1 CD
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€ 13.95
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Label Signum Classics |
UPC 0635212045022 |
Catalogue number SIGCD 450 |
Release date 20 May 2016 |
The King’s Singers return with a new early-music recording that features 12 of Giovanni Pierluigi da Palestrina’s beautiful polyphonic choral settings of the ‘Canticum Canticorum’ – better known as ‘The Song of Songs’ or Canticles, a collection of poetry in the Hebrew Bible on the theme of the joy and ecstasy of human love. These settings are framed by four of Palestrina’s Marian motets, works in honour of the Virgin Mary which he composed throughout his life.
The name Palestrina might remind you of strict, proper counterpoint and boring music lessons. And this image isn't new; even before his death, Palestrina was already portrayed as a legendary master of counterpoint. His body of work commands respect with more than 100 missas, 300 motets and many more other religious works. And all of them written with flawless mastery of the composition techniques of his Franco-Flamish predecessors. Besides the quantity and quality of his work, the council of Trent added to this image. The council wished to reform the music of the catholic church: all excessive and secular elements should be withdrawn and the text had the in the foreground, intelligibly. One story tells that it was Palestrina's Missa Papae Marcelli which was performed during the council to test the intelligibility. Another myth portrays Palestrina as the saviour of sacred music. In any way, Palestrina was the most central composer in Rome during the 16th century, and his stature lasts to this day. At times, his music is depicted as boring, but if you would give it a listen you will soon find out this is a myth as well!