Neset burst onto the scene with his first album as leader in 2011, and was instantly hailed as combining “Brecker's power and Garbarek's tonal delicacy” and being “on his way to being one of the biggest new draws on the circuit” (Guardian).This is his his most ambitious, cherished and personal project to date. In these concentrated works, Neset has sought out chaos and dissonance, he has also been drawn to lyricism and tenderness, and then worked at finding a balance between the extremes, using compositional methods which subliminally bring out the continuities between them.

Petter Eldh (b.1983) - the bassist with the beautiful tone - has also come far. He was born and raised in Gothenburg in Sweden. He received his first guitar at 11 but switched to bass three years later. He began his musical education in his hometown but obtained his Masters in 2009 from Copenhagen’s Rhythmic Conservatory. Despite plenty of work at home, Petter resituated, and now divides his time between Copenhagen and Berlin - when not touring with one of the internationally renowned groups he plays with, such as the British pianist Django Bates’ trio.

Andreas Brantelid started playing the cello from a very early age, studying with his father, and made his concerto début at the age of 14 with the Royal Danish Orchestra in Copenhagen playing the Elgar Cello Concerto. In the USA, he has performed with the Seattle and Milwaukee Symphony Orchestras, and in Europe, with orchestras across Scandinavia and also with the Tonhalle, Vienna Symphony, BBC Symphony and Mahler Chamber Orchestras.
Recital and chamber appearances have taken Andreas Brantelid to New York, London, Salzburg and Budapest. In the 2008–09 season he was nominated by the European Concert Hall Organization for their ‘Rising Star’ recital series, and in 2012 he was appointed a ‘Junge Wilde’ artist at the Dortmund Konzert- haus.
Andreas Brantelid won first prize in the Eurovision Young Musicians Com- petition (2006) and the International Paulo Cello Competition (2007). He was a Borletti-Buitoni Trust Fellowship winner in 2008, and has also been a member of the Lincoln Center Chamber Music Society in New York and the BBC’s New Generation Artist scheme. He has studied with Mats Rondin, Torleif Thedéen and Frans Helmerson, and plays the ‘Boni-Hegar’ Stradivarius from 1707, kind- ly lent to him by the Norwegian art collector Christen Sveaas.