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Children of the Light

Danilo Pérez / John Patitucci / Brian Blade

Children of the Light

Price: € 19.95
Format: CD
Label: Mack Avenue
UPC: 0673203110427
Catnr: MAC 1104
Release date: 18 September 2015
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Label
Mack Avenue
UPC
0673203110427
Catalogue number
MAC 1104
Release date
18 September 2015

"4**** ["] ..Children of the Light is a record that must be conquered time after time. The three musicians choose by preference  the unpredictable way in which ideas, rhythms, melodies and other ingredients which are seemingly difficult to combine to a logical unity. Jazz music is definitely not for frightened people . Brave dving into the deep, like Wayne Shorter has teached them himself.""

De Limburger, 31-12-2015
Album
Artist(s)
Composer(s)
Press
EN

About the album

Danilo Pérez, John Patitucci and Brian Blade have been three quarters of the extraordinary Wayne Shorter Quartet for more than a decade. Since, they’ve also continued their individual careers as leaders of their own projects and groups. Now, on Children of the Light, they step forward as a trio for the first time with an imagination and fearlessness in their approach that defies the roles and ways of a trio in both obvious and subtle ways.
“When I gave Wayne a copy of the recording I told him: ‘this is for you, doctor. This is our gift. This is our show of love, care and gratitude for all the lessons’,” says Pérez.
Daring and luminous, often an improbable mix of pointed, questioning turns and childlike joy, the music unfolds with mischievous unpredictability. The 11 tracks include original compositions by all three members of the trio and a fresh take on “Dolores,” an old Shorter classic.
It’s a remarkable balancing act but even as they put their considerable talents to the service of the trio, each of the members maintains his distinct personality.
“We can ‘comprovise’ (spontaneous composition) with dense harmonic and melodic forms, but we can also explore the beauty of a simple harmony,” says Pérez. “And you can see the care each one of us put into the songs we brought in.”

Artist(s)

Danilo Pérez (piano)

Early life Danilo Pérez was born in Panama in 1965. Danilo started his musical training at 3 years old with his father Danilo Sr, a professional bandleader and singer, gave Danilo Jr. his first set of bongos. By the time he was 10 years of age he was studying the European Classical Piano repertoire at the National Conservatory in Panama, eventually transferring to the Berklee College of Music to study Jazz composition and then serving as a professor at the New England Conservatory of Music. While growing up in Panama, Perez was notably influenced by the works of Gershwin, Duke Ellington, John Coltrane, and his mentor in spirit Thelonious Monk. Career When Danilo Perez moved to the United States his prominence increased immensely. He played with living jazz legends who...
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Early life

Danilo Pérez was born in Panama in 1965.

Danilo started his musical training at 3 years old with his father Danilo Sr, a professional bandleader and singer, gave Danilo Jr. his first set of bongos. By the time he was 10 years of age he was studying the European Classical Piano repertoire at the National Conservatory in Panama, eventually transferring to the Berklee College of Music to study Jazz composition and then serving as a professor at the New England Conservatory of Music. While growing up in Panama, Perez was notably influenced by the works of Gershwin, Duke Ellington, John Coltrane, and his mentor in spirit Thelonious Monk.

Career

When Danilo Perez moved to the United States his prominence increased immensely. He played with living jazz legends who played a key role in shaping Perez's technique and style. Between 1985 and 1988, while being a student at Berklee, Perez played with Jon Hendricks, Terence Blanchard, Claudio Roditi and Paquito D'Rivera. He also was part of the Grammy winning album, Danzon. Wynton Marsalis asked Perez to tour Poland with his band in 1995; Danilo Perez was the first Latin artist to perform with Marsalis. For the 1996 Summer Olympics in Atlanta, Perez and Marsalis played together again. He performed as a special guest at President Clinton's Inaugural Ball, and played the piano on the Bill Cosby theme song.

He also played with Dizzy Gillespie, Jack DeJohnette, Charlie Haden, Sibongile Khumalo, Michael Brecker, Joe Lovano, Tito Puente, Gerardo Núñez, Wynton Marsalis, John Patitucci, Tom Harrell, Gary Burton, Wayne Shorter, Roy Haynes, Steve Lacy, Ben Street, Adam Cruz, and others.

A resident of Boston, Danilo Perez serves as the artistic director of the Berklee College of Music Global Jazz Institute, a program for talented jazz students from around the world.
Influences

Conceivably Perez's biggest influence in terms of style and thought was Dizzy Gillespie. Perez had the opportunity to perform with Gillespie and his United Nations Orchestra from 1989 until the band leader’s death in 1992. Perez states in a press report for the Independent that "One of the things Dizzy taught me was to learn about my own heritage even more than I knew already. He said it was more important for jazz for you to get to what your roots are, than to learn about other things". Danilo assimilated the bebop and post-bop styles. He was also a member of the Grammy winning record Live At The Royal Festival Other influential studies that Perez has achieved have been his album for Impulse! records, PanaMonk, which is a study of and tribute to Thelonious Monk.


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Brian Blade (drums)

Composer(s)

Press

4**** ["] ..Children of the Light is a record that must be conquered time after time. The three musicians choose by preference  the unpredictable way in which ideas, rhythms, melodies and other ingredients which are seemingly difficult to combine to a logical unity. Jazz music is definitely not for frightened people . Brave dving into the deep, like Wayne Shorter has teached them himself."
De Limburger, 31-12-2015

["].. "Try to listen without expecting anything, only then you are open to an exciting discovery."
Vpro, 20-10-2015

3 *** "The great rousing drumming of Blade - attraction in Shorter's quartet - is much less prominent." 
Trouw, 16-10-2015

''For the listener there is a lot to discover in the songs that are definetly sparkling and frisky, but who are also detached why they don't really endure.''
Piano wereld, 01-6-2015

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