2 CD |
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Notify when available |
Label Challenge Classics |
UPC 0608917212624 |
Catalogue number CC 72126 |
Release date 01 January 1994 |
The hot Italian summer of 1982; four young Dutch saxophonists rehearsing in Via Aurelia in Rome; the beginning of a sensational, pioneering chamber-music ensemble: the Aurelia Saxophone Quartet.
Then came: Concerts throughout the world from Suntory Hall in Tokyo to the Gewandhaus in Leipzig – not to mention the little church in Marken-Binnen in the Dutch province of Noord-Holland and a municipal centre in Oristano, Sardinia which smelt of beer.
Radio and television performanceswithin the Netherlands and abroad.
Multiple CDs to the group’s name, one of which won an Edison and international praise, setting a new standard for saxophone quartets the world over.
Collaboration with artists from all disciplines, including dance and theatre, as well as a great many musicians: pianists Ivo Janssen and Juan Pablo Dobal, bandoneon players Gustavo Toker and Carel Kraaijenhof, the Netherlands Wind Ensemble, the Georgian women’s choir Mzetamze, the gamelan ensemble Multifoon, Slagwerkgroep Den Haag, the Japanese saxophone quartet Trouvère, the Hague Residentie Orchestra and others.
Over seventy world premieres of works by ter Veldhuis, Goldstein, Keuris, Andriessen and many others. The group gives compositions the chance to grow and plays pieces frequently so that they are heard often.
Astounding and ambitious arrangements. String quartets by Ravel, Debussy and Shostakovich, The Art of Fugue and the sonatas of Domenico Scarlatti. Pushing boundaries for our one great love: the saxophone quartet.
In 2017 the Aurelia Saxophone Quartet is ending after 35 beautiful years. The current members have decided to stop playing together because the successful development of their personal projects leaves no room for concerts. The quartet is proud to pass the baton to the promising next generation.
Astor Piazzolla (1921-1992) is one of most important tango composers of all time. Surprisingly, he spent a large part of his youth in New York. In 1937, Piazzolla returned to his mother country Argentina. There, he started to focus on a career as a classical pianist while in the evening he would play accordion in tango cabaret. From 1955, he worked on his own compositions and wove these two influences together to a new, refreshing sound: the 'tango neuvo'.
At the wedding of crown prince Willem-Alexander and Máxima Zorreguieta, Carl Kraayenhof made a spectacular impression with his performance of Adios Noniño. Piazzolla died in 1992.