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Label Challenge Classics |
UPC 0608917265828 |
Catalogue number CC 72658 |
Release date 07 November 2014 |
""They seem so simple and quietly moving, but the power of music is also in the seemingly rolling obvious sovereignty that subtle takes obstacles." "
Luister, 01-6-2015Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.
Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.
Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.
"They seem so simple and quietly moving, but the power of music is also in the seemingly rolling obvious sovereignty that subtle takes obstacles."
Luister, 01-6-2015
"If their is one wire through the rich musical life of Jan Willem de Vriend is it his enthusiasm."
De Volkskrant, 15-5-2015
4****
["].. Supported by alert orchestral playing, he reveals a style closer to Beethoven than is often the case in these two symphonies."
BBC Music Magazine, 01-4-2015
De Vriend's Mendelssohn is muscular and dynamic. 4 out of 5 stars
BBC Music Magazine, 30-3-2015
"Such a fresh breeze didn't sweep throug Mendelssohns "italian symphony" in a long time"
BR Klassik, 13-3-2015
"A special mention deserves the rich sound of the woodwinds that get an important place in the colourful whole."
Luister, 06-3-2015
"De Vriend and his orchestra present volume 3 with the symphonies of Mendelssohn, that already has reference status just as the complete Beethoven symphonies."
"A fresh, dynamic and often surprising Mendelssohn."
"Jan Willem de Vriend demolishes the image showing Mendelssohn as a nice and romantic composer with a flowery sound. His Mendelssohn is modern, dynamic virile and peppery."
Highest ranking: 'Pizzicato Supersonic'
Pizzicato, 05-3-2015
["]...I concluded that, 'for a fresh immediate statement that compels one's attention from start to finish, I cannot imagine anyone being disappointed by this new release'."
Gramophone, 01-3-2015
"As well as with the Symphonies of Beethoven De Vriend has removed the dust from these works."
"A splendid plea for this unjustly forgotten music."
Trouw, 06-2-2015
"A beautifull new conviction for this forgotten music"
Trouw, 01-1-1970