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Heartfelt - Romantic Works for Horn

Rob van de Laar

Heartfelt - Romantic Works for Horn

Price: € 20.95
Format: SACD
Label: Challenge Classics
UPC: 0608917274523
Catnr: CC 72745
Release date: 13 January 2017
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Label
Challenge Classics
UPC
0608917274523
Catalogue number
CC 72745
Release date
13 January 2017

"For his first solo album, he chose German, Romantic horn music. His interpretation proves once again what a beautiful instrument the horn is."

Stretto, 08-8-2017
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Artist(s)
Composer(s)
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About the album

Rob van de Laar, 29 years old, is the Principal Horn of the Mozarteum Salzburg. This being his first solo album, he chose the great music of the German Romanticism for horn. Brahms' Trio was composed in 1865, during a peaceful summer at Clara Schumann's house in the Black Forest. The Adagio and Allegro by Schumann was composed in 1849 and is one of a series of miniatures for different solo instruments and piano written by Schumann in Dresden in 1849. Schumann was among the first to explore the expanded possibilities offered by the new valve horn. Schubert wrote his son gAuf dem Strom in 1828, the final year of his short life, to a text by Ludwig Rellstab. It was written for a concert at the Vienna Musikverein, marking the first anniversary of the death of Ludwig van Beethoven on March, 26. Schubert, who was a great admirer of Beethoven, saw his opportunity to compose a special song as an ode to the master. He added a dazzling horn part here. The composer Karl Pilss is perh
Romantische hoornmuziek om bij weg te dromen
De getalenteerde jonge hoornist Rob van de Laar koos, op zijn eerste album als solist, voor de mooiste hoornmuziek van de Duitse Romantiek. Muziek van Johannes Brahms, Robert Schumann, Franz Schubert en Karl Pilss. Zoals Van de Laar zelf zegt, "werken die hem na aan het hart liggen." Vanaf het prille begin was de hoornist gefascineerd door het instrument dat zoveel expressiemogelijkheden heeft: van lyrische zalvende klanken tot de heroïsche klanken van de jachthoorn. "Rob van de Laar laat zijn hoorn zingen in dit romantische programma. Zijn spel vertoont vele nuances zonder dat het de virtuoze kracht mist waar die nodig is." Pizzicato, februari 2017.

Het Trio van Brahms voor hoorn, viool en piano is één van de kroonjuwelen van de kamermuziek voor hoorn. Brahms componeerde het in 1865 tijdens een vredige zomer in het Zwarte Woud in het huis van Clara Schumann. Hij logeerde daar na de dood van zijn moeder. Als kind leerde hij naast piano ook hoorn en cello spelen. Zijn moeder genoot altijd enorm van zijn hoornspel. Het is dan ook niet vreemd dat Brahms vlak na het overlijden van zijn moeder, juist naar dit instrument teruggreep.

Het Adagio en Allegro schreef Schumann in 1849 in Dresden. Het stuk behoort tot een serie van miniaturen voor verschillende solo instrumenten en piano. Toen de hoorn voorzien werd van ventielen, was Schumann een van de eersten die naar nieuwe mogelijkheden voor het instrument zocht.

Schubert schreef zijn lied Auf dem Strom in 1828, het laatste jaar van zijn korte leven, op een tekst van Ludwig Rellstab. Hij componeerde het lied voor een concert in de Wiener Musikverein, ter gelegenheid van een herdenking van Beethoven een jaar na diens dood. Schubert was een groot bewonderaar van Beethoven en zag zo een kans om een ode te schrijven aan de grote componist. Het stuk kent een verbluffende hoornpartij.

Een verborgen parel is de muziek van Karl Pilss, ongetwijfeld de minst bekende componist op dit album. Onder blazers staat hij bekend als een meesterlijke componist. Hij componeerde niet alleen concerten voor trompet, hoorn en bastrombone, maar schreef ook meerdere stukken voor blazersensemble. Invloeden van Richard Strauss, Gustav Mahler en zijn compositiedocent Franz Schmidt zijn duidelijk terug te horen in zijn muziek.

Rob van de Laar (1987) is eerste hoornist van het Mozarteum Salzburg. Hij won in 2017 De Nederlandse Muziekprijs, de belangrijkste muziekprijs voor jonge Nederlandse musici uitgereikt door het ministerie van OCW.
Rob van de Laar, 29 Jahre alt, ist erster Hornist des Mozarteum Salzburg. Für seine erste Solo-Veröffentlichung hat er sich die großartige Musik der deutschen Romantik für Horn ausgesucht. Brahms' Trio entstand 1865 während eines friedlichen Sommers im Hause Clara Schumanns im Schwarzwald.
Das Adagio und Allegro von Schumann zählt zu einer Serie von Miniaturen für verschiedene Soloinstrumente und Klavier und wurde 1849 in Dresden verfasst. Schumann gehörte zu den ersten Komponisten, die die erweiterten Möglichkeiten des neuen Ventilhorns musikalisch erforschten.
Schubert schrieb sein Lied Auf dem Strom 1828, im letzten Jahr seines kurzen Lebens, als Vertonung eines Textes von Ludwig Rellstab (1799-1860). Es entstand für ein Konzert im Wiener Musikverein, als sich der Tod Ludwig van Beethovens am 26. März zum ersten Mal jährte. Schubert, der ein großer Bewunderer Beethovens gewesen war, hatte dies zum Anlass genommen, ein besonderes Lied als Ode an den Meister zu schreiben, und er fügte einen grandiosen Hornpart ein.
Der Komponist Karl Pilss (1902-1979) ist ob seiner Konzerte für Trompete, Horn und Bassposaune sowie zahlreicher Werke für Blasensemble wahrscheinlich unter Blechbläsern am bekanntesten. Die Einflüsse Richard Strauss', Gustav Mahlers und seines Kompositionslehrers Franz Schmidt sind in seiner Musik deutlich hörbar.

Artist(s)

Rob van de Laar (horn)

The Dutch horn player Rob van de Laar was born in 1987 in Helmond. He was a member of the Hague Philharmonic Orchestra from 2008 until 2013, when he was appointed Principal Horn of Arnhem Philharmonic Orchestra. In 2016, he has become Principal Horn of the Mozarteumorchester, Salzburg. As a guest principal, he has worked with many leading orchestras, including the Royal Concertgebouw Orchestra, Rotterdam Philharmonic, Chamber Orchestra of Europe, Seoul Philharmonic, KBS Symphony Orchestra Seoul and Brussels Philharmonic, under esteemed conductors such as Bernhard Haitink, Mariss Jansons and Nikolaus Harnoncourt. As soloist, Rob has appeared with the Brabants Orkest, the South Netherlands Philharmonic, Arnhem Philharmonic Orchestra, the Anhaltische Philharmonie Dessau, Youth Orchestra of the Netherlands and the Orchestra of the Royal...
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The Dutch horn player Rob van de Laar was born in 1987 in Helmond. He was a member of the Hague Philharmonic Orchestra from 2008 until 2013, when he was appointed Principal Horn of Arnhem Philharmonic Orchestra. In 2016, he has become Principal Horn of the Mozarteumorchester, Salzburg. As a guest principal, he has worked with many leading orchestras, including the Royal Concertgebouw Orchestra, Rotterdam Philharmonic, Chamber Orchestra of Europe, Seoul Philharmonic, KBS Symphony Orchestra Seoul and Brussels Philharmonic, under esteemed conductors such as Bernhard Haitink, Mariss Jansons and Nikolaus Harnoncourt.

As soloist, Rob has appeared with the Brabants Orkest, the South Netherlands Philharmonic, Arnhem Philharmonic Orchestra, the Anhaltische Philharmonie Dessau, Youth Orchestra of the Netherlands and the Orchestra of the Royal Conservatory in The Hague, playing concertos by Joseph Haydn, W.A. Mozart and Richard Strauss.

Rob has a great passion for chamber music and has played at many national and international festivals, including the Orlando Festival, Grachtenfestival Amsterdam and the Tblisi International Wind Festival. He has appeared with various ensembles such as Camerata Royal Concertgebouw Orchestra and the Netherlands Winds Ensemble.
In January 2017, Rob received the Nederlandse Muziekprijs (Dutch Music Award), which is the highest accolade that can be awarded by the Performing Arts Fund to a young talented musician working in the field of classical music.


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Karin Strobos (mezzo soprano)

In May 2011 mezzo-soprano Karin Strobos got the chance to jump in as Ocatavian in the Rosenkavalier of R. Strauss by the National Opera in Amsterdam under the baton of Sir Simon Rattlle. This was a big success and the start of a wonderful career. From January 2014 Karin works as a soloist in the Aalto opera theatre in Essen (Germany) and there she has the opportunity to build out her repertoire. She sings roles like Charlotte, Dorabella, Idamante, Zerlina, Cherubino, Mercedes, Suzuki, Rosina, Siebel, Armado, Hänsel, Aldagisa and more.  From 2009 till 2011 Karin had a contract with Opera Zuid (Maastricht), performing roles like Ocatvian, Cherubino, Hansel, Varvara and Boulotte. She came back in 2015 as Cenerentola. Besides the Rosenkavalier Karin also worked for the National...
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In May 2011 mezzo-soprano Karin Strobos got the chance to jump in as Ocatavian in the Rosenkavalier of R. Strauss by the National Opera in Amsterdam under the baton of Sir Simon Rattlle. This was a big success and the start of a wonderful career.
From January 2014 Karin works as a soloist in the Aalto opera theatre in Essen (Germany) and there she has the opportunity to build out her repertoire. She sings roles like Charlotte, Dorabella, Idamante, Zerlina, Cherubino, Mercedes, Suzuki, Rosina, Siebel, Armado, Hänsel, Aldagisa and more. From 2009 till 2011 Karin had a contract with Opera Zuid (Maastricht), performing roles like Ocatvian, Cherubino, Hansel, Varvara and Boulotte. She came back in 2015 as Cenerentola.
Besides the Rosenkavalier Karin also worked for the National Opera in Amsterdam as Flora (La Traviata) and Phenice (Armide). For The Nederlandse Reisopera she sang Cherubino, Flora, Rosina and the Composer (Ariadne auf Naxos). Besides opera Karin performed as a soloist with the Residentie Orkest, Noord Nederlands orkest, Nederlands Philharmonisch orkest, Philharnonie Zuidnederland and Gelders Orkest.
Karin loves to sing chamber music. She forms a trio with Daria van den Bercken, (piano) and Felicia van den End (flute). And also works with Sax and Stix and Cello8ctet Amsterdam. She has a duo with pianist Else Sterk.
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Thomas Beijer (piano)

Thomas Beijer (1988) is a young pianist and composer praised for his excellent technique and artistic integrity. A clear and profound musical insight is evident in his performances and compositions. Born and based in The Netherlands, Thomas Beijer enrolled at the Conservatory of Amsterdam, where he studied with Jan Wijn. He took masterclasses with Jorge Luis Prats, Emanuel Ax, Menahem Pressler, Murray Perahia, Pascal Devoyon, Jacques Rouvier and Elza Kolodin. Thomas Beijer concluded his Master's study in 2011 by graduating with the Highest Distinction. By winning the prestigious Young Pianist Foundation National Piano Competition in 2007, Thomas Beijer positioned himself at the top of a new generation of pianists in The Netherlands. The international jury characterized Beijer as a 'very interesting musical personality,...
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Thomas Beijer (1988) is a young pianist and composer praised for his excellent technique and artistic integrity. A clear and profound musical insight is evident in his performances and compositions.

Born and based in The Netherlands, Thomas Beijer enrolled at the Conservatory of Amsterdam, where he studied with Jan Wijn. He took masterclasses with Jorge Luis Prats, Emanuel Ax, Menahem Pressler, Murray Perahia, Pascal Devoyon, Jacques Rouvier and Elza Kolodin. Thomas Beijer concluded his Master's study in 2011 by graduating with the Highest Distinction.

By winning the prestigious Young Pianist Foundation National Piano Competition in 2007, Thomas Beijer positioned himself at the top of a new generation of pianists in The Netherlands. The international jury characterized Beijer as a 'very interesting musical personality, with distinctive ideas about music. A true artist'. From the age of ten Thomas Beijer performed recitals in Europe and Asia. As a soloist he played piano concertos by among others Mozart, Beethoven, Grieg, Brahms, Franck, Ravel, Gershwin and Adams, with orchestras such as The Hague Philharmonic Orchestra, The Brabants Philharmonic, Amsterdam Sinfonietta and the Netherlands Student Orchestra. He worked with conductors like Neeme Järvi, Nicholas Milton, Ed Spanjaard and Bas Wiegers.

His repertoire ranges from seventeenth-century music to contemporary compositions. Thomas has a special affinity with Spanish music; works by Albéniz, Granados and De Falla are often part of his recital programmes.

Thomas Beijer is a multitalented musician. Besides his performances as a concert pianist he is also a composer and a passionate chamber musician.Thomas is a member of the Amsterdam Chamber Soloists and a regular guest of Camerata Royal Concertgebouw Orchestra.

Thomas Beijer's debut CD with compositions by Johannes Brahms was released in 2008. In 2012 he presented his second CD with works by Rachmaninoff. Thomas was signed by Lyrone Records in 2013 which resulted in the release of Canción y Danzaand the preparations for his fourth CD. His recordings are available in over 40 countries worldwide. Thomas receives support from a trust provided by the Young Pianist Foundation.


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Mathieu van Bellen (violin)

Mathieu van Bellen was born in the Netherlands and started studying the violin in Belgium with Nico Baltussen. He continued with Jan Repko, first at the Amsterdam Conservatoire and then at Chethams School of Music in Manchester, for which he was awarded a scholarship by The VandenEnde Foundation. He continued at the Royal College of Music in London with Itzhak Rashkovsky and at the Hochschule für Musik in Berlin, with Ulf Wallin. Laureate of the Yehudi Menuhin Competition, Wieniawski Competition, Prinses Christina Competition and Oskar Back Competition he is a recipient of MBF, RPS Emily Anderson Prize, Philharmonia Martin Musical Scholarship Fund Awards and Making Music Awards. He was also awarded the Bach Prize and the String Player of the Year...
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Mathieu van Bellen was born in the Netherlands and started studying the violin in Belgium with Nico Baltussen. He continued with Jan Repko, first at the Amsterdam Conservatoire and then at Chethams School of Music in Manchester, for which he was awarded a scholarship by The VandenEnde Foundation. He continued at the Royal College of Music in London with Itzhak Rashkovsky and at the Hochschule für Musik in Berlin, with Ulf Wallin.
Laureate of the Yehudi Menuhin Competition, Wieniawski Competition, Prinses Christina Competition and Oskar Back Competition he is a recipient of MBF, RPS Emily Anderson Prize, Philharmonia Martin Musical Scholarship Fund Awards and Making Music Awards. He was also awarded the Bach Prize and the String Player of the Year 2008 at the Royal College of Music. He has given concerts in Europe, Asia and the USA, playing in major music festivals such as the Festspiele MV in Germany, and chamber music festivals all over Europe. He has appeared several times on television and radio, and has performed in halls like the Purcell Room and Royal Festival Hall at the Southbank Centre, London, Concertgebouw Amsterdam, Tel Aviv Opera House, and Megaron in Athens, performing with orchestras such as the National Orchestra of Belgium, Gelders Orkest, Holland Symfonia, Southbank Sinfonia, and Camerata Athena.
Violinist of the Busch Trio, Mathieu is an active chamber musician, having played chamber music concerts with artists including Shlomo Mintz, Miguel da Silva, Michael Collins and Bruno Giuranna. With the Busch Trio he has performed in Europe and Asia, playing in the Concertgebouw Amsterdam, Wigmore Hall London, BOZAR Brussels and NCPA Beijing. They are currently recording the entire Dvorak chamber works with piano on Alpha Classics, and in 2016 they won the prestigious Dutch Kersjes Prijs.
In 2013 he founded the Scaldis Kamermuziek Festival, a yearly chamber music festival in the area of Zeeland in the Netherlands.
His first album was released in November 2014, with solo works by Bach, Blaha and Bartók. In the same year he was concert master of the European Union Youth Orchestra, working with Vasily Petrenko and Vladimir Ashkenazy including concerts at the BBC Proms, London and Concertgebouw Amsterdam.
In 2015 Mathieu won the Grachtenfestival Prize, resulting in a residency during the 2016 Grachtenfestival. In 2017 he was soloist of the Netherlands Student Orchestra and he was asked to succeed Christiaan Bor as artistic director of the Reizend MuziekGezelschap, also known as the Amsterdam Chamber Music Society.
Mathieu plays on the ex-Adolf Busch G.B. Guadagnini violin (Turin, 1783), using a Dominique Peccatte bow, both on loan to him thanks to private sponsorship, for which he is most grateful.

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Composer(s)

Franz Schubert

Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the...
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Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
It was in the genre of the Lied that Schubert made his most indelible mark. Prior to Schubert's influence, Lieder tended toward a strophic, syllabic treatment of text, evoking the folksong qualities engendered by the stirrings of Romantic nationalism. Schubert expanded the potentialities of the genre like no other composer before.

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Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
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Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Johannes Brahms

Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the 'Three Bs' of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.   Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become...
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Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.

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Press

For his first solo album, he chose German, Romantic horn music. His interpretation proves once again what a beautiful instrument the horn is.
Stretto, 08-8-2017

A beautiful production that puts several compositions for horn in glorious light.
Music Emotion, 01-6-2017

... a manifest of a young generation Dutch top soloists
Klassieke zaken, 26-5-2017

This debut CD from horn player Rob van de Laar in combination with Thomas Beijer (keyboards) and Mathieu van Bellen (violin) is absolutly not boring.
Kerk en Leven, 05-4-2017

I was determined to win this prize
Klassieke zaken, 24-3-2017

Rob van de Laar lets his horn sing in this romantic program. His playing shows a lot of nuances without lacking virtuoso power where it is needed.
Pizzicato, 13-2-2017

The Dutch Music Prize, a debut CD, a 'concertfilm' in the making ... The career of horn player Rob van de Laar is progressing well.
Luister, 20-1-2017

The Dutch horn player Rob van de Laar released a first solo CD with compositions from German Romanticism. His interpretation proves yet again what a beautiful instrument, the horn is.
Klassiek Centraal, 18-1-2017

Plaatpaal on Radio 4
NTR Radio 4 Plaatpaal, 16-1-2017

An altogether promising debut by a van de Laar, still on the way up, and greatly helped by his colleague musicians and, need it still be said, an exemplary recording by North Star Recording Services in the famous facility of the Galaxy Studio in Mol, Belgium.
HR Audio, 07-1-2017

Hornplayer makes his instrument sing
Trouw, 06-1-2017

The award of the Dutch Music Prize brings a lot of commotion in his already busy life. However Rob van de Laar has no choice: with music, and the horn in particular, lies his heart.
Eindhovens Dagblad, 05-1-2017

Bugler Rob van de Laar (1987) will recieve the Nederlandse Muziekprijs in Maastricht this Thursday.
Reformatorisch Dagblad, 04-1-2017

Philharmonie Zuidnederland and bugler Rob van de Laar playes Brabants new years concerts.
Tilburgers, 03-1-2017

bugler Rob van de Laar wins the music price
De Limburger, 03-1-2017

''Listen and let yourself be fascinated.''
NRC Handelsblad, 02-1-2017

''Nederlandse Muziekprijs for bugler Rob van de Laar''
Blik op nieuws, 02-1-2017

''Bugler Rob van de Laar, who receives the Nederlandse Muziekprijs Thursday, feels 'a strong moral duty for the title'.'' 
Nu.nl, 02-1-2017

If we don't even see the worth in that, than where do we live for?
De Volkskrant, 02-1-2017

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Videos

Aheartfelt interview with Rob van de Laar and Thomas Beijer

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