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Légende

Tansman Cello Quartet

Légende

Format: CD
Label: Antarctica
UPC: 0608917730128
Catnr: AR 0001
Release date: 01 April 2016
1 CD
 
Label
Antarctica
UPC
0608917730128
Catalogue number
AR 0001
Release date
01 April 2016

""[...] they do it magically. [...]""

music frames, 09-6-2016
Album
Artist(s)
Composer(s)
Press
EN
DE

About the album

The repertoire for cello quartet is not large. It does nevertheless include some jewels which deserve to be discovered. The Tansman Cello Quartet present here a few of them for you to enjoy.
Das Repertoire für Cello Quartet kann man durchaus als eingeschränkt betrachten, jedoch enthält es einige Schätze, die es verdienen entdeckt zu werden. Das Tansman Cello Quartet präsentiert hier einige dieser Schätze von Alexandre Tansman, Joseph Jongen, Pierre Petit, Rudolf Matz und Jules de Swert.

Artist(s)

Tansman Cello Quartet

The Tansman Cello Quartet, named after the Polish composer Alexandre Tansman, started life in 2010 from the meeting of four musicians from three different countries: Marinela Doko (Albania), Fernando Lima de Albuquerque (Brasil), Didier Poskin (Belgium) and Karel Steylaerts (Belgium) during the Violoncelles en Folie Festival in the Hautes-Alpes. Since then they have performed regularly in France and abroad: at the Festival Messiaen (Pays de la Meije), Servais Society (Halle, Belgium), Salle Cortot (Paris) and have been invited as the resident ensemble at the Violoncelles en Folie Festival since 2011. ​ The quartet has now recorded their first CD for the Belgian label Antarctica with original works for cello quartet. Their repertoire is highly eclectic and also includes adaptations of works from the Baroque period to the present...
more
The Tansman Cello Quartet, named after the Polish composer Alexandre Tansman, started life in 2010 from the meeting of four musicians from three different countries: Marinela Doko (Albania), Fernando Lima de Albuquerque (Brasil), Didier Poskin (Belgium) and Karel Steylaerts (Belgium) during the Violoncelles en Folie Festival in the Hautes-Alpes.
Since then they have performed regularly in France and abroad: at the Festival Messiaen (Pays de la Meije), Servais Society (Halle, Belgium), Salle Cortot (Paris) and have been invited as the resident ensemble at the Violoncelles en Folie Festival since 2011.
​ The quartet has now recorded their first CD for the Belgian label Antarctica with original works for cello quartet.
Their repertoire is highly eclectic and also includes adaptations of works from the Baroque period to the present day.
The ensemble takes its name from the Polish composer Alexandre Tansman (Lodz 1897 – Paris 1986). Tansman started composing at the age of 8. He had piano and composition lessons in his home town and later studied Law in Warsaw, while continuing his studies in counterpoint and composition at the conservatory. From 1919 his career developed in Paris, and it was from here that he discovered the world. He became friends with Charlie Chaplin, George Gershwin, Maurice Ravel and many others. Tansman composed more than 300 works for diverse groups and ensembles. He is considered to be a Neoclassicist, turning his back on Romanticism, and preferring order, clarity and sobriety. His Two movements for Four Cellos dates from 1935; it was played in that same year in Brussels as a world premiere.

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Composer(s)

Joseph Jongen

Joseph Jongen was born in Liège on December 14, 1873 and died in Sart-lez-Spa on July 12, 1953. He began his study of music at the Royal Conservatory of Liège in October 1881, for which some official rules needed bending—he was not even eight years old. But he was an exceptionally gifted student, of music theory as well as keyboard playing. He finished with a first prize in fugue with the equivalent of a summa cum laude in 1991 and with a gilded silver medal (equivalent to a magna cum laude) for piano in 1892; in 1896 he obtained the same medal for organ. He began composing at the age of 13, strongly encouraged by his father, who had given him...
more
Joseph Jongen was born in Liège on December 14, 1873 and died in Sart-lez-Spa on July 12, 1953. He began his study of music at the Royal Conservatory of Liège in October 1881, for which some official rules needed bending—he was not even eight years old.
But he was an exceptionally gifted student, of music theory as well as keyboard playing. He finished with a first prize in fugue with the equivalent of a summa cum laude in 1991 and with a gilded silver medal (equivalent to a magna cum laude) for piano in 1892; in 1896 he obtained the same medal for organ. He began composing at the age of 13, strongly encouraged by his father, who had given him his first music lessons, and stopped only in 1951, two years before his death. He was a candidate for the national composition “Grand Concours” in 1895 and came in second, but when he again participated in the next Concours, in 1897, he won with his cantata Comala. He composed music in nearly all forms, but he was an especially prolific writer of music for organ and piano, as well as chamber music
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Rudolf Matz

Rudolf Matz (Zagreb 1901 – Zagreb 1988) played an important role in the musical life of his home town. As a composer, cellist and conductor he combined these three facets in his First Years of the Cello, the six volumes of which were published between 1948 and 1962 and which some consider to be the best work for learning the cello since Duport’s Essai sur le doigté du violoncelle from 1806. Among the hundreds of other compositions by Matz, is the Cello Quartet in D minor published in 1966. In this piece, Matz subtly revisits themes from other illustrious predecessors.
more
Rudolf Matz (Zagreb 1901 – Zagreb 1988) played an important role in the musical life of his home town. As a composer, cellist and conductor he combined these three facets in his First Years of the Cello, the six volumes of which were published between 1948 and 1962 and which some consider to be the best work for learning the cello since Duport’s Essai sur le doigté du violoncelle from 1806. Among the hundreds of other compositions by Matz, is the Cello Quartet in D minor published in 1966. In this piece, Matz subtly revisits themes from other illustrious predecessors.

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Jules de Swert

Jules de Swert (Louvain 1843 - Ostende 1891) was an important representative of the Belgian school of cellists. From 1857 he was a pupil of François Servais, known as the “Paganini of the cello” at the Brussels Conservatory. He was awarded a Premier Prix there in 1859. He went on to hold top posts as soloist or konzertmeister in Dusseldorf, Weimar, Berlin and Vienna. De Swert composed two cello concertos and numerous fantasies for cello and chamber ensembles. His Pensée Elégiaque was dedicated to the oldest son of François Servais, Joseph, also a famous virtuoso cellist, after his death in 1885. The atmosphere of this piece is one of meditative serenity.
more
Jules de Swert (Louvain 1843 - Ostende 1891) was an important representative of the Belgian school of cellists. From 1857 he was a pupil of François Servais, known as the “Paganini of the cello” at the Brussels Conservatory. He was awarded a Premier Prix there in 1859. He went on to hold top posts as soloist or konzertmeister in Dusseldorf, Weimar, Berlin and Vienna. De Swert composed two cello concertos and numerous fantasies for cello and chamber ensembles. His Pensée Elégiaque was dedicated to the oldest son of François Servais, Joseph, also a famous virtuoso cellist, after his death in 1885. The atmosphere of this piece is one of meditative serenity.

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Press

"[...] they do it magically. [...]"
music frames, 09-6-2016

"good and beautifull sounds from the tansman cello Qaurtet."
luister, 01-6-2016

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