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Holst: The Planets
Gustav Holst, Joby Talbot

The Philharmonia Orchestra / Salonen, Esa-Pekka

Holst: The Planets

Price: € 20.95 14.67
Format: DVD music
Label: Signum Classics
UPC: 0635212000991
Catnr: SIGDVD 009
Release date: 01 April 2013
old €20.95 new € 14.67
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20.95 14.67
old €20.95 new € 14.67
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Label
Signum Classics
UPC
0635212000991
Catalogue number
SIGDVD 009
Release date
01 April 2013
Album
Artist(s)
Composer(s)
EN
NL

About the album

Esa-Pekka Salonen leads the Philharmonia Orchestra in a unique performance of Holst's The Planets Suite, captured in High Definition by 37 cameras. This immersive experience takes the viewer to the heart of the Philharmonia as they perform this well-loved piece, using cameras placed in a multitude of positions and angles to create an extraordinary glimpse of the orchestra at work from within. As well as Holst's The Planets, the filmed performance also includes a new commission by UK composer Joby Talbot, Worlds, Stars, Systems, Infinity.

Additional features include a 'Making of' documentary feature, listening guide films for each planet, audio commentaries from conductor Esa-Pekka Salonen and principal players of the Philharmonia, and (for Blu-ray only) a bonus view option that allows a simultaneous view of the conductor and orchestra in action.

The Philharmonia Orchestra is committed to bringing classical music to new audiences in creative and exciting ways, and to this end has become a technological trailblazer in its adoption and adaptation of new technology. In 2010 the Re-Rite project allowed members of the public to experience Stravinsky's Rite of Spring for the first time from within the orchestra through audio/visual projections. Their 'Universe of Sound' project from which this release stems debuted at the Science Museum in London last year, and is set to tour the country in new installations during 2013.
Een unieke video-opname van The Planets die alle kanten van het orkest toont
Stel jezelf voor dat het mogelijk is om tijdens een uitvoering van een muziekstuk door het orkest heen te kunnen lopen. Dat is het concept achter het project Universe of Sound van het Philharmonia Orchestra. Deze video-opname bevat het resultaat van het project: een unieke uitvoering van The Planets van Gustav Holst, opgenomen door 37 camera’s.

De onderdompelende ervaring neemt de kijker mee naar het hart van het orkest terwijl ze dit geliefde werk uitvoeren. Voor de opname werden de secties van het orkest verdeeld over verschillende ruimtes. De opname kronkelt door de secties, zodat de kijker kan zien wat zij zien en horen wat zij horen terwijl ze als deel van een groter ensemble spelen. Naast The Planets bevat de opname ook een gelegenheidswerk van de Britse componist Joby Talbot: Worlds, Stars, Systems, Infinity.

Het Philharmonia Orchestra zet zich in om klassieke muziek op creatieve en opwindende manieren aan een nieuw publiek te presenteren, en is met dit doel een pionier op het gebied van het gebruik en de aanpassing van nieuwe technologie geworden.

Artist(s)

Philharmonia Orchestra

The Philharmonia was founded in 1945 by EMI producer Walter Legge, and has worked with a who’s who of 20th- and 21st-century musicians. Finnish conductor Santtu-Matias Rouvali took up the baton as Principal Conductor in September 2021. The sixth person to hold the title, he is known for his expressive, balletic conducting style and irrepressible energy. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini, Riccardo Muti and Esa-Pekka Salonen are just a few of the great artists to be associated with the Philharmonia, and the Orchestra has premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others. Southbank Centre’s Royal Festival Hall, in the heart of London, has been the Philharmonia’s home since 1995. The Orchestra also has residencies at venues and festivals across England, each embracing a Learning & Engagement programme that empowers people to engage with, and participate...
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The Philharmonia was founded in 1945 by EMI producer Walter Legge, and has worked with a who’s who of 20th- and 21st-century musicians. Finnish conductor Santtu-Matias Rouvali took up the baton as Principal Conductor in September 2021. The sixth person to hold the title, he is known for his expressive, balletic conducting style and irrepressible energy.
Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini, Riccardo Muti and Esa-Pekka Salonen are just a few of the great artists to be associated with the Philharmonia, and the Orchestra has premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others.
Southbank Centre’s Royal Festival Hall, in the heart of London, has been the Philharmonia’s home since 1995.
The Orchestra also has residencies at venues and festivals across England, each embracing a Learning & Engagement programme that empowers people to engage with, and participate in, orchestral music.
The Philharmonia’s international reputation is built in part on its extraordinary 79-year recording legacy, which in the last ten years has been built on by pioneering work with digital technology. The Orchestra’s installations and VR experiences have introduced hundreds of thousands of people to the symphony orchestra. The Philharmonia has won four Royal Philharmonic Society awards for its digital projects and audience engagement work. The Philharmonia is the go-to orchestra for many film and videogame composers in the UK and Hollywood, and its music-making has been experienced by millions of cinema- goers and gamers. It has recorded over 150 soundtracks, with film credits stretching back to 1947. Since 2023, the Orchestra has released live recordings on its own label, Philharmonia Records, in collaboration with Signum Records.
The Philharmonia has over 2m listeners each month on Spotify, and a vibrant YouTube channel with over 140,000 subscribers. The channel features free performances; instrument guides; interviews with artists; and in-depth documentaries.
The Philharmonia is an official partner of Classic FM and broadcasts extensively on BBC Radio 3.
The Philharmonia is a registered charity, proud to be supported by Arts Council England, many generous individuals, corporate supporters and Trusts and Foundations.
A team of 80 outstanding musicians from 16 countries, the Philharmonia looks forward to bringing music into your life, through great concerts, recordings and ground-breaking projects, for many years to come.

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Esa-Pekka Salonen (conductor)

Esa-Pekka Salonen’s restless innovation drives him constantly to reposition classical music in the 21st century. In 2020, he will become the Music Director of the San Francisco Symphony. Until the end of the season 2020-2021, he is the Principal Conductor and Artistic Advisor for London’s Philharmonia Orchestra, where the award-winning RE-RITE and Universe of Sound installations have allowed people all over the world to step inside the orchestra through audio and video projections. Salonen also drove the development of a much-hailed app for iPad, The Orchestra, which gives the user unprecedented access to the internal workings of eight symphonic works.  As the Music Director of the Los Angeles Philharmonic, where he is now Conductor Laureate, Salonen was instrumental in opening the...
more
Esa-Pekka Salonen’s restless innovation drives him constantly to reposition classical music in the 21st century. In 2020, he will become the Music Director of the San Francisco Symphony. Until the end of the season 2020-2021, he is the Principal Conductor and Artistic Advisor for London’s Philharmonia Orchestra, where the award-winning RE-RITE and Universe of Sound installations have allowed people all over the world to step inside the orchestra through audio and video projections. Salonen also drove the development of a much-hailed app for iPad, The Orchestra, which gives the user unprecedented access to the internal workings of eight symphonic works. As the Music Director of the Los Angeles Philharmonic, where he is now Conductor Laureate, Salonen was instrumental in opening the Frank Gehry-designed Walt Disney Concert Hall and made the orchestra one of the best attended and funded in the country. He is the Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic and Artist in Association at the Finnish National Opera and Ballet. Additionally, Salonen is Artistic Director and cofounder of the annual Baltic Sea Festival.
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Composer(s)

Gustav Holst

Gustav Holst is a composer nobody seems to know, evne though everyone knows The Planets. This lack of relative fame is a mystery, because the quality of his works for choir and orchestra (including some amazing works for brass orchestra) is often high. Perhaps this can be explained by his aversion to public appearance. After the succes of The Planets he focused on more introvert topics, which resulted among others in his beautiful Hymn of Jesus from 1917. This is typically a work which upon first listening makes you wonder why it's not better known (even though allegedly the work was quite succesful during its own time).  There is, however, also something up with the continuity of Holst as a composer, as if technical challenges stimulated...
more
Gustav Holst is a composer nobody seems to know, evne though everyone knows The Planets. This lack of relative fame is a mystery, because the quality of his works for choir and orchestra (including some amazing works for brass orchestra) is often high. Perhaps this can be explained by his aversion to public appearance. After the succes of The Planets he focused on more introvert topics, which resulted among others in his beautiful Hymn of Jesus from 1917. This is typically a work which upon first listening makes you wonder why it's not better known (even though allegedly the work was quite succesful during its own time). There is, however, also something up with the continuity of Holst as a composer, as if technical challenges stimulated him more than creating a consistent style. Grove music Online quoted Holst's daughter Imogen regarding this remarkable phenomenon: 'As soon as he made his point, he stopped'.
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