The Dutch baritone Robbert Muuse is a sought after singer for both the concert and the opera repertoire. He performed many operatic roles including Guglielmo in Mozart’s Così fan tutte in a touring production throughout the Netherlands, Allazim in Mozart’s Zaide performed in the Karlsruhe Festspielhaus, Le Directeur in Poulenc’s Les Mamelles de Tirésias conducted by maestro Ed Spanjaard and Pallante in Händel’s Agrippina, which he sang on tour through Eastern-Europe with the Combattimento Consort Amsterdam conducted by Jan Willem de Vriend. Furthermore he performed Filippo in a Dutch translation of Rossini’s La Gazzetta. As a soloist and interpretator of baroque music Muuse has sung many oratorios and concerts. His interpretation of Bach's Matthew Passion (arias and Jesus) has been much acclaimed. Also on his repertoire are the great oratorios and concert works, such as many cantatas by J.S. Bach, Händel’s Messiah, Haydn’s Die Jahreszeiten, Mendelssohn’s Elias, the great Requiems by Mozart, Fauré and Duruflé, Brahms’ Ein Deutsches Requiem, Carmina Burana by Orff, Rossini’s Petite Messe Solennelle and Vaughan Williams’ Five Mystical Songs.
Since 2001 he has frequently worked together with the Ensemble Pierre Robert (France), an ensemble that consists generally of three solo-voices, specialised in French baroque music, and directed by Frédéric Desenclos. The repertoire includes works of Brossard, Henry Dumont, Daniel Danielis, Clérembault, M.A. Charpentier, Lully, Couperin and Pierre Robert.
Acclaimed for his skills in singing Lied, Muuse has sung many song recitals, amongst others at the Amsterdam Concertgebouw, in Stuttgart, Karlsruhe, Salzburg and Paris, accompanied by the Dutch pianist Micha van Weers. Having been trained and performing together since 1994, they have gained great experience in the art of song and have won esteem for their interpretations.
It is their goal to gain new attention for particular repertoire that has not been performed for a long time, such as the so-called Entartete Musik (degenerate music), music that was banned by the Nazi-regime; the repertoire consists of an extensive list of works by many jewish composers from different countries. But they also perform great works from other composers that somehow and for no good reason have been neglected on the concert platform.
With chambermusic ensembles Muuse performed works such as Le Bal Masqué by Poulenc, Die Wolkenpumpe by Erwin Schulhoff, and Dover Beach by Samuel Barber.
Invitations led to the Amsterdam Concertgebouw, Cité de la Musique in Paris, Combattimento Consort Amsterdam, The Netherlands Bach Society, La Petite Bande and Ives Ensemble Amsterdam. He appeared as a guest soloist on international festivals, such as Festival de Verbier, the Early Music Festival in Utrecht, La Roque d'Anthéron and the London Lufthansa Baroque Festival.

The Dutch pianist Micha van Weers is versatile performer in different facets of chamber music. As a soloist she has focussed on twentieth-century Czech pianomusic, for which she has lived and studied in Prague. Beside playing solo and together with other instrumentalists, she has a special dedication to accompanying singers in song recitals.
In many reviews Van Weers has been praised for her colourful play and great expressivity. She performed concerts, e.g. in the Amsterdam Concertgebouw, Kassel State Theatre, in Paris, Prague, Stuttgart, Salzburg. She made recordings for radio and television in the Netherlands and abroad; in 2011 her debut-CD was launched, with songs of Cyril Scott and Ralph Vaughan Williams.
Besides the familiar, well-known repertoire, baritone Robbert Muuse and Micha van Weers challenge themselves to continuously explore the field of unknown works, forgotten or even forbidden songs that they deem worthy to be re-discovered and performed as new. This research led to their present collection of approximately 80 songs by Cyril Scott, that have unjustly remained unknown to our generation.