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CD (15 items)
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€ 62.95
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| Label Signum Classics |
UPC 0635212036327 |
Catalogue number SIGCD 363 |
Release date 07 April 2017 |
Alle symfonieën van Mahler in een verzameling
Het Philharmonia Orchestra onder leiding van Lodin Maazel speelt op zijn best in deze live uitvoeringen van de negen symfonieën van Mahler, opgenomen tijdens een concert in de Royal Festival Hall in Londen. Aan de opnames werkten solisten en vocale ensembles als Sarah Connolly, Michelle DeYoung, Philharmonia Voices en BBC Symphony Chorus mee.
Deze vijftiendelige verzameling brengt alle eerder uitgegeven opnames van Mahlersymfonieën door Philharmonia Orchestra bijeen.
Enkele recensten schreven over deze serie:
“You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording.” – BBC Radio 3
“Maazel could sustain this score in a way that seemed to transcend reality ... a tremendously moving experience.” – Classical Source
“An extraordinary reading of the Ninth ... a performance touched by greatness.” – Musicweb International
The Philharmonia was founded in 1945 by EMI producer Walter Legge, originally as a recording orchestra for the growing home audio market. We have worked with a who’s who of 20th- and 21st-century music. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini and Riccardo Muti are just a few of the great artists to be associated with the Orchestra, and we have premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others. We have always pioneered the use of technology to reach broader audiences for orchestral music. During the Coronavirus pandemic, we continued to create outstanding performances designed to experience online. We played for lifelong fans and first-time listeners in Brazil, Sudan, Indonesia, India, and high above the Arctic Circle in Norway.
Southbank Centre’s Royal Festival Hall, in the heart of London, has been our home since 1995. We also have residencies at venues and festivals across England: Bedford Corn Exchange, De Montfort Hall in Leicester, The Marlowe in Canterbury, Anvil Arts in Basingstoke, the Three Choirs Festival in the West of England, and Garsington Opera. Central to all our residencies is a Learning & Engagement programme that empowers people to engage with, and participate in, orchestral music.
The Philharmonia is a registered charity. We rely on income from a wide range of sources to deliver our programme. We are proud to be supported by Arts Council England, and grateful for the generosity of the many individuals who make up our supporter family, as well as the Trusts and Foundations who underpin our work. In the US, the Orchestra’s American Patrons generously support the Philharmonia Foundation, a US-registered 501(c)(3) non-profit organisation.
During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.
Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his "core business": in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of his Fifth), evocations of nature (his Third), megalomanic eruptions in the orchestra (his Eighth), and the clamant atonality of his unfinished Tenth, Mahler's musical palette seemed inexhaustible.
His symphonies are captivating, but some could find it a bit 'over the top' at times. For those, his orchestral songs could undoubtedly show there is an incredibly subtle and refined side to his compositional style as well.
In the Netherlands, Mahler is particularly popular due to its close bond with the Royal Concertgebouw Orchestra, which was already established during his lifetime!