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Verdi & Dvořák String Quartets
Giuseppe Verdi

Various

Verdi & Dvořák String Quartets

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085533589
Catnr: AVI 8553358
Release date: 01 July 2016
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Label
CAvi
UPC
4260085533589
Catalogue number
AVI 8553358
Release date
01 July 2016

"The CD thus presents two live recordings deprived of the visual setting."

The Rehearsal Studio, 19-11-2016
Album
Artist(s)
Composer(s)
Press
EN

About the album

Once again in 2015, the Spannungen Festival presented two works that reveal the great breadth of European musical culture in the 1870s. Today we have the privilege of counting these masterpieces among the crown jewels of the period. Spannungen means “tensions.” This chamber music festival takes place in the acoustically superb turbine hall of a hydroelectric power plant, and tensions are also what the emotionally charged musical interpretations at this event promise. In 1873 Verdi wrote a string quartet- the only work of chamber music in his entire output. It was intended to serve as a pastime during a long stay in Naples. Only later did he make clear to the world that he was not indifferent to this work’s quality. Six years later, Dvorak wrote his tenth String Quartet. This live recording impressively juxtaposes the Romantic styles of Central Europe and the Mediterranean.

Artist(s)

Christian Tetzlaff (violin)

“One of the most brilliant and inquisitive artists of the new generation”, said the New York Times of Christian Tetzlaff, one of today’s most highly demanded soloists on stages all over the world. As at home in the classical and romantic repertoire as in contemporary music, Christian Tetzlaff sets standards with his interpretations of the violin concertos of Beethoven, Brahms and Tchaikovsky as well as Berg, Schönberg, Shostakovich and Ligeti. He is particularly well-known for his incomparable performances of the Bach Solo Sonatas and Partitas. In 2005 he was chosen by Musical America as “Instrumentalist of the Year”. He frequently played recitals with Leif Ove Andsnes and Lars Vogt. As a soloist and chamber musician he has performed in all international musical centres, including amongst others New...
more
“One of the most brilliant and inquisitive artists of the new generation”, said the New York Times of Christian Tetzlaff, one of today’s most highly demanded soloists on stages all over the world. As at home in the classical and romantic repertoire as in contemporary music, Christian Tetzlaff sets standards with his interpretations of the violin concertos of Beethoven, Brahms and Tchaikovsky as well as Berg, Schönberg, Shostakovich and Ligeti. He is particularly well-known for his incomparable performances of the Bach Solo Sonatas and Partitas. In 2005 he was chosen by Musical America as “Instrumentalist of the Year”. He frequently played recitals with Leif Ove Andsnes and Lars Vogt. As a soloist and chamber musician he has performed in all international musical centres, including amongst others New York’s Carnegie Hall and Lincoln Centre, Concertgebouw Amsterdam, Vienna’s Konzerthaus and Musikverein, and in London, Paris, Berlin and Munich.
Christian Tetzlaff plays a violin by German violinmaker Peter Greiner.

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Hartmut Rohde (viola)

Hartmut Rohde thrills audiences with his exceptional variety of sonorities, his stylistic versatility, and his historically informed approach to music ranging from the Baroque to contemporary compositions. Rohde’s performances are captivating due to his sheer power of imagination (Frankfurter Allgemeine Zeitung). He is one of the leading and most sought-after European violists. Since 1993 he has held a professorship at the Berlin University of the Arts, and is founding member of the renowned Mozart Piano Quintet which undertakes extensive worldwide tours. His chamber music partners include David Geringas, Janine Jansen, Jörg Widmann, Radovan Vlatkovic, Paul Meyer, Lars Vogt, Kolja Blacher, and Sharon Kam. He has appeared at Carnegie Hall, Wigmore Hall, the Seoul Arts Center and the Amsterdam Concertgebouw, as well...
more
Hartmut Rohde thrills audiences with his exceptional variety of sonorities, his stylistic versatility, and his historically informed approach to music ranging from the Baroque to contemporary compositions. Rohde’s performances are captivating due to his sheer power of imagination (Frankfurter Allgemeine Zeitung). He is one of the leading and most sought-after European violists. Since 1993 he has held a professorship at the Berlin University of the Arts, and is founding member of the renowned Mozart Piano Quintet which undertakes extensive worldwide tours. His chamber music partners include David Geringas, Janine Jansen, Jörg Widmann, Radovan Vlatkovic, Paul Meyer, Lars Vogt, Kolja Blacher, and Sharon Kam. He has appeared at Carnegie Hall, Wigmore Hall, the Seoul Arts Center and the Amsterdam Concertgebouw, as well as at a number of outstanding festivals in Berlin, Schleswig-Holstein, Japan, Ravinia (USA), Australia, Heimbach (“Spannungen”), and Jerusalem. Rohde has performed solo viola concertos with renowned orchestras in Munich, Weimar, Bonn, Hannover, and Lithuania, as well as with chamber orchestras from Munich, Lithuania and Basel, collaborating with conductors such as Kent Nagano, Georg Alexander Albrecht, Paavo Järvi, Massimo Zanetti, and Michael Sanderling. Composers of the likes of Brett Dean, Sören N. Eichberg, Ursula Mamlok, Krystof Maratka, Arydas Malcys, David P. Hefti, and Olli Mustonen have written works for him. From 2013 to 2017 he served as Principal Conductor and Artistic Director of the NFM Leopoldinum Chamber Orchestra in Wroclaw. Starting with the 2017/18 season, he is expanding his conducting activities to other orchestras.
Thus in 2019/20 he will go on tour to Vienna (Musikverein), Hamburg (Laeiszhalle), Budapest, Lviv, Slovenia, and Germany with the Budapest Franz Lizst Chamber Orchestra and with Lviv Symphony Orchestra. His appearances as conductor have already led him to perform at the Philharmonie in Berlin, the Tonhalle in Düsseldorf, the Pablo Casals Festival in Prades (France), and the Wratislawia Cantans Festival in Wroclaw. He has made numerous international radio recordings, as well as CDs for EMI Classics, Decca, CAvI-music, BMG/Sony, MDG, CPO, and Naxos. In 2004, he won the Supersonic Award. Hartmut Rohde plays a viola by Giuseppe Fiorini and a viola by Ivo Iuliano.

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Florian Donderer (violin)

As a chamber musician, soloist, conductor and concertmaster – equally at home on the violin and viola – he is a highly esteemed partner of many renowned musicians and a welcome guest at prestigious chamber music series and festivals. Since 2019, he has been the director of the Rottweil Music Festival Sommersprossen; together with his wife, Tanja Tetzlaff, he curates the chamber music series residenz@sendesaal at Sendesaal Bremen. With the Signum Quartet as its leader, he has travelled to international venues throughout Europe and even to New York‘s Carnegie Hall. As concertmaster and artistic director, he is a guest performer with various European chamber orchestras and a lecturer in violin, chamber music and orchestral playing at numerous universities. He plays a violin made by German violin maker Peter Greiner...
more
As a chamber musician, soloist, conductor and concertmaster – equally at home on the violin and viola – he is a highly esteemed partner of many renowned musicians and a welcome guest at prestigious chamber music series and festivals. Since 2019, he has been the director of the Rottweil Music Festival Sommersprossen; together with his wife, Tanja Tetzlaff, he curates the chamber music series residenz@sendesaal at Sendesaal Bremen. With the Signum Quartet as its leader, he has travelled to international venues throughout Europe and even to New York‘s Carnegie Hall.
As concertmaster and artistic director, he is a guest performer with various European chamber orchestras and a lecturer in violin, chamber music and orchestral playing at numerous universities. He plays a violin made by German violin maker Peter Greiner in 2003, as well as bows by Nico Plog from Antwerp.

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Yura Lee (violin)

Composer(s)

Giuseppe Verdi

Giuseppe Verdi is viewed as one of the most important, and most popular, opera composers of Italy. Few composers knew how to balance artistic ideals and commericial interersts like him. He was a composer of 'hits', like his 'La donna è mobile' from his opera Rigoletto and his 'Chorus of the Hebrew Slaves' from his opera Nabucco, and he was careful not to have his audience feel bored at any moment. Especially his early works are characterised by strongly propelling, rhytmic power. A common example is his Il Trovatore.  Yet, Verdi was also a composer with ideals. If he would get intrigued by a character, it became his mission to portray to persona as best as he could in the music. This sometimes meant he was forced...
more

Giuseppe Verdi is viewed as one of the most important, and most popular, opera composers of Italy. Few composers knew how to balance artistic ideals and commericial interersts like him. He was a composer of 'hits', like his "La donna è mobile" from his opera Rigoletto and his "Chorus of the Hebrew Slaves" from his opera Nabucco, and he was careful not to have his audience feel bored at any moment. Especially his early works are characterised by strongly propelling, rhytmic power. A common example is his Il Trovatore. Yet, Verdi was also a composer with ideals. If he would get intrigued by a character, it became his mission to portray to persona as best as he could in the music. This sometimes meant he was forced to alter or neglect traditional opera forms, like he did in Rigoletto. He was not afraid to touch on socially sensitive matters, which at times led to issues with the establishment. For instance, his opera La traviata turned out to be a controversial one, due to its courtesan heroine. Verdi never engaged in the intellectual discussions on music of his time. He pretended to be a simple man who felt most at home in the countryside. Nonetheless, with the masterful fugal ending of his last opera Falstaff he undoubtedly showed his intellectual level of composing.


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Press

The CD thus presents two live recordings deprived of the visual setting.
The Rehearsal Studio, 19-11-2016

Play album Play album
01.
Quartet for two Violins, Viola and Cello in E Minor: I. Allegro
07:50
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
02.
Quartet for two Violins, Viola and Cello in E Minor: II. Andantino
07:43
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
03.
Quartet for two Violins, Viola and Cello in E Minor: III. Prestissimo
03:08
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
04.
Quartet for two Violins, Viola and Cello in E Minor: IV. Scherzo. Fuga
04:50
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
05.
Quartet for two Violins, Viola and Cello in E Flat Major No. 10, Op. 51 “Slavonic” : I. Allegro ma non troppo
11:20
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
06.
Quartet for two Violins, Viola and Cello in E Flat Major No. 10, Op. 51 “Slavonic” : II. Dumkab(Elegia)
07:57
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
07.
Quartet for two Violins, Viola and Cello in E Flat Major No. 10, Op. 51 “Slavonic” : III. Romanza
06:20
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Florian Donderer, Hartmut Rohde, Christian Tetzlaff
08.
Quartet for two Violins, Viola and Cello in E Flat Major No. 10, Op. 51 “Slavonic” : IV. Finale. Allegro assai
07:33
(Antonín Dvorák, Giuseppe Verdi) Frans Helmerson, Katharine Gowers, Yura Lee, Maximilian Hornung, Hartmut Rohde, Florian Donderer, Christian Tetzlaff

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