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Fuga Magna
Various composers

Armida Quartett

Fuga Magna

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085533800
Catnr: AVI 8553380
Release date: 07 July 2017
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€ 19.95
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Label
CAvi
UPC
4260085533800
Catalogue number
AVI 8553380
Release date
07 July 2017

"This CD illustrates the development of the fugue from the beginning to Beethoven’s Grosse Fuge. The playing by the well-known Armida Quartet is a bit restrained, yet technically outstanding."

Pizzicato, 05-9-2017
Album
Artist(s)
Composer(s)
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About the album

The act of thinking and composing in counterpoint – in fugues – has reigned as the supreme musical discipline ever since Western music emerged around the year 1200 from the shadows of purely oral transmission to be codified in writing, initially in mensural notation.

Our seven-league-boot journey across the realm of fugue begins with the two earliest published German works in the genre for instrumental ensemble from the year 1602. The first of them has ethereal motifs which it rather cautiously explores, whereas the second is based on the folk song O Nachbar
Roland, mein Herz ist voller Pein (which Samuel Scheidt arranged as a magnificent canzone for strings in 1621). Haussmann’s Fugae are written “for all kinds of instruments”: idiomatic passagework for violin is thus entirely absent here, and only emerged as a stylistic trait in the course of the 17th century.

Alessandro Scarlatti is the composer of four sonatas that are to be performed senza cembalo, as he specifies, and which are often referred to as the first string quartets. The animated movements are complex counterpoint constructions; the middle movements are tortuous harmonic meanders brimming with ligature et durezze; the final movements are all short, ironic minuets with the two violin parts in unison.

Artist(s)

Martin Funda (violin)

Raphael Alpermann (harpsichord)

Composer(s)

Ludwig van Beethoven

Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School.    Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob...
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Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include nine symphonies, five piano concertos, one violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. Together with Mozart and Haydn, he was part of the First Viennese School. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn, and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.

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Alessandro Scarlatti

Pietro Alessandro Gaspare Scarlatti was an Italian composer from the Baroque period. He mainly acquired fame through his oratorios, cantatas and (Neapolitan) operas. He was the father of Domenico, who followed his father's example and became a composer himself. In total, Scarlatti composed 38 oratorios, along with many masses and operas. His music has a spontaneous and unpredictable character, and at times a bit incoherent. Scarlatti had a great influence on the music of Georg Frideric Handel. Around 1708, the two composers met almost daily. 
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Pietro Alessandro Gaspare Scarlatti was an Italian composer from the Baroque period. He mainly acquired fame through his oratorios, cantatas and (Neapolitan) operas. He was the father of Domenico, who followed his father's example and became a composer himself.

In total, Scarlatti composed 38 oratorios, along with many masses and operas. His music has a spontaneous and unpredictable character, and at times a bit incoherent. Scarlatti had a great influence on the music of Georg Frideric Handel. Around 1708, the two composers met almost daily.


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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School.  At 17, Mozart was engaged as...
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Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.


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Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

This CD illustrates the development of the fugue from the beginning to Beethoven’s Grosse Fuge. The playing by the well-known Armida Quartet is a bit restrained, yet technically outstanding.
Pizzicato, 05-9-2017

The label Avi Music published a beautiful cd with an anthology of the world of the fugue, stunningly played by Berlin's "Armida Quartett"
Stretto, 05-7-2017

Play album Play album
01.
Fuga prima (ca. 1600)
04:53
(Valentin Haussmann) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
02.
Fuga secunda (ca. 1600)
02:33
(Valentin Haussmann) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
03.
Sonata à quattro No. 4: I. Largo
03:20
(Alessandro Scarlatti) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
04.
Sonata à quattro No. 4: II. Grave
01:30
(Alessandro Scarlatti) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
05.
Sonata à quattro No. 4: III. Allegro – Allegro – Minuet
02:17
(Alessandro Scarlatti) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
06.
From: The Art of Fugue BWV 1080: Contrapunctus 1
03:29
(Johann Sebastian Bach) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
07.
From: The Art of Fugue BWV 1080: Contrapunctus 4
03:04
(Johann Sebastian Bach) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
08.
From: The Art of Fugue BWV 1080: Contrapunctus 11
04:22
(Johann Sebastian Bach) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
09.
Sonata in C Minor: I. Largo
02:52
(Johann Gottlieb Goldberg) Johanna Staemmler, Raphael Alpermann, Teresa Schwamm, Martin Funda
10.
Sonata in C Minor: I. Fuga. Allegro moderato
03:17
(Johann Gottlieb Goldberg) Teresa Schwamm, Johanna Staemmler, Martin Funda, Raphael Alpermann
11.
Sonata in C Minor: III. Grave
01:47
(Johann Gottlieb Goldberg) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
12.
Sonata in C Minor: IV. Giga
04:44
(Johann Gottlieb Goldberg) Johanna Staemmler, Teresa Schwamm, Raphael Alpermann, Martin Funda
13.
Adagio and Fugue in C Minor, K. 546 : I. Adagio
02:57
(Wolfgang Amadeus Mozart) Teresa Schwamm, Raphael Alpermann, Martin Funda, Johanna Staemmler
14.
Adagio and Fugue in C Minor, K. 546 : II. Fuge
03:31
(Wolfgang Amadeus Mozart) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
15.
Grosse Fuge in B Flat Major Op. 133
14:31
(Ludwig van Beethoven) Raphael Alpermann, Teresa Schwamm, Johanna Staemmler, Martin Funda
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