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Wagner Without Words
Richard Wagner

Llŷr Williams

Wagner Without Words

Price: € 25.95
Format: CD
Label: Signum Classics
UPC: 0635212038826
Catnr: SIGCD 388
Release date: 10 October 2014
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Label
Signum Classics
UPC
0635212038826
Catalogue number
SIGCD 388
Release date
10 October 2014
Album
Artist(s)
Composer(s)
EN
NL

About the album

Welsh Pianist Llyr Williams (b. 1976) explores Wagner’s rich and evocative sound-world from a different perspective. Featuring arrangements of Richard Wagner’s operas by Liszt and Gould (as well as Williams’ own arrangement of music from Parsifal), at the center of the program is a selection of Wagner’s own piano pieces – many of which were written earlier in his career, hinting at the grand operatic masterworks which were yet to come. Mr. Williams is widely admired for his profound musical intelligence, and for the expressive and communicative nature of his interpretations.

Een nieuw perspectief op de klankwereld van Wagner
Pianist Llŷr Williams verkent op Wagner Without Words de rijke en beeldende klankwereld van Richard Wagner vanuit een nieuw perspectief door middel van pianotranscripties van zijn beroemde melodieën. Het programma bevat inzichtelijke bewerkingen van Wagners opera’s door Franz Liszt en Glenn Gould, Williams eigen bewerking van de muziek uit Parsifal, en in het midden een selectie van Wagners eigen pianowerken. Wagner componeerde veel van deze werken aan het begin van zijn carrière. Ze blikken vooruit op de grootse operateske meesterwerken die nog geschreven moesten worden.

Enkele recensenten schreven over het album:

“it’s technically superb; WiIliams is equal to the toughest challenges that Liszt presents, but always puts Wagner first …the colours WiIliams creates from the keyboard in Siegfried’s Rhine Journey and the Parsifal suite are radiant and entrancing.” – The Guardian

“A varied and rewarding programme enriched by Williams’s velvet touch, meticulous voicing, attention to detail and judiciously graded dynamics. - Gramophone

Artist(s)

Composer(s)

Richard Wagner

Richard Wagner was an important innovator of music in his time. He is best known for his operas, which he himself preferred to refer to as musical dramas. He wrote the texts (the libretti) himself and sought to make a Gesamtkunstwerk, the ideal union of text, music and theatre. Over time, this lead to grandiose musical dramas which were performed in a specially built theater for these works in the small town of Bayreuth. Wagner's greatest critic, the philosopher Nietzsche, named his former friend the 'greatest miniaturist of music who in the smallest of space squeezed an endless amount of sense and sweetness'. Nietzsche regarded this as a sympton of decadence, yet it does portray the large variety of treasures which can...
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Richard Wagner was an important innovator of music in his time. He is best known for his operas, which he himself preferred to refer to as musical dramas. He wrote the texts (the libretti) himself and sought to make a Gesamtkunstwerk, the ideal union of text, music and theatre. Over time, this lead to grandiose musical dramas which were performed in a specially built theater for these works in the small town of Bayreuth.

Wagner's greatest critic, the philosopher Nietzsche, named his former friend the "greatest miniaturist of music who in the smallest of space squeezed an endless amount of sense and sweetness". Nietzsche regarded this as a sympton of decadence, yet it does portray the large variety of treasures which can be found in Wagner's music: the mysterious fantasy stories of the love potion of Tristan & Isolde, Wotan's spear, the sea of flames of Brünhilde, the sword of Siegfried... Still the real main character is the orchestra, which shines its light on all the true intentions and feelings of these heroes with great depth.

Both as a composer and as an individual, Wagner remains a subject of controversy and emotional discussions. By many he is hailed as a hero, and by equally many others completely dismissed. But his influence as a composer and musical innovator is undeniable!


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