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Stravinsky, Brahms & Piazzolla: Works For Piano-Four-Hands

Alessio Bax / Lucille Chung

Stravinsky, Brahms & Piazzolla: Works For Piano-Four-Hands

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212036525
Catnr: SIGCD 365
Release date: 30 January 2014
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Label
Signum Classics
UPC
0635212036525
Catalogue number
SIGCD 365
Release date
30 January 2014
Album
Artist(s)
Composer(s)
EN
NL

About the album

The real life marriage of two great concert pianists, Alessio Bax and Lucille Chung, has led to one of the leading piano duos of their generation. To cite the UK magazine Music and Arts, “Theirs is a marriage of wondrous colours and dextrous aplomb, subtly balanced to make a musical performance sound as one.”

Stavinsky’s Pétrouchka was originally arranged for four-hands by the composer as a rehearsal score for the Ballet Russes production of the same name, but in this stripped-down it brings Stravinsky’s melodic, rhythmic and harmonic inventiveness to the fore. Brahms’s 16 Waltzes Op.39 are an enchanting collection of Romantic miniatures that simultaneously nod to the musical lineage of the composer’s home in Vienna whilst asserting his own flair and individuality. The final four tangos by Piazzolla are a full of Argentine flair and vigor, and were arranged especially for this recording by Bax & Chung.
Betoverende werken van drie grote componisten
Het huwelijk tussen de twee geweldige concertpianisten Alessio Bax en Lucille Chung heeft geleid tot een van de meest vooraanstaande pianoduo’s van hun generatie. Om de UK magazine Music en Arts te citeren: ‘Hun huwelijk is er een van wonderlijke kleuren en vingervlugge zelfbewustheid die subtiel gebalanceerd zijn om een muzikale uitvoering als eenheid te laten klinken.’

Stravinsky had zijn Petroesjka oorspronkelijk gearrangeerd voor vier handen, als oefenmateriaal voor de productie van het Ballet Russes, dat dezelfde naam draagt. De uitgeklede versie op dit album brengt Stravinsky’s melodieuze, ritmische en harmonische vindingrijkheid prachtig naar voren. Brahms’ 16 Waltzes Op. 39 vormen een betoverende collectie van Romantische miniaturen. Ze verwijzen naar de muzikale afkomst van de woonplaats van Brahms in Wenen en laten de individualiteit van de componist goed zien. De laatste vier tango’s van Piazolla bevatten Argentijnse flair en energie en waren speciaal voor dit album gearrangeerd door Bax en Chung.

Artist(s)

Alessio Bax (piano)

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt 'among the most remarkable young pianists now before the public' (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 100 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden. Bax...
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Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt "among the most remarkable young pianists now before the public" (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 100 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Bax explores many facets of his career in the 2019-20 season. Fall brings the release of Italian Inspirations, his eleventh recording for Signum Classics. Pairing works by Luigi Dallapiccola and Alessandro Marcello with Italian-themed pieces by Rachmaninov and Liszt, the album's program is also the vehicle for Bax's solo recital debut at New York's 92nd Street Y. A further debut follows with the Milwaukee Symphony, where he plays Beethoven's "Emperor" Concerto under Han-Na Chang, and the same composer's Fourth Concerto and Choral Fantasy take him to the Santa Barbara Symphony. Placing especial focus on long-term collaborative projects, this season Bax undertakes Beethoven's complete works for cello and piano at Chamber Music Society of Lincoln Center (CMS) and on a forthcoming Signum Classics release, both with Paul Watkins of the Emerson String Quartet; plays trios in South America with Berlin Philharmonic concertmaster Daishin Kashimoto and French horn virtuoso Radovan Vlatkovic; and embarks on multiple U.S. and European recital tours with superstar violinist Joshua Bell. After headlining the North Carolina Symphony's season-opening concerts together, Bax and his regular piano partner, Lucille Chung, give duo recitals with CMS, at Atlanta's Spivey Hall, in the Yale Piano Series, and at Sala São Paulo in Brazil. Bax rounds out the season with a full summer of festivals, highlighted by his third season as Artistic Director of Tuscany's Incontri in Terra di Siena festival, which is fast becoming a major international destination for music-lovers.

Bax revisited the two concertos heard on Alessio Bax Plays Mozart for his recent debuts with the Boston and Melbourne Symphonies, both with Sir Andrew Davis, and with the Sydney Symphony, which he led himself from the keyboard. Other 2018-19 highlights include the pianist's Auckland Philharmonia debut, concerts in Israel, a Japanese tour featuring dates with the Tokyo Symphony, U.S. collaborations with Miguel Harth-Bedoya and Edo de Waart, and two solo recitals marking his return to the prestigious Mozarteum Argentino series at Buenos Aires's Teatro Colón. Recent seasons have also seen Bax make his solo recital debut at London's Wigmore Hall, which aired live on BBC Radio 3, and give concerts at L.A.'s Disney Hall, Washington's Kennedy Center, and New York's Carnegie Hall. In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Bax is a staple on the international summer festival circuit, and has performed at the Verbier Festival in Switzerland; the Aldeburgh Festival, Bath Festival, and Southbank Centre's International Piano Series in England; the Risør Festival in Norway; the Salon-de-Provence Festival in France; the Moritzburg Festival, Ruhr Klavier-Festival, and Beethovenfest Bonn in Germany; and Le Pont International Music Festival in Japan. In the U.S., he makes regular appearances at Seattle Chamber Music Festival, Music@Menlo, the Bravo! Vail Music Festival, Santa Fe Chamber Music Festival, the Great Lakes Chamber Music Festival and New York's Bard Music Festival. As a chamber musician, Bax has collaborated with Emanuel Ax, Joshua Bell, Ian Bostridge, Lucille Chung, Sol Gabetta, Steven Isserlis, Daishin Kashimoto, Emmanuel Pahud, Lawrence Power, Paul Watkins, Jörg Widmann, and the Emerson String Quartet, among many others.

Bax's celebrated discography for Signum Classics includes Beethoven's "Hammerklavier" and "Moonlight" Sonatas (a Gramophone "Editor's Choice"); Beethoven's "Emperor" Concerto; Bax & Chung, a duo disc with Lucille Chung that includes Stravinsky's original four-hand version of the ballet Pétrouchka as well as music by Brahms and Piazzolla; Alessio Bax plays Mozart, comprising Piano Concertos K. 491 and K. 595 with London's Southbank Sinfonia and Simon Over; Alessio Bax: Scriabin & Mussorgsky (named "Recording of the Month . and quite possibly . of the year" by MusicWeb International); Alessio Bax plays Brahms (a Gramophone "Critics' Choice"); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide "Critics' Choice 2011"). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone "Editor's Choice." He performed Beethoven's "Hammerklavier" Sonata for maestro Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available as a DVD boxed set on the EMI label.

Alessio Bax graduated with top honors at the record age of 14 from the conservatory of Bari, his hometown in Italy, where his teacher was Angela Montemurro. He studied in France with Francois-Joël Thiollier and attended the Chigiana Academy in Siena under Joaquín Achúcarro. In 1994 he moved to Dallas to continue his studies with Achúcarro at Southern Methodist University's Meadows School of the Arts. In fall 2019, Bax joins the piano faculty of Boston's New England Conservatory. A Steinway artist, he lives in New York City with Lucille Chung and their five-year-old daughter, Mila. Beyond the concert hall he is known for his longtime obsession with fine food; as a 2013 New York Times profile noted, he is not only notorious for hosting "epic" multi-course dinner parties, but often spends his intermissions dreaming of meals to come.


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Lucille Chung (piano)

First Prize winner of the Stravinsky International Piano Competition, Lucille Chung has been celebrated for her “stylish and refined” performances by Gramophone. She was born in Montreal, and made her debut at the age of ten with Montreal Symphony Orchestra, after which Charles Dutoit invited her as soloist on the orchestra’s tour to Asia. She has since performed with orchestras around the world, including Philadelphia Orchestra, Moscow Virtuosi, BBC National Orchestra of Wales, Seoul Philharmonic, Dallas Symphony, and Israel Chamber Orchestra, as well as all the major orchestras in Canada, among them the Montreal, Toronto, and Vancouver Symphonies and National Arts Centre Orchestra. She has appeared with conductors such as Krzysztof Penderecki, Vladimir Spivakov, Yannick Nézet-Séguin, and Vasily Petrenko. Her solo discography includes the - 13 - first volume of her recording of György Ligeti’s complete piano works on the...
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First Prize winner of the Stravinsky International Piano Competition, Lucille Chung has been celebrated for her “stylish and refined” performances by Gramophone. She was born in Montreal, and made her debut at the age of ten with Montreal Symphony Orchestra, after which Charles Dutoit invited her as soloist on the orchestra’s tour to Asia. She has since performed with orchestras around the world, including Philadelphia Orchestra, Moscow Virtuosi, BBC National Orchestra of Wales, Seoul Philharmonic, Dallas Symphony, and Israel Chamber Orchestra, as well as all the major orchestras in Canada, among them the Montreal, Toronto, and Vancouver Symphonies and National Arts Centre Orchestra. She has appeared with conductors such as Krzysztof Penderecki, Vladimir Spivakov, Yannick Nézet-Séguin, and Vasily Petrenko. Her solo discography includes the - 13 - first volume of her recording of György Ligeti’s complete piano works on the Dynamic label, as well as Camille Saint-Saëns: Piano Transcriptions, Mozart & Me, as well as an all-Poulenc and an all-Liszt albums for Signum Classics.
The second volume of Chung’s Ligeti project on the Dynamic label comprises his works for piano four hands and two pianos, and marks the first recorded collaboration between Bax & Chung. The disc garnered the maximum R10 Classica from the French magazine Répertoire and five stars from Fono Forum in Germany. In 2006, the duo released Saint-Saëns’s Carnival of the Animals with Fort Worth Symphony under Miguel Harth-Bedoya, with Michael York as narrator. Bax & Chung: Piano Duo appeared on Signum Classics in 2013, pairing Stravinsky’s four-hand version of his ballet Pétrouchka with music by Brahms and Piazzolla.
Together, Bax & Chung have performed in major festivals and concert halls around the world; in 2008 alone, they logged 20,000 miles by train as they toured their four-hand Pétrouchka across the far reaches of Stravinsky’s homeland. They have appeared at international festivals including Verbier in Switzerland; Við Djúpið in Iceland; the opening concert of Chungmu Hall in Seoul, Korea; the Pau Casals, Castilla y León, Torroella de Montgrí, and Pamplona International Festivals in Spain; the Felicja Blumental Festival in Tel Aviv; Lübecker Kammermusikfest and Schloss Elmau in Germany; Ottawa International Chamber Festival in Canada; and Music@Menlo, Chamber Music Society of Lincoln Center, Mainly Mozart, and Bard Music Festival in the U.S.; besides giving performances in Aruba, Barbados, China, Cyprus, France, Guatemala, Hong Kong, Italy, Palestine, Russia, and the United Kingdom. In recent seasons they have performed at New York’s Lincoln Center; with the St. Louis Symphony Orchestra, the Chopin Society in Saint Paul, MN; Dumbarton Oaks series in Washington, DC; at Italy’s Incontri in Terra di Siena Festival, where Bax assumed the role of Artistic Director in 2017; and at Teatro Colón in Buenos Aires, playing Mozart’s Concerto for Two Pianos with the Filarmónica de Buenos Aires.
After meeting at the 1997 Hamamatsu Competition, Bax & Chung carried on a courtship by telephone and email while on separate tours, eventually marrying in 2004. They are also co-artistic directors of the Joaquín Achúcarro Foundation in Dallas, Texas, created to cultivate the legacy of the Basque pianist and to support young pianists’ careers.


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Composer(s)

Johannes Brahms

Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the 'Three Bs' of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.   Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become...
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Johannes Brahms was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer is such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.

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Igor Stravinsky

Igor Fyodorovich Stravinsky was a Russian composer, pianist, and conductor. He is widely considered one of the most important and influential composers of the 20th century.   Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913). The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His 'Russian phase' which continued with works such as Renard, The Soldier's Tale and Les Noces, was followed...
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Igor Fyodorovich Stravinsky was a Russian composer, pianist, and conductor. He is widely considered one of the most important and influential composers of the 20th century.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913). The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard, The Soldier's Tale and Les Noces, was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue and symphony), drawing on earlier styles, especially from the 18th century. This style was often referred to as Neoclassicism. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form, and of instrumentation.

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Press

Play album Play album
01.
Pétrouchka: First Tableau, The Shrove-Tide Fair
06:49
(Igor Stravinsky)
02.
Pétrouchka: First Tableau, Russian Dance
02:38
(Igor Stravinsky)
03.
Pétrouchka: Second Tableau, Petrouchka’s Cell
03:52
(Igor Stravinsky)
04.
Pétrouchka: Third Tableau, The Moor’s Cell
06:14
(Igor Stravinsky)
05.
Pétrouchka: Fourth Tableau, The Shrove-Tide Fair (evening)
12:47
(Igor Stravinsky)
06.
16 Waltzes, Op. 39: I. B Major (Tempo giusto)
00:41
(Johannes Brahms)
07.
16 Waltzes, Op. 39: II. E Major
01:04
(Johannes Brahms)
08.
16 Waltzes, Op. 39: III. G-Sharp Minor
00:37
(Johannes Brahms)
09.
16 Waltzes, Op. 39: IV. E Minor (Poco sostenuto)
00:59
(Johannes Brahms)
10.
16 Waltzes, Op. 39: V. E Major
01:11
(Johannes Brahms)
11.
16 Waltzes, Op. 39: VI. C-Sharp Major (Vivace)
01:02
(Johannes Brahms)
12.
16 Waltzes, Op. 39: VII. C-Sharp Minor (Poco piu? andante)
02:00
(Johannes Brahms)
13.
16 Waltzes, Op. 39: VIII. B-Flat Major
01:03
(Johannes Brahms)
14.
16 Waltzes, Op. 39: IX. D Minor
01:18
(Johannes Brahms)
15.
16 Waltzes, Op. 39: X. G Major
00:30
(Johannes Brahms)
16.
16 Waltzes, Op. 39: XI. B Minor
01:12
(Johannes Brahms)
17.
16 Waltzes, Op. 39: XII. E Major
01:40
(Johannes Brahms)
18.
16 Waltzes, Op. 39: XIII. C Major
00:32
(Johannes Brahms)
19.
16 Waltzes, Op. 39: XIV. A Minor
01:09
(Johannes Brahms)
20.
16 Waltzes, Op. 39: XV. A Major
01:18
(Johannes Brahms)
21.
16 Waltzes, Op. 39: XVI. D Minor
00:48
(Johannes Brahms)
22.
Lo que vendrá
03:58
(Astor Piazzolla)
23.
Milonga del ángel
05:46
(Astor Piazzolla)
24.
Tango No.2
04:49
(Astor Piazzolla)
25.
Libertango
04:20
(Astor Piazzolla)
show all tracks

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