"This CD illustrates the development of the fugue from the beginning to Beethoven’s Grosse Fuge. The playing by the well-known Armida Quartet is a bit restrained, yet technically outstanding."
Pizzicato, 05-9-2017The act of thinking and composing in counterpoint – in fugues – has reigned as the supreme musical discipline ever since Western music emerged around the year 1200 from the shadows of purely oral transmission to be codified in writing, initially in mensural notation.
Our seven-league-boot journey across the realm of fugue begins with the two earliest published German works in the genre for instrumental ensemble from the year 1602. The first of them has ethereal motifs which it rather cautiously explores, whereas the second is based on the folk song O Nachbar
Roland, mein Herz ist voller Pein (which Samuel Scheidt arranged as a magnificent canzone for strings in 1621). Haussmann’s Fugae are written “for all kinds of instruments”: idiomatic passagework for violin is thus entirely absent here, and only emerged as a stylistic trait in the course of the 17th century.
Alessandro Scarlatti is the composer of four sonatas that are to be performed senza cembalo, as he specifies, and which are often referred to as the first string quartets. The animated movements are complex counterpoint constructions; the middle movements are tortuous harmonic meanders brimming with ligature et durezze; the final movements are all short, ironic minuets with the two violin parts in unison.
Pietro Alessandro Gaspare Scarlatti was an Italian composer from the Baroque period. He mainly acquired fame through his oratorios, cantatas and (Neapolitan) operas. He was the father of Domenico, who followed his father's example and became a composer himself.
In total, Scarlatti composed 38 oratorios, along with many masses and operas. His music has a spontaneous and unpredictable character, and at times a bit incoherent. Scarlatti had a great influence on the music of Georg Frideric Handel. Around 1708, the two composers met almost daily.
Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.
Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
This CD illustrates the development of the fugue from the beginning to Beethoven’s Grosse Fuge. The playing by the well-known Armida Quartet is a bit restrained, yet technically outstanding.
Pizzicato, 05-9-2017
The label Avi Music published a beautiful cd with an anthology of the world of the fugue, stunningly played by Berlin's "Armida Quartett"
Stretto, 05-7-2017