his development of “Rubato” playing as a means of melding In his fifth decade as a major jazz artist, In his fifth decade as a major jazz artist, Hal Galper continues the innovation that has made him one of today’s most surprising and satisfying pianists. Galper’s 21st-century series of trio albums, with bassist Jeff Johnson and Drummer John Bishop on Origin Records, incorporates his development of “Rubato” playing as a means of melding melodic lyricism with the rhythmic excitement and “sound of surprise” of the bebop tradition, deepening the jazz experience for musicians and listeners alike. The trio’s latest Origin Records release, “O’s Time” is available at originarts.com A student...
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Galper’s 21st century series of trio albums for Origin Records incorporates his development of “Rubato” playing as a means of melding In his fifth decade as a major jazz artist, In his fifth decade as a major jazz artist, Hal Galper continues the innovation that has made him one of today’s most surprising and satisfying pianists. Galper’s 21st-century series of trio albums, with bassist Jeff Johnson and Drummer John Bishop on Origin Records, incorporates his development of “Rubato” playing as a means of melding melodic lyricism with the rhythmic excitement and “sound of surprise” of the bebop tradition, deepening the jazz experience for musicians and listeners alike. The trio’s latest Origin Records release, “O’s Time” is available at originarts.com A student of the piano from the age of six, Galper entered the Berklee School of Music in Boston on scholarship in 1955 and studied technique with the famous Madam Chaloff. He quickly gravitated to the city’s jazz clubs, supplementing his formal Berklee training by studying the performances of such Boston stalwarts as Jaki Byard, Sam Rivers and Herb Pomeroy. It wasn’t long before Galper had soaked up enough practical jazz knowledge that he was employed as house pianist at The Stables, Lennie’s On The Turnpike, and Connelly’s, leading Boston jazz emporiums.
Beginning his international performing career in a three-year stint with trumpeter Chet Baker, he went on to be an integral member of the bands of Cannonball Adderley and Phil Woods. He also worked with Sam Rivers, Joe Henderson, Lee Konitz and John Scofield, among dozens of other major jazz figures. Supported by a grant from the National Endowment for the Arts, Galper formed one of his most critically acclaimed groups as a leader in the early 70’s with trumpeter Randy Brecker, his saxophonist brother Michael, bassist Wayne Dockery and drummer Billy Hart, the new Hal Galper Quintet debuted at Sweet Basil in New York’s Greenwich Village, eventually recording four albums including Reach Out, Speak With a Single Voice, Children of the Night, and Redux 78.
Galper’s discography includes 103 albums, with 32 of them under his name. He is a leader not only as a performer but also as an educator, with emphasis on theory, performance and the worldly side of music as a profession. He was a founding member of New York’s New School of Jazz and Contemporary Music and recently retired from his 14 year tenure at Purchase Conservatory. His best selling theory of Forward Motion was the first interactive E-book in which its more than 300 musical examples could be played in a computer browser. It offers insights into the workings of melodies, secrets of phrasing and ways of practicing to enhance jazz performance. Both the E-book and hard cover edition of Forward Motion, along with information on his other books and writings, are available at www.halgalper.com.

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Nathan Bellott (alto saxophone)

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