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Rumbler

Bill Anschell

Rumbler

Price: € 19.95
Format: CD
Label: Origin Records
UPC: 0805558272820
Catnr: ORIGIN 82728
Release date: 10 February 2017
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Label
Origin Records
UPC
0805558272820
Catalogue number
ORIGIN 82728
Release date
10 February 2017

"(...) It couldn't be any clearer, this CD is highly recommended. (...)"

Rootstime, 05-4-2017
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About the album

After a decade of recording mostly unscripted, improvised albums focused on his deep musical relationships with a few key players, pianist Bill Anschell returns to recording his own compositions and arrangements on "Rumbler," his fifteenth as a leader or co-leader. Anschell penned eight of the eleven tracks as well as arrangements of Thelonious Monk’s “Misterioso” and Paul McCartney’s “For No One.” Mostly written on the road in planes and hotel rooms, "Rumbler" doubles as a musical travelogue, especially vivid in its reflection of experiences from his touring in South America over the last several years. Anschell is joined by a stellar cast of Seattle musicians, plus a guest appearance by Nashville saxophonist Jeff Coffin on the title track.The album closes with a moving, fully improvised solo expression of Duke Ellington’s under-recorded “Reflections in D.”
Nach einem Jahrzehnt von meist improvisierten Alben kehrt Pianist Bill Anschell zu eigenen Kompositionen und Arrangements zurück. Anschell schrieb acht der elf Tracks sowie Arrangements zu Thelonious Monks "Misterioso" und Paul McCartneys "For No One". Vor allem in Flugzeugen und Hotelzimmern geschrieben, verdoppelt sich "Rumbler" als musikalischer Reisebericht, der besonders lebendig ist in der Reflexion von Erfahrungen aus seiner Tournee in Südamerika in den letzten Jahren. Anschell wird von einer herausragenden Besetzung von Seattle-Musikern und einem Gastauftritt des Nashville-Saxophonisten Jeff Coffin auf dem Titeltrack begleitet.

Artist(s)

Bill Anschell (piano)

Seattle native Bill Anschell returned to the Emerald City in 2002 after spending 25 years studying, composing, and performing across the country and around the world.   Anschell left Seattle after high school, studying for two years at Oberlin College (Ohio), then transferring to Wesleyan University (Connecticut), where he graduated Phi Beta Kappa with a degree in Music. At Wesleyan, Anschell worked closely with saxophone great Bill Barron.  He also studied semi-privately with South Indian mridangum master T Ranganathan, kindling a passion for rhythmic experimentation that has driven Anschell’s music ever since.   After leading the life of a jazz vagabond for several years, Anschell settled in Atlanta in 1989.  He was initially drawn there by the opportunity to serve as Jazz Coordinator for...
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Seattle native Bill Anschell returned to the Emerald City in 2002 after spending 25 years studying, composing, and performing across the country and around the world.
Anschell left Seattle after high school, studying for two years at Oberlin College (Ohio), then transferring to Wesleyan University (Connecticut), where he graduated Phi Beta Kappa with a degree in Music. At Wesleyan, Anschell worked closely with saxophone great Bill Barron. He also studied semi-privately with South Indian mridangum master T Ranganathan, kindling a passion for rhythmic experimentation that has driven Anschell’s music ever since.
After leading the life of a jazz vagabond for several years, Anschell settled in Atlanta in 1989. He was initially drawn there by the opportunity to serve as Jazz Coordinator for the Southern Arts Federation (SAF), the regional arts agency of the South. Firing up SAF’s jazz department virtually from scratch, Anschell launched a host of high-profile programs, published a book on grantswriting, and created JazzSouth, an internationally syndicated radio show. At night he dove headlong into the city’s thriving jazz scene, working as a sideman with various groups and leading his own trio.
By 1992, Anschell’s performing itinerary had grown to the point where it demanded his full attention. He left the SAF post, continuing to produce JazzSouth out of his home while focusing on playing and composing. Over the next ten years, Anschell ascended the jazz ranks in Atlanta, leading his trio at major festivals and becoming a first-call accompanist for visiting jazz greats. His trio’s highlights included the 1996 Summer Olympic Games, the Montreux Atlanta Festival and four extensive tours of South America.
During the same period, Anschell enjoyed a lengthy association with vocalist Nnenna Freelon, serving as her pianist, arranger and musical director. Among their many performing highlights were the North Sea Jazz Festival in Holland, the Monterey Jazz Festival in California, the Kennedy Center in Washington, and six European tours. Their concerts were broadcast on Radio France, French national television, and NPR’s JazzSet. Anschell’s piano work and arrangements were featured throughout Freelon’s 1996 Concord release Shaking Free, which was nominated for a Grammy as the year’s best jazz vocal recording.
Anschell’s own CDs have earned critical acclaim and widespread exposure, with several making Jazzweek’s national “Top 50” chart for radio airplay. Anschell’s 1998 release, a different note all together, was selected by United Press International (UPI) as one of the “10 Best” jazz releases of the year. His 2006 CD, More to the Ear than Meets the Eye, was chosen by numerous critics and radio stations across the country for their “10 Best of 2006” lists. His 2009 duo CD of spontaneous improvisations with saxophonist Brent Jensen was described by Cadence as “startlingly beautiful, surprising, and powerful…a transforming experience.” And his 2011 solo piano release, Figments was called “magical” in Thomas Conrad’s JazzTimes review.
​ In 2001, Anschell was selected by the American Composers Forum for its Composer-in-the-Schools program; his residency included a commissioned piece for chamber orchestra. Since 2003, his original compositions have received widespread cable and network exposure, with more than 70 placements on programs including NBC’s The West Wing, NCIS: LA, HBO’s acclaimed series The Wire, and HBO’s Bessie Smith biopic, Bessie.
In 2008, Anschell's Atlanta trio reunited for a fifth South American tour, visiting the Colombian cities of Medellin, Pereira and Manizales; in 2012 the trio made its fourth visit to Peru, and in 2014 its third trip to Paraguay.
As a Seattleite, Anschell had the honor of playing a weekly gig with Northwest jazz legend Floyd Standifer for the two years before his passing. In 2005, Anschell received a Golden Ear Award as the “Northwest Jazz Instrumentalist of the Year,” and in 2006 his trio was named the “Best Northwest Acoustic Jazz Ensemble.” In 2010 and 2011 Anschell was again was named “Northwest Jazz Instrumentalist of the Year,” and in 2011 his CD Figments was named “Northwest Jazz Recording of the Year.” In 2013, he played several concerts with the Seattle Symphony. His 2013 CD, Impulses, took him into new territory, featuring twelve tracks of original electronica.
Anschell is also well known as a jazz humorist, writing jazz vignettes and a monthly jazz etiquette column. His satirical essay, Careers in Jazz, is the all-time most-read piece on leading jazz website allaboutjazz.com with more than 350,000 hits, and was prominently featured in a Wall Street Journal story on jazz audiences. In 2014 he was a winner of the inaugural Paul Desmond Award, allaboutjazz.com’s celebration of the funniest jazz artists.

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(...) It couldn't be any clearer, this CD is highly recommended. (...)
Rootstime, 05-4-2017

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